Posts Tagged ‘for sale’

Fascism is Bad

Tuesday, September 8th, 2020

Fascism is Bad, 6″x6″ ink and watercolor on paper

Some people have the energy to protest, some of us have to stick with protest art. If you told me at any point prior to 2016 that I’d be worried about literal nazis in 2020, I would have thought you were crazy. Just goes to show.

This piece uses several different brush pens and some bloodily patriotic watercolor to make its point.

 

Nazis ruin everything.

Fascism is Bad, detail, by Amy Crook

Above, you can see the spattered red and layered ink on the D in BAD. Below, the art’s in a frame that’s not quite right for it — it would be perfect in a larger frame, or one of the acrylic frameless displays.

Fascism is Bad, framed art by Amy Crook

Categories: Floating Gallery, Pretty Words, Things I'm a Fan Of
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Dreamlands 3

Monday, September 7th, 2020

Dreamlands 3, 7″x5″ watercolor on paper

Another piece that’s been in my Work in Progress pile for an embarrassingly long time, I took this city away from reality immediately and never brought it back.

From Mondrian to fungus, the buildings and their washed-out colors spring from a number of sources, including the usual Gherkin-inspired glass edifice.

I couldn’t tell you who or what lives here, perhaps somewhere close to Ulthar or well beyond the cursed plains of Leng. But you could probably tell your own stories about it, if you tried.

Dreamlands 3, detail, by Amy Crook

Above, you can see the play of dim color on the buildings and in the sky. Below, it’s been framed, like a peek through a looking glass into another world.

Dreamlands, framed art by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Floating Gallery, Flowers, Trees and Landscapes, Series and Books, Whimsical and Strange
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Surrender

Friday, September 4th, 2020

Surrender, 6″x6″ watercolor on paper

I found this pose on the model’s tumblr, and it made me think of the Winter Soldier from the comics, who is shorter and more slender than the absolute unit from the MCU.

I wanted to experiment both with the figure drawing and some unusual color choices, using shades of blue and violet for the shadows as a contrast to the pinkish white boy skin tones.

Poor Bucky looks so vulnerable, with his little feet curled under and his hands behind his head, a deliberate contrast to the intimidating picture he makes in his full uniform and face mask, armed to the teeth and dangerous all day.

Surrender, detail, by Amy Crook

Above, you can see how the blues and pinks and purples are layered rather than mixed to create shadow and highlight spaces in the figure. Below, he’s trapped in a frame, just waiting to find out what happens next.

Surrender, framed art by Amy Crook

Categories: Floating Gallery, Nudes and Other Sexy Things, People, Figures and Faces, Series and Books, Things I'm a Fan Of
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GPS

Thursday, September 3rd, 2020

GPS, 6″x4″ watercolor on black paper

If you’re not looking for murder, perhaps some direction will do.

This is a GPS satellite, painted for a calendar cover to represent both technology and direction needed in 2021. The sunrise is just glinting over the curve of the earth in the background, a reminder that the sun continues to rise, and the atmosphere that we breathe is the thinnest of layers between us and the void.

It’s painted in metallic and opaque watercolors on black paper, so the sky is an even, velvety charcoal studded with distant stars.

GPS, detail, by Amy Crook

Above, you can see the gold of dawn just starting to glint over the Earth’s horizon. Below, the whole of space is laid out in a frame, just waiting to go to its forever home.

GPS, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Series and Books
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Blue Moon Murder

Wednesday, September 2nd, 2020

Blue Moon Murder, 8″x8″ watercolor on paper

This piece is in a category I call “more cowbell.” I took an older Blue Moon painting and put a bird on it. Or three, to be accurate.

It’s a small murder, but it checks out.

There’s a rich texture both on the paper and in the paint here, with the black sky and haloed moon both highlighting and concealing the crows. They’ve got some gorgeous blue and violet in their feathers, especially the two in the shadows, and their eyes contain a tiny glint of iridescent paint.

Doesn’t your life need a little murder?

Blue Moon Murder, detail, by Amy Crook

Above, you can see the crows, shadow on shadow, their purple-blue plumage fading into the textured black night sky. Below, they’re trapped in a frame like a view out a window that doesn’t exist.

Blue Moon Murder, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Sea Creatures and Other Animals, Series and Books
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Ash Print

Saturday, March 7th, 2020

an ink wash painting of a footprint with ash trailing away from it, by Amy Crook

Ash Print, 5″x7″ ink on paper

In the final installment of my Ash Ghost series, we have a single footprint, already being blown away by a wind that doesn’t seem to be as forceful as the dissolution would suggest.

The soft subtle texture feels like charcoal but is actually ink, layered in to get the depth and texture of a pile of powder.

The real question is, how does something with no feet leave footprints?

Ash Print, detail, by Amy Crook

Above, you can see the texture of paper and ink playing off each other, swirls like ash blowing on the unseen winds. Below, the painting waits in a frame, a moment forever preserved.

Ash Print, framed art by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Floating Gallery, Series and Books, Zombies, Skulls, and Other Morbid Things
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The Skies of Unknown Kadath

Thursday, March 5th, 2020

dreamy abstract art featuring clouds of iridescent color on black paper, by Amy Crook

The Skies of Unknown Kadath, 6″x8″ watercolor on black paper

In this month’s lone abstract painting, shiny paints layer over black paper to get this dreamlike effect.

“The Dream-Quest of Unknown Kadath” is a novella by horror writer HP Lovecraft, best known for creating Cthulhu and also being hugely bigoted (even for 100 years ago). It’s a fascinating trip into dreams and obsession and madness, like so many of his works, and the painting’s title is a nod to the surreal descriptions that keep his work in our collective memory.

There’s a lot hiding in this painting, full of pigments that shine at different angles, in different colors, that peek through the less-glittery mineral paints and stand out against the black background.

The Skies of Unknown Kadath, detail, by Amy Crook

Above, you can see some of the shining paints at a close up and oblique angle, the pigments catching sunlight and showing the layers of texture and detail. Below, it’s in a temporary frame, just waiting for the right dreamer.

The Skies of Unknown Kadath, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Floating Gallery
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