Posts Tagged ‘salt’
Thursday, March 30th, 2023
Not a ton of requests from June, so there’s a wee trio of cards. These are all the size of a standard playing card, known as ATC or ACEO for Artist Trading Card (when traded) or Artist Card, Edition Original (when sold). The more you know.
- Jefferson asked for “Cherry Festival”
- Eric asked for “gloom”
- R&A asked for “Do not sell the baby online!”
These were all claimed before they were even made, whee!
Tuesday, May 25th, 2021
I got a new substrate to try, Yupo, which is an interesting synthetic that comes in a transluscent thin sheet, a more normal sheet, and a fat cardstock, all very smooth and non-absorbent. Basically the opposite of watercolor paper! I got a package of sketch card sized pads, and did some non-request sketch experiments on them in various media.
Categories: Abstract and Just Plain Weird, Flowers, Trees and Landscapes, Pretty Words, Sea Creatures and Other Animals, Series and Books
Tags: aceo, cat, counting crows, crow, duochrome, salt, watercolor, yupo
Monday, September 7th, 2015
Against the soft background of salt-created stars and matte teal night, the glowing moon and iridescent clouds look like enamel, more substance than mist and light. The clouds are mainly a beautiful turquoise with odd purple lowlights that appear and disappear as you move past it, lined with pearlescent moonlight along the spiral curves and sinuous shapes.
Every Fairytale Sky painting is a little different. This one’s got some serious shine that give it a beautiful feel of a fairy tale just waiting for you to step through and find your magical adventure.
Fairytale Sky, 7″x5″ watercolor, pearlescent watercolor, duochrome watercolor, and salt on paper.
Above, you can see the velvety softness of the sky and the bright enameled moon floating atop it. Below, the night is captured in a frame, safe and cool even in the day.
Tuesday, July 7th, 2015
The original Winter has some very soft greenish undertones that play beautifully off the cream of the page. This sequel has violet undertones instead from genuine Amethyst pigment, making it seem icier than its counterpart.
There’s a real, physical sparkle to this painting with the inclusion of salt crystals, but it’s very subtle and mostly evident in the way it interacts with the paint.
The winter also has another feature, a burst of color where it deliberately breaks the invisible border and reaches up toward the sky in its exuberance. Even in the coldness of winter you can find nature’s enthusiasm.
Winter 2, 9″x12″ salt and watercolor on Fluid watercolor paper.
Above, you can just see the subtle sparkle of the salt and the beautiful way it interacts with the watercolor mix. Below, you can see the painting with my old glasses for scale.
Thursday, July 3rd, 2014
I almost managed to get all the pieces for July’s Floating Gallery into the blog beforehand, but this one was finished just under the wire. I think this is the single most reworked salt painting I’ve ever done, using multiple applications of both water and very watery paint to give the appearance of scattered stars and nebulae in the sky above the observatory in the mountains below.
There’s a lot of sparkle in this painting, too, each little salt crystal catches the light at a slightly different angle, making the stars twinkle as the light moves over the surface.
Observance, 6″x6″ salt and watercolor on Fluid watercolor paper.
Above, you can see some of the formations of salt and watercolor that catch the light, sparkling into strange shapes in the night sky. Below, the painting is temporarily tucked into a frame, full of subtle color and light despite the dark palette.
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