Posts Tagged ‘gold’

Autumn Breeze

Monday, January 2nd, 2012

Autumn Breeze, abstract art by Amy Crook

Autumn Breeze by Amy Crook

I wanted to revisit the autumnal color palette of Autumn Winds, so I created this piece with different materials. The paper is a thick, soft cream-coloured printing paper, and the little spirals use quinacridone burnt orange paint instead of the less lightfast pen ink, though the pigment doesn’t infuse as well into the salt. Instead of tea there’s all watercolor paints for the rest, breezy spirals gathered around each salt pool like strange seeds tossed on a light fall breeze.

Autumn Breeze, 8″x6″ watercolor and salt on Arches cover white paper.

Below you can see how the salt crystals spread a little into the textured paper without going too far outside their original pool. The actual color of the piece is somewhere in between the two images, more saturated than the scan but less so than the detail photo.

Autumn Breeze, detail, by Amy Crook

Autumn Breeze, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Tentacle Deeps 19

Tuesday, November 8th, 2011

Tentacle Deeps 19, watercolor by Amy Crook

Tentacle Deeps 19 by Amy Crook

The background on this is a rich, pure quinacridone gold wash that glows with color like a sunset. I used a brush pen to create the tentacles, which silhouette nicely against the gold. The ink took forever to dry on the thick watercolor paint, but once it did the blackest areas look rich and matte against the slightly glossy paint.

Tentacle Deeps 18, 5″x7″ mixed media on paper.

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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Untitled Experiment 1

Monday, May 17th, 2010

Untitled Experiment 1 by Amy Crook

Untitled Experiment 1 by Amy Crook

I painted this a few years back when I was experimenting with a lot of different styles. In this one there’s a lot of visual texture, as well as a bit of gloss in the periwinkle rectangle from the painting medium that also gave it its transparency. People have asked me what it’s supposed to be or mean, and I have to admit that I just liked the way it looks. I like that something as simple as four overlapping rectangles gets a lot of complexity from little brush strokes, variations in color and opacity and even the softness of the edges.

This piece isn’t edge-finished yet, but I plan to paint over the white edges & staples with black so it could be hung without a frame. Well, I hang it without a frame anyway, but I’m special like that.

Untitled Experiment 1, 18″x24″ oil on canvas.

Categories: Abstract and Just Plain Weird, Daily Art
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