Posts Tagged ‘gold’

D is for Dada

Thursday, August 2nd, 2012

D is for Dada, calligraphic illumination by Amy Crook

D is for Dada, calligraphic illumination by Amy Crook

I was thinking of cheating and using Art Deco for my D but some googling around reminded me of the Dada art movement and all its wacky semi-political cut-and-paste collage. I got some 5-cent BART tickets from my roommate, who is a great source for all sorts of useful things, and dug through my own art supply hoard for a sheet of Chinese New Year paper. The letter itself echoes my original intent, using an Art Deco-esque font, but in a very Dada manner.

I’m thinking of trimming all of these down to 5″x5″, doing an ampersand, and then displaying them in a 3×9 grid of square black frames. What do you guys think?

Just remember, insert this side up.

D is for Dada, 5″x5″ collage, Sharpie marker and Japanese watercolor on paper.

D is for Dada, detail, by Amy Crook

D is for Dada, detail, by Amy Crook

Above, you can really see the soft torn edges of the Chinese paper contrasted with the sharp, thick, plastic-like material of the BART ticket, which really stands out against the backdrop of mismatched stamping and gilding. Below, you can see this piece tucked into a frame and hanging out with the F, just waiting for a new home. Derek, Dave, Danielle, who will take it home and keep it for their very own?

D is for Dada & F is for Flourish, framed art by Amy Crook

D is for Dada & F is for Flourish, framed art by Amy Crook

Categories: Daily Art, Illuminated Alphabet, Series and Books, Whimsical and Strange
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B is for Blackletter

Thursday, July 19th, 2012

B is for Blackletter, calligraphic illumination by Amy Crook

B is for Blackletter, calligraphic illumination by Amy Crook

I went Gryffindor with my second letter, bold red and rich yellow, though I chose the red glitter pen rather than gold for my second illumination. My B uses a classic blackletter face, heavy and Germanic, with a bit of whimsy thrown into the illumination for it.

Just as with the A, I let the ink bleed into the paint so the shapes of the letter have a lovely orange fade, and though I used a very bright, pure red on the background, I used a dark red-orange inside the B itself to better offset the glitter illumination.

B is for Blackletter, 5″x5″ pen & ink, Japanese watercolor, and glitter gel pen on paper.

B is for Blackletter, detail, by Amy Crook

B is for Blackletter, detail, by Amy Crook

The shine on the red glitter is much more subtle and harder to photograph, especially since it goes a bit pink when the light hits it, so the colors in the above detail photo are a bit off in general. Alas. Below, you can see it happily tucked into a frame with my phone to show you the relative size. The central box on these is 3 inches square, but the border and signature rest outside.

B is for Blackletter & E is for Emboss, framed art by Amy Crook

B is for Blackletter & E is for Emboss, framed art by Amy Crook

Categories: Daily Art, Illuminated Alphabet, Series and Books, Whimsical and Strange
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Make Good Art

Monday, July 16th, 2012

Make Good Art calligraphic painting by Amy Crook

Make Good Art calligraphic painting by Amy Crook

Although I think many people have said this before (including several of my prior art teachers), it’s come most recently from Neil Gaiman. I also find the advice later on about freelancing to be very good and very true — to paraphrase, you must do good work, be on time, and be pleasant, and people will continue to hire you; actually, two out of three will do, most days. And thank goodness for that, because some days all three is more than anyone can manage.

I made this very pink wash when I was mucking about with my red palette of Japanese watercolors, going from the color that is almost exactly the same as the Orchid crayon in my childhood set, through a bright fuchsia pink and on to a lovely deep burgundy. I used my poor abused fountain pen to scribble in the lettering, then took my water brush and blurred it out, which gives an interesting effect, especially in the capitals. Next came the gold glitter paint in the letters, and I left it overnight to figure out what more it needed.

It needed tentacles, of course!

I finally found the fourth palette from the same set, which is six different shades of almost-black, so I took the rich plum-purple one and made a row of tentacles reaching up to tease at the lettering. Then, to balance it, I added the gold filigree at the top, and it finally felt done.

My mental narrative for it is a bit like, “Glimpse of the golden vines of Olympus? Make good art! Chased by tentacles from the Depths? Make good art!”

So, that’s my message for you this Monday – whatever form it takes, whatever inspires you, today, make good art.

Make Good Art, 8″x4″ Japanese watercolor, pen & ink, and glitter gel pen on Fluid watercolor paper on paper.

Make Good Art, detail 1, by Amy Crook

Make Good Art, detail 1, by Amy Crook

This is one of those pieces that’s very different depending on the lighting; the gold almost vanishes when it’s in low light, but it stands out beautifully when the sun hits it, and the thicker paint on the tentacles also has a bit of a gloss here and there. Below, you can see the effect just on the word “Art.”

And for those of you that’ve read this far, have a wallpaper of the above image, with my gloved fingers sneakily Photoshopped out.

Make Good Art, detail 2, by Amy Crook

Make Good Art, detail 2, by Amy Crook

I put it in a temporary frame so you can see the scale. Given the odd size, you may want to have it custom framed, or put it on a piece of mat board in a larger frame the way I’ve got it shown below.

Make Good Art, framed, by Amy Crook

Make Good Art, framed, by Amy Crook

Categories: Daily Art, Free Wallpapers, Things I'm a Fan Of, Whimsical and Strange, Words Words Words
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Filigree Moon 2

Monday, July 9th, 2012

Filigree Moon 2 by Amy Crook

Filigree Moon 2 by Amy Crook

This painting is the shining golden harvest moon version of the cool Filigree Moon from two weeks ago. The moon is rising up in one corner, covered in gold spirals, adding its light to a sky full of stars. There’s faint white salt pools, deep golden yellow ones, and some glittery gold spirals as well decorating the black paper the same way the stars dot the sky.

I’d been using my cooler glitter pens for my planets, the blue and purple, and I wanted to use the gold for a bit. So, I got out some black paper and first made the golden moon background, then scattered in some stars with salt, water and paint, then a few more of just salt water. Finally once it was all dry, I came in and added spirals, first to the moon and then to give the sky even more sparkle.

Filigree Moon 2, 7″x5″ Japanese watercolor and glitter gel pen on Arches cover black paper.

Filigree Moon 2, detail 1, by Amy Crook

Filigree Moon 2, detail 1, by Amy Crook

Above you can see a very close photo of two of the tiny salt pools, including the one big crystal that formed. Below is a shot of the moon itself, in all its glittery glory, with the same two pools in the distance on the upper left.

Filigree Moon 2, detail 2, by Amy Crook

Filigree Moon 2, detail 2, by Amy Crook

And finally, you can see it in a frame (with the glass left out), hanging out with my iPhone so they can talk about whether size matters.

Filigree Moon 2, framed art by Amy Crook

Filigree Moon 2, framed art by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, Series and Books
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Spiral Splash

Friday, April 6th, 2012

Spiral Splash, abstract art by Amy Crook

Spiral Splash, abstract art by Amy Crook, $299

This is another of those pieces that looks different from every angle. From the three dimensional salt to to the iridescent paint, it catches the light and the eye differently depending on how you look at it.

In this case I painted in the swishy, splashy gold spirals, and then added the blue-infused salt water in a bit of controlled chaos. Then I repeated the experiment with blue spirals, so some of the shapes are rimed in cold blue while others are edged in gilt.

Spiral Splash, watercolor and salt on paper, $299 framed, with free shipping.

Spiral Splash, detail 1, by Amy Crook

Spiral Splash, detail 1, by Amy Crook

You can really see the difference in the blue and gold paints in the shot above, with the cold, grainy blue making the left side look like it’s frosted over, while the shining gold on the left adds a rich warmth to the shape on the right. Below, I took a photo of the whole thing from the top down. I especially like the progression of color in the shape in the lower right, the way you can really see that the blue paint settled into the center of each shape while the gold floated to the edges.

Spiral Splash, detail 2, by Amy Crook

Spiral Splash, detail 2, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Tentacle Deeps 31

Tuesday, March 27th, 2012

Tentacle Deeps 31, watercolor by Amy Crook

Tentacle Deeps 31, watercolor by Amy Crook

I’m still enamored of these paints that are ghostly pale from some angles, and richly colored from others. This one looks like fine gilding from the right angle, but turns almost white and translucent from the wrong one. I couldn’t resist the idea of golden tentacles, though!

Tentacle Deeps 31, 4″x6″ watercolor on paper.

My camera picked up the golden color quite well, though I ended up leaving the background a little more purple than it is in reality because, well, it looks cool.

Tentacle Deeps 31, detail, by Amy Crook

Tentacle Deeps 31, detail, by Amy Crook

The piece looks nice framed, below, with my usual iPhone for scale. I considered using a dollar, but then, I have no idea of my international readers (hi!) know how big a dollar is, and yet it’s safe to assume most of you have seen someone holding their iPhone. Weird.

Tentacle Deeps 31, framed art by Amy Crook

Tentacle Deeps 31, framed art by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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Moon Dark

Friday, January 6th, 2012

Moon Dark, art by Amy Crook

Moon Dark by Amy Crook

I really love how stark and simple this piece is. I was tempted to add more color to it, but in the end I think the copper moon and golden, salt-haoled stars are best on their own. In a simple black frame, it’s really striking, a slice of night for a desk, wall or bedside table.

Moon Dark, 5″x5″ watercolor and salt on paper, nfs.

Moon Dark, detail, by Amy Crook

Moon Dark, detail, by Amy Crook

Here you can see how the salt picked up a tiny bit of the iridescence from the paint, though mostly it sparkles all on its own.

Moon Dark, framed art by Amy Crook

Moon Dark, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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