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Ogdred Weary

Saturday, April 2nd, 2011

Ogdred Weary, detail, by Amy Crook

Ogdred Weary, detail, by Amy Crook

This print combines two printing techniques for a singular layered result. First the colors were painted onto a blank acrylic plate with monoprint inks and the  piece was run through the printing press. Then, a deep-bite etched intaglio plate was inked and the already-printed page was run through a second time, which left the textured black impression overlaying the color. It can be a very precise process, but I never was a very precise artist, so you can see that the two plates don’t quite align on the page, which accents the loose style of the print itself.

I only ever made one print like this one, but it’s one of my favorite images to have come out of my explorations with printmaking. I named it after an Edward Gorey pseudonym, because the image reminded me of some tentacled beast that might live in a pond in one of his delightfully morbid picture books. My favorite of his is The Gashlycrumb Tinies, because it opens with, “A is for Amy who fell down the stairs.”

Ogdred Weary, 3″x3″ etching and monoprint on 7″x10″ watercolor paper, $699 with free shipping.

Ogdred Weary by Amy Crook

Ogdred Weary by Amy Crook

This print is on a high-quality watercolor paper, but is not suitable for display without a matte or frame. I’m happy to frame it for you for a small additional fee.

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Posted in Abstract and Just Plain Weird, Daily Art, Shop - Abstract and Just Plain Weird, Tentacles | 1 Comment »

Blue Square

Saturday, February 5th, 2011

Blue Square by Amy Crook

Blue Square by Amy Crook

I have never managed to successfully take a photograph that captures the color and texture of this painting. It’s a sad sort of blue-grey, but with a gentle glow of hope in the upper left that keeps it from being depressing. There’s a lot of subtle color changes and textures, and I’ve finished the edges with Payne’s Gray, which has helped to set off the small details and changes in colour.

This painting’s story isn’t so much the story of it being painted one day in a fit of melancholy and creatitivty, as it is the way it’s travelled with me through the years. Right now it’s hanging on the wall above my antique secretary, with smudges on the wall from where I painted the sides last month (my poor landlords, I console myself that I don’t plan to move for several years yet). It’s lived in many apartments, sometimes hanging, sometimes not, but it’s always held a special place for me as an abstract that, while having no discernible figures or features, still manages to convey something to the viewer.

Blue Square, 20″x20″ oil on canvas, $699 with free shipping.

The edges of this canvas have been finished in deep blue-grey, making it suitable for hanging as is. I’m always happy to help you by framing it for a wee little fee, if that’s your preference.

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Posted in Abstract and Just Plain Weird, Daily Art, Shop - Abstract and Just Plain Weird | 2 Comments »

Romantic Gesture

Saturday, January 15th, 2011

Romantic Gesture by Amy Crook

Romantic Gesture by Amy Crook

The most romantic gesture of all: the gift of a unique flower that lasts all year long. This beautiful monoprint features an abstract rose that spills over the sides of the page. This print is totally unique: there will never be another quite like it. Perfect for the art-loving valentine in your life.

This one-of-a-kind piece of art was created with a unique process called monoprinting. Thick water-based inks are painted onto a blank acrylic printing plate, and then run through a printing press to transfer them to thick archival paper. It’s very similar to the way an etching is hand-pulled, but in this case there is only one copy created, since the original painting vanishes when the inks transfer to the paper. The process is a mix of deliberate art and random elements, since a measure of the texture is lost when the wet paper contacts the water-based inks, absorbing them in a slightly different manner every time.

The printing plate in this case was 2″x6″, printed onto a larger 8″x11″ sheet of paper. The second photo shows the way the plate was framed, to draw the viewer’s eye and imagination toward the place where the rose exits the image, allowing them to fill in the rest of the rosebud, to conjure their own image what exists beyond the tiny slice of sky and leaf and stem.

Romantic Gesture, monoprint on watercolor paper, 8″x11″, $399 with free shipping.

Romantic Gesture, detail, by Amy Crook

Romantic Gesture, detail, by Amy Crook

This print is on watercolor paper but will require framing or matting to be suitable for display. I’m happy to frame it for you for a small additional fee.

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Posted in Abstract and Just Plain Weird, Flowers, Trees and Landscapes, Shop - Abstract and Just Plain Weird, Shop - Flowers, Trees and Landscapes | No Comments »

Elements

Saturday, January 8th, 2011

Elements by Amy Crook, detail

Elements by Amy Crook, detail

After many months of working in the printmaking studio, I amassed quite a collection of little printing plates with abstract and symbolic images on them. I made a number of monoprints using them, including this one. It’s got elements of etching, monoprint, and chine collé in it, and always felt to me a bit myterious, as though it was trying to show me something I could never quite make out.

The grey panel at the top uses the oil-based printer’s ink on one of the blank monoprint plates to render a smoky, abstract image. The middle is a piece of paper from one of the Chinese New Year packets, imprinted with an etching plate that took most of the foil away with it. The final image is a tiny etching plate, a mere one inch square, echoing the smokiness of the top image, or perhaps originating it.

I think I still have a bunch of these plates, and I miss being able to pull them out and muck about late into the night, handling the thick, wet paper and exploring all the different ways the images I’d created could become something new.

Elements by Amy Crook

Elements by Amy Crook

This is the full page, including the inevitable inky fingerprints and smudges around the edge. I always was a messy printmaker.

Elements, 9″x12″, etching and monoprint on watercolor paper, $399 with free shipping.

The thick watercolor paper of this print is not really suitable for display as is, but I’m happy to mat or frame it for you for an additional fee.

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Posted in Daily Art, Shop - Abstract and Just Plain Weird | 1 Comment »

Gate

Saturday, November 6th, 2010

Gate by Amy Crook

Gate by Amy Crook

It’s been many years since I did much printing, but I still remember the smell of the different inks and the strange and interesting results that could come from just inking up a plate and seeing what happened when I ran it through the press.

This piece was made with a 3″x3″ square of acrylic, edges smoothed down to keep it from cutting right through the paper. Then I hand-inked the blank plate with water-based monoprint inks, which always reminded me a bit of finger paint in consistency. Each resulting print is one of a kind, so though the transfer from plate to paper is similar to intaglio, no two monoprints are ever alike.

This particular image reminds me of a cave or gateway into somewhere mysterious, with that bit of a glow among the stalactites at the top, and a very spiky path ahead.

Gate, 3″x3″, monoprint on watercolor paper, $299 with free shipping.

This print is on thick watercolor paper, but isn’t really suitable for display as is. I’m happy to frame or matte it for you for a wee little fee.

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Posted in Abstract and Just Plain Weird, Shop - Abstract and Just Plain Weird, Shop - Zombies, Skulls, and Other Morbid Things, Zombies, Skulls, and Other Morbid Things | 1 Comment »

Molten Sky

Saturday, October 23rd, 2010

Molten Sky by Amy Crook

Molten Sky by Amy Crook

This painting was inspired by Roger Zelazny’s Amber series, in a roundabout way. In it he postulates a continuum of realities from the Pattern of Order at Amber to the Courts of Chaos at the other end, with the realities becoming stranger and more dangerous as they get closer to Chaos. I imagined a world where the sky had cracked open one night, its rough-velvet texture tearing down the middle and letting molten gold spill forth, sparking and changing and becoming like stars as it spread across the sky. I tried to capture that sense of motion, of chaos, with the three metallic colors of droplets (gold, bronze and a scarab red that shimmers and changes to old-bronze-green at certain angles).

This painting goes strangely well with my decor, when I hang it on the one darker golden accent wall the gold paint blends beautifully, while still stands out more on the lighter wheat-gold of the rest of the apartment. I keep wanting to frame it with an old window frame, so that it looks like you’re staring out a window at the glowing fissure in the sky.

Molten Sky, oil on canvas, 24″x24″, $999 with free shipping.

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Posted in Daily Art, Shop - Abstract and Just Plain Weird | 2 Comments »

Halflight

Tuesday, September 14th, 2010

Halflight by Amy Crook

Halflight by Amy Crook

This simple abstract monoprint has some soft texture of the water-based inks sinking into the paper at the bottom, streaked with red hiding among the charcoal grey. Brush strokes appear as streaks of light coming down from above, bringing out the purple in the grey.

Halflight, 3″x3″ monoprint on 10″x10″ watercolor paper, $199 with free shipping.

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