Posts Tagged ‘iridescence’

Iridescence 3

Thursday, August 11th, 2011

Iridescence 3, abstract art by Amy Crook

Iridescence 3, abstract art by Amy Crook, $333

I admit, I wanted to post both of these in the same week because they feel like different sides of the same coin to me. They use similar color schemes and techniques, but where Iridescence 2 is all soft glowing colors and indistinct shapes, Iridescence 3 is all sharp-edged spirals and visible brush strokes.

Even the haloes of complementary color around each salt pool are sharper and more distinct than in the previous piece, with more areas of pure white paper peeking through as a result. I’m not sure which of the two I prefer, though this is the one I’ve got out on display right now.

Iridescence 3, 7″x5″ mixed media on watercolor paper, $333, framed, with free shipping.

This is a closeup of the green salt pool in the lower left, so you can really see how the paint is layered in distinct circles with watercolor’s characteristic dark, sharp edges.

Iridescence 3, detail, by Amy Crook

Iridescence 3, detail, by Amy Crook

The bold black frame works really well with the blue-black and violet-black in the darkest, sharpest of the paint swirls, and protects the fragile salt crystals from damage.

Iridescence 3, framed art by Amy Crook

Iridescence 3, framed, by Amy Crook, $333

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Iridescence 2

Tuesday, August 9th, 2011

Iridescence 2, abstract art by Amy Crook

Iridescence 2, abstract art by Amy Crook, $333

Going in the opposite direction of yesterday’s art, this one expands the color palette along the entire cool end of the spectrum. I used green, aqua, blue and violet pens for my salt circles. Then I supplemented it with a layer of hibiscus tea in its low-saturation periwinkle shades. After that I used watercolors in matching hues, the dark indigo-black and violet softened by swirls of complementary colors around each salt pool. Finally, I used a little bit of salt to add texture to a few of the darkest places, giving the whole piece a layered complexity.

I decided to continue naming them as a series after one of my favorite of the salt pieces, Iridescence, because they had the same quality of seeming as though they were reflective without anything shiny, other than the sparkling salt crystals.

Iridescence 2, 7″x5″ mixed media on paper, $333, framed, with free shipping.

You can see one of the wonderfully complex salt structures here, a little lopsided ziggurat of crystal formations saturated with ink and ever overdyed with paint. If you click on the image you can see it even bigger and really get a sense of the detail, though of course the actual circle is barely the size of a dime.

Iridescence 2, detail, by Amy Crook

Iridescence 2, detail, by Amy Crook

The piece looks beautiful safely tucked into its frame, the soft lines and cool colors offset by the simple black wood.

Iridescence 2, framed art by Amy Crook

Iridescence 2, framed, by Amy Crook, $333

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Iridescence

Tuesday, June 14th, 2011

Iridescence, watercolor by Amy Crook

Iridescence by Amy Crook, $499

Despite the fact that very little about this piece is shiny aside from the salt crystals, it reminds me of the gentle iridescence of bird wings, and that’s where it gets its title. Much like Badlands from last week, this piece has some unusually tall and interesting salt formations, this time created on purpose by using big salt in little puddles.

The other day I mixed up some teal-black paint, and found ways to use it on several pieces but not, ironically, the piece it was originally intended for, which turned out to need more drying time before it was ready for the next step. Here it’s been watered down and then had extra drips and swirls of green and blue added in, which then flowed and dried in the beautiful color patterns you see here.

Iridescence, 7″x5″ watercolor, ink and salt on watercolor paper, $499, framed, with free shipping.

This piece is framed in a shadowbox to protect the salt crystals, and sitting on my bookshelf taking up space I’ll likely need to use for art pretty soon.

Iridescence, framed art by Amy Crook

Iridescence, framed, by Amy Crook

I love the way some of the salt formations are secretly hollow inside, growing walls around an empty inner space where the original salt crystal sat. This one has another formation gamely trying to start off the top corner, as well, the color dense where the ink was concentrated.

Iridescence, detail 1, by Amy Crook

Iridescence, detail 1, by Amy Crook

And this little ziggurat is a textbook formation of simple square crystals.

Iridescence, detail 2, by Amy Crook

Iridescence, detail 2, by Amy Crook

As an added bonus to those of you who read this far down, have an iPhone wallpaper and computer wallpaper. I’m using the computer one myself right now!

After using the iPhone wallpaper for a while, I realized that, while it did have my signature on it, it didn’t have my favorite part of the image, the part Molly called a “dragon’s head.” So, for those of you seeing this many days after posting (yay you!), here’s a different iPhone wallpaper.

Categories: Abstract and Just Plain Weird, Daily Art, Free Wallpapers
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