Posts Tagged ‘tea’

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Cuppa Watercolor

Monday, December 26th, 2011

Cuppa Watercolor by Amy Crook

Cuppa Watercolor by Amy Crook, $323

I painted this image with prints in mind, and then Photoshop and I had irreconcilable differences about the color. I managed to get a decent one made for a certain Christmas present, but I swear I wasn’t speaking to my Adobe products for a few days afterward.

Apparently one culprit is the bright teal paint I used for the cup, which is a color my scanner seems to hate, not to mention the issues it has with pale colors of any sort, such as the shadow under the spoon that’s been rendered invisible.

Regardless, I really liked how the original came out, a peaceful cup of tea brewing, just waiting to brighten up someone’s day.

Cuppa Watercolor, 6″x6″ watercolor on paper, $323 with free shipping.

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Posted in Daily Art, Shop - Whimsical and Strange, Whimsical and Strange | No Comments »

Mud Puddle

Friday, September 2nd, 2011

Mud Puddle, abstract art by Amy Crook

Mud Puddle by Amy Crook, $444

This is one of the last of my tea experiments from a few months ago. I had the piece sitting around for weeks and weeks not really being anything, until one day I was in a crosshatching mood and suddenly I saw it as a mud puddle just needing a grassy lawn all around it. The puddle itself was made of strong black tea, and the spots of texture were big crystals of salt, some of which had a bit of watercolor left on them to add a touch of color to the tea.

Mud Puddle, 5″x5″ mixed media on paper, $444, framed, with free shipping.

I spent a couple of hours putting in the green pen-and-ink grass around the tea puddle, and I took photos with my iPhone as it progressed (though I forgot to take a before shot, oops).

Mud Puddle, work in progress, by Amy Crook

Mud Puddle, work in progress, by Amy Crook

When I’m working on a piece like this, I often spin it this way and that while I’m working to get a better angle for whatever I’m doing. Then, if it’s an abstract piece, I look at it in all four directions before I decide on which way is really up and sign it.

Mud Puddle, detail, by Amy Crook

Mud Puddle, detail, by Amy Crook

There’s a bit of subtle sparkle in the area where some of the salt sat, but the chunks remained mostly intact instead of dissolving into the tea, so there’s no crystal formations beyond the tiny ones you can see above.

The frame I’ve got it in is a little lighter than it shows in the photo, though I’m considering one even a shade lighter to go better with the delicate tea-dyed puddle.

Mud Puddle, framed art by Amy Crook

Mud Puddle, framed, by Amy Crook, $444

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Posted in Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes, Shop - Abstract and Just Plain Weird, Shop - Flowers, Trees and Landscapes | No Comments »

Autumn Winds

Wednesday, August 24th, 2011

Autumn Winds, abstract art by Amy Crook

Autumn Winds by Amy Crook, $299

I’m saving the Weeble this week for Friday, so instead you get a windy Wednesday. This piece uses tea, salt, watercolor, and pen and ink to create a whirlwind of color and shapes that reminded me of leaves tumbling around and around in a little eddy of breeze. I added in the rust-red Japanese maple leaves to add color and strengthen that impression.

Autumn Winds, 7″x5″ mixed media on paper, $299, framed, with free shipping.

Here you can see a close-up of the spot where leaf and salt pool collide; I used my brown pen and very little color leeched out into the salt, making the pools a subtle addition of texture and sparkle rather than a focal color point.

Autumn Winds, detail, by Amy Crook

Autumn Winds, detail, by Amy Crook

This piece looks great in its brown wooden frame, the colors really go well together. It will arrive at your door framed and in upcycled gift wrap, safely packaged for transit.

Autumn Winds, framed art by Amy Crook

Autumn Winds, framed, by Amy Crook, $299

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Posted in Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes, Shop - Abstract and Just Plain Weird, Shop - Flowers, Trees and Landscapes | 1 Comment »

Hibiscus Violet

Friday, August 12th, 2011

Hibiscus Violet, abstract art by Amy Crook

Hibiscus Violet, abstract art by Amy Crook, $99

Something about having painted the iridescent oils onto this watercolor postcard before gracing it with the hibiscus tea caused the tea to stop at a lovely violet mid-stage between the vibrant pink and soft blue of my other hibiscus pieces. I used salt to add some extra texture to the tea wash, but most of the texture comes from the peaks of dried oil paint.

This piece rides the edge of being busy, the harmonious color palette keeping it from being too random. I really like the way the paint shimmers in the light, but the areas of tea are a soft matte, which makes the paint seem to float above the background just a tiny bit.

Hibiscus Violet, 4″x6″ mixed media on watercolor postcard, $99, framed, with free shipping.

Here you can really see how the paint rises up from the page, and get a sense of the iridescent effect.

Hibiscus Violet, detail, by Amy Crook

Hibiscus Violet, detail, by Amy Crook

I’ve put it in a simple black frame, you can see how the colors change depending on the light.

Hibiscus Violet, framed art by Amy Crook

Hibiscus Violet, framed art by Amy Crook, $99

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Iridescence 3

Thursday, August 11th, 2011

Iridescence 3, abstract art by Amy Crook

Iridescence 3, abstract art by Amy Crook, $333

I admit, I wanted to post both of these in the same week because they feel like different sides of the same coin to me. They use similar color schemes and techniques, but where Iridescence 2 is all soft glowing colors and indistinct shapes, Iridescence 3 is all sharp-edged spirals and visible brush strokes.

Even the haloes of complementary color around each salt pool are sharper and more distinct than in the previous piece, with more areas of pure white paper peeking through as a result. I’m not sure which of the two I prefer, though this is the one I’ve got out on display right now.

Iridescence 3, 7″x5″ mixed media on watercolor paper, $333, framed, with free shipping.

This is a closeup of the green salt pool in the lower left, so you can really see how the paint is layered in distinct circles with watercolor’s characteristic dark, sharp edges.

Iridescence 3, detail, by Amy Crook

Iridescence 3, detail, by Amy Crook

The bold black frame works really well with the blue-black and violet-black in the darkest, sharpest of the paint swirls, and protects the fragile salt crystals from damage.

Iridescence 3, framed art by Amy Crook

Iridescence 3, framed, by Amy Crook, $333

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Posted in Abstract and Just Plain Weird, Daily Art, Series and Books, Shop - Abstract and Just Plain Weird | No Comments »

Iridescence 2

Tuesday, August 9th, 2011

Iridescence 2, abstract art by Amy Crook

Iridescence 2, abstract art by Amy Crook, $333

Going in the opposite direction of yesterday’s art, this one expands the color palette along the entire cool end of the spectrum. I used green, aqua, blue and violet pens for my salt circles. Then I supplemented it with a layer of hibiscus tea in its low-saturation periwinkle shades. After that I used watercolors in matching hues, the dark indigo-black and violet softened by swirls of complementary colors around each salt pool. Finally, I used a little bit of salt to add texture to a few of the darkest places, giving the whole piece a layered complexity.

I decided to continue naming them as a series after one of my favorite of the salt pieces, Iridescence, because they had the same quality of seeming as though they were reflective without anything shiny, other than the sparkling salt crystals.

Iridescence 2, 7″x5″ mixed media on paper, $333, framed, with free shipping.

You can see one of the wonderfully complex salt structures here, a little lopsided ziggurat of crystal formations saturated with ink and ever overdyed with paint. If you click on the image you can see it even bigger and really get a sense of the detail, though of course the actual circle is barely the size of a dime.

Iridescence 2, detail, by Amy Crook

Iridescence 2, detail, by Amy Crook

The piece looks beautiful safely tucked into its frame, the soft lines and cool colors offset by the simple black wood.

Iridescence 2, framed art by Amy Crook

Iridescence 2, framed, by Amy Crook, $333

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Posted in Abstract and Just Plain Weird, Daily Art, Series and Books, Shop - Abstract and Just Plain Weird | 1 Comment »

Hibiscus Blue 5

Monday, August 8th, 2011

Hibiscus Blue 5, abstract art by Amy Crook

Hibiscus Blue 5, abstract art by Amy Crook, $323

In this installment of my Hibiscus Blue series, I decided to go fully monochromatic by using the hibiscus tea rather than water to create my salt pools. Other than the signature, there’s no ink or watercolor in this it all, only the various shades of indigo created by the tea and its chemical reaction to the paper.

When I added the tea to the salt, it was fascinating to watch the droplets of liquid turn from a clear pinkish ruby, to a dark red, then almost an opaque black before drying the deep indigo you see here. It took a long time for both the chemical reaction and for the tea to fully evaporate, but the product is completely unique.

One random thing I discovered when I was working on these pieces — mosquitoes apparently find hibiscus tea quite tasty. I had one that kept circling and landing on the art, drinking from the shallow pool of tea (rather than me, thankfully). Since I didn’t want a bug-print in the middle of my painting, I had to let it go, though I think it fell prey to one of my cats shortly after.

Hibiscus Blue 5, 5″x7″ salt and hibiscus tea on paper, $323, framed, with free shipping.

Something about the way the salt and tea reacted caused the salt pools to form as circles of low, flat crystals with no large central formation, which then tended to dissolve easily when further tea was added to the page, creating irregular shapes of iridescent sparkle on the page.

Hibiscus Blue 5, detail, by Amy Crook

Hibiscus Blue 5, detail, by Amy Crook

I think the simple black frame really sets off the organic, monochromatic shapes, giving structure to the abstract swirls of color. The color seems a bit more accurate here, too; my scanner tends to pick up the least bit of remaining pink in the tea that isn’t as visible to the naked eye — or at least not to my eyes.

Hibiscus Blue 5, framed art by Amy Crook

Hibiscus Blue 5, framed, by Amy Crook, $323

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Posted in Abstract and Just Plain Weird, Daily Art, Series and Books, Shop - Abstract and Just Plain Weird | No Comments »

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