Posts Tagged ‘for sale’

Fascism is Bad

Tuesday, September 8th, 2020

Fascism is Bad, 6″x6″ ink and watercolor on paper

Some people have the energy to protest, some of us have to stick with protest art. If you told me at any point prior to 2016 that I’d be worried about literal nazis in 2020, I would have thought you were crazy. Just goes to show.

This piece uses several different brush pens and some bloodily patriotic watercolor to make its point.

 

Nazis ruin everything.

Fascism is Bad, detail, by Amy Crook

Above, you can see the spattered red and layered ink on the D in BAD. Below, the art’s in a frame that’s not quite right for it — it would be perfect in a larger frame, or one of the acrylic frameless displays.

Fascism is Bad, framed art by Amy Crook

Categories: Floating Gallery, Pretty Words, Things I'm a Fan Of
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Dreamlands 3

Monday, September 7th, 2020

Dreamlands 3, 7″x5″ watercolor on paper

Another piece that’s been in my Work in Progress pile for an embarrassingly long time, I took this city away from reality immediately and never brought it back.

From Mondrian to fungus, the buildings and their washed-out colors spring from a number of sources, including the usual Gherkin-inspired glass edifice.

I couldn’t tell you who or what lives here, perhaps somewhere close to Ulthar or well beyond the cursed plains of Leng. But you could probably tell your own stories about it, if you tried.

Dreamlands 3, detail, by Amy Crook

Above, you can see the play of dim color on the buildings and in the sky. Below, it’s been framed, like a peek through a looking glass into another world.

Dreamlands, framed art by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Floating Gallery, Flowers, Trees and Landscapes, Series and Books, Whimsical and Strange
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GPS

Thursday, September 3rd, 2020

GPS, 6″x4″ watercolor on black paper

If you’re not looking for murder, perhaps some direction will do.

This is a GPS satellite, painted for a calendar cover to represent both technology and direction needed in 2021. The sunrise is just glinting over the curve of the earth in the background, a reminder that the sun continues to rise, and the atmosphere that we breathe is the thinnest of layers between us and the void.

It’s painted in metallic and opaque watercolors on black paper, so the sky is an even, velvety charcoal studded with distant stars.

GPS, detail, by Amy Crook

Above, you can see the gold of dawn just starting to glint over the Earth’s horizon. Below, the whole of space is laid out in a frame, just waiting to go to its forever home.

GPS, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Series and Books
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Blue Moon Murder

Wednesday, September 2nd, 2020

Blue Moon Murder, 8″x8″ watercolor on paper

This piece is in a category I call “more cowbell.” I took an older Blue Moon painting and put a bird on it. Or three, to be accurate.

It’s a small murder, but it checks out.

There’s a rich texture both on the paper and in the paint here, with the black sky and haloed moon both highlighting and concealing the crows. They’ve got some gorgeous blue and violet in their feathers, especially the two in the shadows, and their eyes contain a tiny glint of iridescent paint.

Doesn’t your life need a little murder?

Blue Moon Murder, detail, by Amy Crook

Above, you can see the crows, shadow on shadow, their purple-blue plumage fading into the textured black night sky. Below, they’re trapped in a frame like a view out a window that doesn’t exist.

Blue Moon Murder, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Sea Creatures and Other Animals, Series and Books
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Ash Print

Saturday, March 7th, 2020

an ink wash painting of a footprint with ash trailing away from it, by Amy Crook

Ash Print, 5″x7″ ink on paper

In the final installment of my Ash Ghost series, we have a single footprint, already being blown away by a wind that doesn’t seem to be as forceful as the dissolution would suggest.

The soft subtle texture feels like charcoal but is actually ink, layered in to get the depth and texture of a pile of powder.

The real question is, how does something with no feet leave footprints?

Ash Print, detail, by Amy Crook

Above, you can see the texture of paper and ink playing off each other, swirls like ash blowing on the unseen winds. Below, the painting waits in a frame, a moment forever preserved.

Ash Print, framed art by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Floating Gallery, Series and Books, Zombies, Skulls, and Other Morbid Things
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Sharpie Sky

Tuesday, March 3rd, 2020

a marker-black sky around a blue metallic moon, with a scribbly crow, altered print by Amy Crook

Sharpie Sky, 6″x4″ inkjet ink, sharpie ink, and watercolor on metallic photo paper

In the second installment of my misprint redux, I used a big fat Sharpie to darken the sky to black like my heart. There’s a soft brushing of iridescent watercolor over the whole sky, with twinkling stars of the same blue-green to add light to the deep black.

The bird got its own treatment, scribbled shadows to deepen its silhouette, make it more solid and less of a ghost. The whole effect is quite striking, much more dramatic than its predecessor, especially when the light hits it so the ink turns matte while the moon shines.

Is this the one that needs to fly home to you?

Sharpie Sky, detail, by Amy Crook

Above, you can see the dark scribbles bringing the bird more fully into the foreground. Below, a simple black frame holds this magical sky like a window into another world.

Sharpie Sky, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Sea Creatures and Other Animals, Series and Books
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Midnight Blue Sky

Monday, March 2nd, 2020

a watercolor painting on a metallic photo print of a blue moon, blue-black sky with copper stars, and a flying crow, by Amy Crook

Midnight Blue Sky, 5″x5″ inkjet and watercolor on metallic photo paper

Thanks to weird color results and other misprint issues, these prints won’t be making it into my Etsy shop. Instead, I gave away the best ones and used the remaining three for experimentation!

This one uses metallic blue and copper watercolor to change the sky to a swirling vortex, to turn the stars into an eerie presence, and make the crow’s eye shine balefully out at the viewer.

For anyone who likes corvids and shiny things, this is a great little remix of one of my best recent works.

Midnight Blue Sky, detail, by Amy Crook

Above, you can see the copper shine of this crow’s altered eye. Below, it’s framed and waiting for the right home to fly to.

Midnight Blue Sky, framed art by Amy Crook

Midnight Blue Sky, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Sea Creatures and Other Animals, Series and Books
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