Copper Blue »
Violet Midnight
Violet Midnight by Amy Crook
Another image I keep revisiting, the moon glowing in the night sky. I went for a simple duochrome effect, the stars and moon drawn in orange ink, then the stars turned warm and golden when the salt and water were added. I used a dark blue-violet paint, which was making such fascinating shapes and shadows on its own as it pooled and flowed that I decided not to try to add any more stars and let the velvety paint stand on its own. Then I used a metallic copper watercolor to create the haloes around the moon and stars, the color an excellent match to the orange ink.
Violet Midnight, 7″x5″ mixed media on paper, nfs.
This piece has a great contrast between the matte violet paint and shimmery, iridescent copper paint; between the flat ink and three-dimensional salt crystals; between the meticulous spiral pattern in the moon and the random, cloudy shapes in the sky.
Violet Midnight, detail 1, by Amy Crook
Here you can really see how the interplay of colors and textures up close.
Violet Midnight, detail 2, by Amy Crook
A simple black frame protects the salt, and makes the vivid colors really glow.
Violet Midnight, framed, by Amy Crook
Tags: moon, nfs, orange, pen and ink, salt, sold, stars, violet, watercolor
This entry was posted on Thursday, September 8th, 2011 at 3:03 am and is filed under Daily Art, Flowers, Trees and Landscapes. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
4 Responses to “Violet Midnight”
Leave a Reply
I love how the contrasting colors turned out and the really cool color they made where they intersected. Very nice! (and I bet this one would be a cool print even without the super-neato-salt!)
Thanks! Actually between the salt and the iridescent paint, this one would be totally impossible to print. It would be 90% less awesome than the original, and that’s just too sad for words.
[...] This piece is rather the inverse of yesterday’s [...]
[...] awesomeness. So, with that in mind, I mixed up a slightly different mix of the violet-black from Violet Midnight and made a piece that only used the salt for visual texture rather than physical structure. [...]