Posts Tagged ‘for sale’

Hibiscus Green

Friday, July 29th, 2011

Hibiscus Green, abstract art by Amy Crook

Hibiscus Green, abstract art by Amy Crook

I bought this celadon green Crane & Co. cardstock at a stationery store a few years back, and I was curious to see where on the spectrum of blue to pink it would fall with the hibiscus tea. After swirling on an abstract pattern, the tea turned slightly purple, and in the very thin spots where it went bluer it faded into the green paper. I liked the pattern it made so much I called it done and scanned it.

I enjoyed the soothing abstract colors of this piece so much I made a computer wallpaper and iPhone wallpaper out of it. I’m really enjoying the wallpapers I make for myself, switching out every few days to something new, especially on my iPhone. Clearly, I’m easily amused.

Hibiscus Green, 6.375″x4.25″ hibiscus tea on paper.

It’s just a little larger than a standard 4″x6″ card, which means I haven’t found a frame for it, so the price is for the unframed work.

Categories: Abstract and Just Plain Weird, Daily Art, Free Wallpapers
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7 Seconds

Thursday, July 28th, 2011

7 Seconds, abstract art by Amy Crook

7 Seconds, abstract art by Amy Crook, $399

I can’t really explain the title of this painting, other than to say it suggested itself to me when I was contemplating what to name the file when I was scanning it. There are seven pools of salt, rather more distorted from perfect rounds than usual because the paper was already slightly warped by the wash of hibiscus tea before I made them.

This is one of my first pieces combining watercolor with tea, though I’ve since worked on several more. I really like the way the rich turquoise paint works with the softer green of the salt, and the muted blue-violet of the tea.

7 Seconds, 7″x5″ mixed media on paper, $399, framed, with free shipping.

Here you can see the initial wash drying — the lightest spots turned to blue almost immediately, leaving the original pink lingering in the pools of tea, though as you can see they, too, changed as they dried.

7 Seconds, work in progress, by Amy Crook

7 Seconds, work in progress, by Amy Crook

This photo gives away one of my cheater secrets — I use the knickknacks off my shelves to flatten out the pages when they get too warped. Though it’s far from perfect, that’s part of the point, the compromise between order and entropy, deliberation and natural randomness.

7 Seconds, work in progress by Amy Crook

7 Seconds, work in progress by Amy Crook

It was quite warm the day the salt water was drying, which created unusually delicate salt formations.

7 Seconds, detail 1, by Amy Crook

7 Seconds, detail 1, by Amy Crook

Some of those formations were washed away by the paint, turning instead into small crystals haloing the original salt pools.

7 Seconds, detail 2, by Amy Crook

7 Seconds, detail 2, by Amy Crook

This is definitely one of those paintings that looks much better once it’s framed. The black really makes the colors look richer and deeper, and helps showcase the harmony of the piece.

7 Seconds, framed art by Amy Crook

7 Seconds, framed art by Amy Crook, $399

Categories: Abstract and Just Plain Weird, Daily Art
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Hibiscus Pink

Friday, July 22nd, 2011

Hibiscus Pink, art by Amy Crook

Hibiscus Pink by Amy Crook, $323

If a paper doesn’t have the right pH to change the hibiscus tea to blue, it dries a rich, saturated pink with just a hint of violet undertones. The color layers on much more solidly than the blue, soaking into the paper to make it look almost dyed.

This is also the paper that makes gorgeous little flower-like shapes with the salt, which turned out very pale with the assortment of ink colors I chose for the piece. There’s 21 of them, in 3 very similar shades.

It’s a bit of a difficult piece for me to judge because I’m not a fan of pink, but I do think it’s a successful one. The rich color of the tea really permeates the paper, while the inks colored the salt very delicately, giving a good contrast between them.

Hibiscus Pink, 5″x7″mixed media on watercolor paper, $323, framed, with free shipping.

This detail shot shows the subtle raised texture of the salt crystals on the paper, and the sparkle at the center of each salt “flower”.”

Hibiscus Pink, detail, by Amy Crook

Hibiscus Pink, detail, by Amy Crook

When I was making the piece, I tried to make a sort of gradient, distributing the orange, red and pink circles. I always love the way the water droplets pick up the color and shine on the paper, a temporary moment of beauty in the process.

Hibiscus Pink, work in progress, by Amy Crook

Hibiscus Pink, work in progress, by Amy Crook

The paper on this piece is a little big for a standard 5″x7″ frame, so I might change it out for a matted one if it sells, but here you can get an idea of how it looks framed.

Hibiscus Pink, framed art by Amy Crook

Hibiscus Pink, framed, by Amy Crook, $323

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Midnight Blue

Thursday, July 21st, 2011

Midnight Blue, art by Amy Crook

Midnight Blue, art by Amy Crook

This piece is a deliberate echo of last week’s intricate Cross the Sky, but both simpler and using the iconic blue and yellow color scheme from Van Gogh’s Starry Night.

The stars are monochromatic, first using spirals of orange-gold ink, and then a softer gold mixed to match. The moon is salt-free this time, inked in and then gently blurred with the gold watercolor to give it, too, a bright glow. The pure blue watercolor is bright and joyful, and it dried with a lovely texture in the denser areas. I thought about going in with some black to darken it up, but I like the cheery glow of the piece as is.

Midnight Blue, 7″x5″ pen & ink, salt and watercolor on paper.

The pure blue watercolor is bright and joyful, and it dried with a lovely texture in the denser areas. I thought about going in with some black to darken it up, but I like the cheery glow of the piece as is.

Midnight Blue, detail 1, by Amy Crook

Midnight Blue, detail 1, by Amy Crook

You can see the gentle blurring of the moon below, and the line where a pool of pale gold paint dried.

Midnight Blue, detail 2, by Amy Crook

Midnight Blue, detail 2, by Amy Crook

It looks quite nice in its frame, with the bright colors offset by the black wood.

Midnight Blue, framed art by Amy Crook

Midnight Blue, framed art by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes
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Salted Squid 1

Tuesday, July 19th, 2011

Salted Squid 1, art by Amy Crook

Salted Squid 1, art by Amy Crook

More of my experiments with making salt into Actual Things, we have a happy little squid! He’s got his feeder tentacles tucked away, but you can count all 8 arms waving cheerily at you from out of the blue. He’s surrounded by colorful coral, or maybe iridescent bubbles, made using salt that had acquired a coat of paint from other pieces and then been saved. The squid is faintly green, but there was a lot of him to spread out a little bit of watercolor pigment, so you’ll have to forgive his pale complexion.

Salted Squid 1, 5.5″x4.25″ pen & ink, watercolor, and salt on paper.

You can see below how the paper gained some fascinating texture in the places where the salt pools formed — that’s because sometimes the salt crystals form inside the paper instead of on top.

Salted Squid 1, detail, by Amy Crook

Salted Squid 1, detail, by Amy Crook

This cutie insisted to me that he doesn’t need a frame to be awesome, and I’m inclined to agree — the paper’s got a bit of a curve, and it tucks quite nicely onto a shelf. He enjoyed hanging out with my duckies so much, I’ve left him there for the moment. These days I make so much art that I keep swapping out what’s on display.

Salted Squid 1, in situ, by Amy Crook

Salted Squid 1, in situ, by Amy Crook

Categories: Daily Art, Sea Creatures and Other Animals, Series and Books, Tentacles, Whimsical and Strange
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Hibiscus Blue 2

Monday, July 18th, 2011

Hibiscus Blue 2, art by Amy Crook

Hibiscus Blue 2, art by Amy Crook, $444

This second installment in my Hibiscus Blue series is much simpler. I constrained myself to 13 ink spirals, which turned into 13 salt formations. The blue-black pen dyes the salt a very compatible color to the shade the hibiscus tea turns when painted onto this paper, so the whole painting has a very harmonious feel to it. The tea starts out a bright ruby-red, and then changes in color from anywhere to a soft lavender to a deep, rich blue, depending on the amount of tea on the page, among other things.

The whole painting gives the feeling of rain softly pattering onto a pool of blue water, as the concentric rings of color fade and interact between each set of circles.

Hibiscus Blue 2, 7″x5″ mixed media on paper, $444, framed, with free shipping.

Hibiscus Blue 2, framed art by Amy Crook

Hibiscus Blue 2, framed art by Amy Crook, $444

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Hibscus Blue 1

Monday, July 11th, 2011

Hibiscus Blue 1, art by Amy Crook

Hibiscus Blue 1 by Amy Crook, $323

I can’t remember who it was that suggested I try out hibiscus tea after I started using regular old black tea on some of these works, but thank you!

It’s fascinating the way the rich, ruby red liquid turns blue when added to certain papers, which is apparently the natural anthocyanins reacting to the pH. I love how multiple layers gave me different shades of blue, and I combined this with the salt circles to create a harmonious whole.

I actually made 21 circles of salt on this page, 7 in each of 3 different shades of blue pen, but the 2 lighter blues turned nearly identical when mixed with the salt and water. I ended up dissolving one of the circles completely to create some visual space in the piece, which I then filled with layer upon layer of the hibiscus tea.

Each layer had to dry before I could work with it more, since it doesn’t stop developing color until it’s fully dry, so this piece took days to get from blank page to finished art.

Hibiscus Blue 1, 5″x7″ mixed media on paper, $323, framed, with free shipping.

Here you can see the sparkle that’s lost in the scanner, and the purple-blue color that the hibiscus tea stained the salt crystals.

Hibiscus Blue 1, detail, by Amy Crook

Hibiscus Blue 1, detail, by Amy Crook

The piece is safely tucked into its frame and ready to come hang on a wall, find a spot in a bookshelf or perhaps stand up on your desk at work.

Hibiscus Blue 1, framed art by Amy Crook

Hibiscus Blue 1, framed, by Amy Crook, $323

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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