Posts Tagged ‘silver’

C is for Counter

Thursday, July 26th, 2012

C is for Counter, calligraphic illumination by Amy Crook

C is for Counter, calligraphic illumination by Amy Crook

Counter space is the space inside of a letter, whether open or closed. No, I didn’t know that before I started this project, either, don’t worry, but once I heard the term I became fascinated with the idea of fitting an old-school moon in the curve of the C for this alphabet.

C is for Counter, 5″x5″ Japanese watercolor, pen & ink and glitter gel pen on paper.

C is for Counter, detail, by Amy Crook

C is for Counter, detail, by Amy Crook

Above, you can see the shining silver stars in the blue sky, and also a better sense of the shading, which my scanner blew out completely in the yellows. Below, the C is hanging out with the Endless (whose names all start with D, ironically) and the G as well. It’s all ready for a Catherine or Carl to take it home, or perhaps a Mr. Cunningham. I think the framed photo actually has the most accurate color, too.

C is for Counter & G is for Gothic, framed art by Amy Crook

C is for Counter & G is for Gothic, framed art by Amy Crook

Categories: Daily Art, Illuminated Alphabet, Series and Books, Whimsical and Strange
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Galaxies

Thursday, May 17th, 2012

Galaxies, abstract art by Amy Crook

Galaxies, abstract art by Amy Crook

From some angles the background of this piece looks as black as the space between galaxies, or at least as black as the paper it’s painted on. Shift it just a little though, and a liberal dusting of silver stars sparkles up in the blackness, making the whole piece shimmer. The iridescent green paint, opaque blue and glittering salt form mysterious shapes floating in the black, broken spirals and strange pools of color.

I was just playing when I made the spirals, wanting some different shapes and enjoying the bigger page, which was more forgiving of the lack of precision from the salt water solution. It sat around for a few weeks after it dried while I decided what to do with it, and in the end I decided a subtle dusting of silver paint would best set off the shapes. I ended up brushing most of the silver particles back off the page, which makes the whole effect much more subtly supporting instead of overwhelming.

Galaxies, 10″x8″ salt and watercolor on paper.

Galaxies, detail 1, by Amy Crook

Galaxies, detail 1, by Amy Crook

Above you can see the golden afternoon light reflecting off the salt and paint in this particular spiral formation. Below, the strange little frost that formed where the water flowed off the edge and then soaked into the corner of the paper.

Galaxies, detail 2, by Amy Crook

Galaxies, detail 2, by Amy Crook

And of course I’ve taken a photo with frame, desk and iPhone, to give you an idea of how big it is in real life.

Galaxies, framed art by Amy Crook

Galaxies, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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Silver Moon

Monday, May 14th, 2012

Silver Moon, watercolor by Amy Crook

Silver Moon, watercolor by Amy Crook

It’s been a while since I gave you a new moon for Monday, so I thought it was about time. I did the salt pools for this one in a variety of sizes, using the clear salt water I made so even the smallest droplet left some salt behind when it dried. I used some powdered silver watercolor I have on hand to create a lovely colorless sky this time, with halos around the biggest star and an outward-fading spiral for the moon.

The reason I talk about the process so much is that’s what I’m mostly thinking about as I work, trying to get the effect I want out of the materials I’m using. I thinned out the silver paint to a specific thickness for the outer two circles on the moon, wanting there to be a delineation between the moon itself and the light that shines from it the way there is with the stars. I went for one big spiral this time because it seemed to fit with the rest, even though the star field is more complicated than in some similar pieces.

I try not to overthink these decisions as I’m making them, because the pieces work best when they’re not too fussy, with swooping paint strokes and not-quite-random scatterings of salt.

Silver Moon, 6″x4″ salt and watercolor on Arches cover black paper.

Silver Moon, detail, by Amy Crook

Silver Moon, detail, by Amy Crook

Above, you can see the light reflecting off the silver paint where it’s most opaque, as well as highlighting the smaller, un-haloed stars in the black. Below, the piece is framed and sitting next to my trusty iPhone for scale.

Silver Moon, framed art by Amy Crook

Silver Moon, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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Spiral Bookmark 1

Saturday, February 18th, 2012

Spiral Bookmark 1 by Amy Crook

Spiral Bookmark 1
by Amy Crook

And so we wave a cheerful goodbye to Bookmark Week with this last installment.

I was experimenting with these pigment-dense watercolor sticks I picked up, using the teal and orange pair to create a very bright contrast indeed. I wasn’t quite happy with it as is, though, so I added in the silver spirals on top with this awesome silver brush pen I got in Japantown, which gives a nice bit of shine to the piece.

Spiral Bookmark 1, 1.5″x7″ watercolor and brush pen on paper, nfs, sold.

Spiral Bookmark 1, detail, by Amy Crook

Spiral Bookmark 1, detail, by Amy Crook

Above you can see the various textures from the drawn lines to the washes created by running a wet brush over the watercolor stick, to the shining silver paint floating atop it all. Below, the bookmark sits happily with a book, just waiting to fulfill its intended purpose.

Spiral Bookmark 1, with book, by Amy Crook

Spiral Bookmark 1, with book, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Moleskine Cahier: Limned

Monday, May 2nd, 2011

Limned, customized Moleskine Cahier journal by Amy Crook

Limned, customized Moleskine Cahier journal by Amy Crook

I’ve had a little pile of these Moleskine Cahier journals sitting with my drawing supplies for weeks now, but haven’t been really inspired for what to do with them. I took one to bed with me to ponder one night when I was too wound up to sleep but tired of my usual workspaces, and after a while this idea came to mind. It’s very similar in form to another piece, Growth, but in this case the form itself is a negative space limned by a cluster of silver dots, rather than the painted circle in the first piece.

Limned, 3.5″x5.5″ silver Sharpie on Moleskine Cahier journal, $23 with free shipping.

Cahier Journals sport a heavy-duty black cardboard cover, with visible thread stitching on the spine. Inside each journal you’ll find acid-free paper pages and a spacious pocket for notes or clippings. Size: 3.5 x 5.5 in. (9 x 14 cm), 64 plain pages each, last 16 sheets detachable.

Because of the simplicity of the art on the front, I chose to sign & date this one on the back instead.

Limned, customized Moleskine, back, by Amy Crook

Limned, customized Moleskine, back, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Moleskines, Series and Books
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