Posts Tagged ‘map’
Monday, May 8th, 2017
Layers of boundaries obscured but not always obliterated by the shapes that form atop them. A world that is always shifting, changing, adapting to the forces that make and move borders. A history hiding in the blend of color, the sparkle of truths that won’t stay buried.
Uncertain Boundaries 2 is another Map piece, mixed media artworks that create imaginary places and invite the viewer to explore them.
What history do you think has happened here?
Above, you can see the half-obliterated history of these strange countries, lines still there in memory but outweighed by the present. Below, this piece is in a frame, waiting to add some mystery to your walls.
Thursday, June 2nd, 2016
The newest Map is a lovely warm one, reminiscent of a pirate’s treasure map that’s been tossed onto and then rescued from a fire.
Delicate walnut linework traces each little inlet and fjord. The textured paper with its blackened edges speaks of lifetimes of use, parchment worn and damaged and fingers run over the roughened surface.
It makes you wonder what treasure might lie at the heart of this map.
Above, you can see a close-up of the walnut ink tracing the ins and outs of these imaginary coastlines. Below, this larger piece is in a nice big frame, just waiting to add a dash of adventure to your life.
Tuesday, October 6th, 2015
The penultimate piece in this month’s Gallery is another in my Map series. The delicate changes from paper to watercolor become stark with black ink outlining each little eddy and fjord.
Although the paint is entirely non-shiny in this one, the nature of the sharp lines makes the land mass appear limned in a pale blue light. The granulating paint has settled into mountain ridges and smaller hills, forests and plains, creating a topography that exists only between the imagination and the page.
Where will this map take you?
Peninsula, 5″x7″ pen & ink and watercolor on watercolor paper.
Above, you can see some of the exquisite detail created by the texture of paper and paint, and the fine lines of pen and ink creating borders around each little shape. Below, the map sits in a frame, awaiting a new adventurer.
Thursday, November 6th, 2014
Many miles away
Something crawls from the slime
At the bottom of a dark Scottish loch
There is a very subtle shimmer of amethysts in the water at the center of this painting, another in my series of maps to nowhere. The rich mineral-based paints give very understated, muted colors, with only that tiny bit of shimmer to add lightness. I outlined the ‘loch’ with Sharpie marker, and named it after the above lyrics from The Police’s Synchronicity II.
There’s even a hint of monsters in the gorgeous texture of the lake, a suggestion of something lurking in the forest surrounding it as well. A shadow on the door of your mind.
Dark Scottish Loch, 10″x8″ Sharpie marker and Primatek watercolorn on archival paper.
Above, you can see the amethyst paint shimmers ever so subtly in the dark waters of the loch. Below, you can see the painting in a frame, suggesting at secrets to be found at the bottom of things.
Tuesday, August 5th, 2014
I spend way too much time explaining how much better my artwork looks in real life, but it’s always true. This piece has much richer jewel tones of purple, teal, and green that have all sort of washed out into a vague blueness when converted to rgb.
There’s rich layers of color, with some of the boundaries outlined and some erased, and some only vaguely visible. It makes me think of a map of some strange world that has evolved along with the history of the place, borders drawing and redrawing themselves as alien politics shift and change.
Uncertain Boundaries, 6″x4″ pen & ink and watercolor on Fluid watercolor paper.
Above, you can see one of the places where new color obliterates the old, and the boundary lines stutter and fade. Below, you can see this small piece in a frame, small enough to add its bright color to any number of surprising spaces.
Thursday, February 6th, 2014
I think paintings are hardest to talk about when I really adore them. This one is such an exquisite combination of tiny details and subtle colors created both by deliberate artistic choice and by random chance that I’m ridiculously in love with it.
The paper is soft, both in texture and its creamy color, and the paints are all matte shades of real minerals, except for the places where there’s unexpected bursts of red or even sun-catching bits of green iridescence. The shape suggests an island without being any specific one, with its noodling coastlines and the surf creeping up all around it. The green is rich and deep and mysterious, inviting the viewer to look for hidden detail.
Island, 10″x8″ watercolor and duochrome watercolor on Arches cover white paper.
Above, you can see a very close look at some of the detail, in an area with a subtle wash of red hiding under the green, and a tiny patch of shimmering brightness that only shows itself in sunlight, like a lake hidden in deep jungles. Below, the painting’s in a frame, looking even more like some forgotten map.
More Art This Way »