Monday, February 27th, 2012
Two of my favorite pieces at the Endgame show have been bought, so I took this one and Violet Midnight 2 over there to replace the sold pieces on the wall. Then I realized I’m so far behind in posting that I hadn’t even shown it to you guys here on the site, oops.
I used a gorgeous golden yellow paint to make these spirals, and then added the salt while they were still wet. You can really see how the salt around the “stars” is yellower than the white aura I added to the moon later, sans paint. I like this one because it makes me think of moonrise, of looking up into the sky with the low, yellow moon hanging just off to one side of your vision, rather than taking over the whole show.
It’s bigger than my usual, too, 10″x8″ instead of the smaller size, which gives room for the smaller, saltless star-spirals that I put into the background. The piece is really simple but it’s got a lot of depth for me because it took several sessions to paint all the details, and spent at least two days just growing salt crystals. Each of these salt pieces is part art and part experiment for me, so when I’m working on them I tend to think a lot about the technical aspects and let the aesthetics work themselves out almost meditatively in the spacing, size and color choices.
Golden Moon, 10″x8″ salt and watercolor on Arches cover black paper.
Above you can really see how much whiter the salt is without the paint adulterating it. I love the way this shot came out enough I even made you guys a wallpaper of it. And by you I mean me, of course. Below, I’ve zoomed in on just one pair of stars, so you can see how sparkly and three-dimensional they really are. I actually find it pretty funny that I’ve started making a lot of art that shimmers, glitters and sparkles, since in my real life I’m the least-sparkly person you’ll meet with my unchanging jewelry and boring black t-shirts.
And finally, you can see it in a frame! The shot’s a little dark, but that’s because black paper behind glass is basically a mirror, also known as a huge pain in my butt to photograph.