Posts Tagged ‘blue moon’
Wednesday, September 2nd, 2020
This piece is in a category I call “more cowbell.” I took an older Blue Moon painting and put a bird on it. Or three, to be accurate.
It’s a small murder, but it checks out.
There’s a rich texture both on the paper and in the paint here, with the black sky and haloed moon both highlighting and concealing the crows. They’ve got some gorgeous blue and violet in their feathers, especially the two in the shadows, and their eyes contain a tiny glint of iridescent paint.
Doesn’t your life need a little murder?
Above, you can see the crows, shadow on shadow, their purple-blue plumage fading into the textured black night sky. Below, they’re trapped in a frame like a view out a window that doesn’t exist.
Friday, September 6th, 2019
More skies, more sparkles, more moon, more bird!
This one’s got a lovely shimmery background, both moon and sky, which the wings of our crow pick up beautifully. There is some matte black in its head and body and along the arches of its bones, but mostly this crow is like a dream of motion, stirring up the sky. The crow blots out the shine of the moon like the only solid piece of reality in a shining, swirling night.
Where would this beauty fit into your reality?
Above, you can see the deep black of the crow going blurred and sparkly against the turquoise glitter of the moon. Below, the painting is shining out of a frame, waiting to go home with you. Yes, you.
Categories: Floating Gallery, Flowers, Trees and Landscapes, People, Figures and Faces, Series and Books, Whimsical and Strange
Tags: altered skies, blue moon, crow, duochrome, iridescent, moon, nfs, sold, watercolor
Monday, March 4th, 2019
A blue moon hangs gibbous in the dark of night, mysterious colors peeking out through the mist around it. Three birds make their way across, neither entirely silhouetted nor completely illuminated.
This was almost “three for a death” after a different version of the counting crows rhyme, though these feel more like ravens to me. An unkindness of three, though who knows how many more are lurking among the swirling shadows.
Whether waxing or waning, the moon floats serenely in a halo of its own light, secure that the time will bring its cycle back to full soon enough.
Above, you can see the moon glowing, the spirals of darkness reaching, and the ravens soaring. Below, you can see this small art in its frame, perfect for tucking a piece of once upon a time into your own space.
Friday, August 24th, 2012
This piece took forever! Twelve weeks of little spirals in the interstices of my day, fifteen minutes here and an hour there, until finally, finally it’s done.
I really liked the texture pattern on the couch in B is for Baker Street, interior, and so I thought, wouldn’t that make a cool pattern for the night sky around this mysterious blue moon? I really need to learn to think before I start spiraling sometimes, though, because the difference between that wee couch and this big piece of paper was a lot of hours. So many hours. @_@
I actually really love the result, though, and I’ve got the piece on display in my studio until someone takes it home to decorate their own life.
Blue Moon 4, 8″x8″ pen & ink and watercolor on Fluid watercolor paper.
I’ve framed this beautiful piece and hung it on the wall above my writing desk.
Why yes, that is a Jack in the Box holiday-themed antenna ball, why do you ask?
Friday, June 8th, 2012
It’s interesting to me that so many of my moons are similar, but the three Blue Moon pieces are all very different. This one uses no salt at all, and takes advantage of the textured paper and graining black color to create a strange sort of anti-shine around the moon, in several concentric circles. The ring of white where I wanted to preserve both the edge of the moon and the edge of the sky is a stark contrast to the dark black that’s next, and then there’s a softer, lighter ring followed by the outer ring of spiky black. It reminds me a little of looking at the moon through a frosty window or dark storm cloud, with the stars obscured and the moon a strange, fuzzy glow.
Blue Moon 3, 8″x8″ watercolor on watercolor paper.
Above you can see a close-up of the white ring where the two parts of the painting never quite meet. Below, you can see the painting hanging out with my phone. It’s ever so slightly bigger than 8″ across, so it doesn’t quite fit into the frame I have — it’ll have to go into a 10″x10″ frame with a mat, whenever it finds its final home.
Monday, April 2nd, 2012
Even though this piece shares a name and some materials with my first Blue Moon, that’s about all they have in common. The blues in this are all muted except for the vivid French Ultramarine moon itself, and even the little halos of iridescent paint became quite subtle painted wet-in-wet.
I made the 7 stars the usual way with paint and salt and water, but the moon was part of my newest experiment where I put paint into some water I had already saturated with as much salt as I could boil into it. Pretty much all of this week’s art was made with this technique, for some fascinating results. Sparkly ones!
Blue Moon 2, 5″x5.25″ salt and watercolor on watercolor paper.
You can see little particles of the iridescent paint around the borders of the halo, and I thought the shot of the moon itself came out so well I made a wallpaper for you. Yes, you.
Below, you can see the lightning-like formations around the edges of some of the pools, and the way I brushed the outer rim of the salt pools with the blue-black paint, which sinks into the crevices and gives it deep shadows.
Since this one isn’t quite square, I haven’t framed it yet, but it’ll get its lovely black frame before it goes to live in its new home.
More Art This Way »