Tuesday, August 17th, 2010
I finally got a better photo of this print that showcases the muted, subtle colors. The paper is such a pale blue, and the other colors so muted, it can be quite difficult to photograph, and even worse to try to work with in Photoshop.
I love the teal-grey waves with their scribbled-in echo of the etching plate, and slow fade from dark to light. It’s nearly two feet tall and over two and a half wide, and would look gorgeous floated on a piece of matte board in a simple frame.
You can see where I also used one of my etching plates, the same one that shows up in very different contexts in Ogdred Weary and Elements. Instead of inking into the deep grooves of the plate, I used the same brayer (ink roller) that I used to make the larger patterns, to roll ink only onto the surface of the plate, leaving the actual etching free of ink. (Click any image to see it larger.)
You can see here how there’s echoing linework hiding in the main part of the image. First ink was laid down on the main plate using the brayer, and then the back of a paintbrush was used to scrape away the ink to add texture.
The whole pattern of waves and seaweed, or tentacles, or just more eddies and currents, is topped off with a shining sun rubber stamp in silver ink.
The print itself is quite large, the imported paper soft with beautiful natural edges. It really needs to be matted and framed for proper display, perhaps floated on a white or black background.
Sea, 31″x23″ monoprint, etching and rubber stamp on paper.
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