Posts Tagged ‘black paper’

Filigree Planet

Friday, June 29th, 2012

Filigree Planet by Amy Crook

Filigree Planet by Amy Crook

And here we have the final piece with the spirals of doom. I was really in love with the planet itself before I got out the pens, and then I was so delighted by the filigree look on Monday’s piece that I decided all the space around this one needed it. It’s slightly less masochistic than the piece I’m still working on with the black pen-and-ink spiral texture, which means it actually got done whereas that one’s back on hold until my wrist forgives me in a few more days.

The warm, bright purple of the glitter stands out much more clearly on the black paper, in the way of these things, framing this richly textured planet with whimsical spirals. There’s a very subtle bit sheen to the dark salt crystals that formed as the piece dried, but it’s very subdued compared to the bright glittery “stars” surrounding the planet.

I first painted the actual periwinkle wash, then I took a darker, warmer violet and dripped it wetly onto the still-damp wash. Finally, I added a few drips of salt water to the mix and, after a bit more interference, let the whole thing dry. The spirals came last, and in stages over the course of a couple of days.

Filigree Planet, 5″x5.25″ Japanese watercolor and glitter gel pen on Arches cover black paper.

Filigree Planet, detail 1, by Amy Crook

Filigree Planet, detail 1, by Amy Crook

Above you can see the sun lighting up the glittery spirals and just glinting off the salt at the center of the piece. Below, I tilted the piece away from the light so you can see the difference in color. It’s interactive!

Filigree Planet, detail 2, by Amy Crook

Filigree Planet, detail 2, by Amy Crook

Finally we have it loosely tucked into a 5″x5″ frame, though it doesn’t really fit as it’s just a wee bit too wide. It’ll need to be matted into a bigger frame for final display, which I can do for you if you like for an additional fee.

Filigree Planet, framed art by Amy Crook

Filigree Planet, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Filigree Moon

Monday, June 25th, 2012

Filigree Moon by Amy Crook

Filigree Moon by Amy Crook

I’m utterly delighted by this piece, from the salt pools with their soft, chalky centers to the fine filigree of glittering spirals over the subtly colored moon. I almost didn’t put a price on it at all, and I’ll definitely find a spot for it among my shelves where it can bring me delight for as long as it lives here.

The glitter gel pen has no actual pigment in it, and the glitter in it is remarkably large, so that you get an effect of translucency that reminds me of glitter nail polish. From some angles the filigree is bright and obvious, but from others, like the one in the scanner, it’s barely there at all. The tiny salt-pool stars add their own bit of sparkle to the piece, and the velvety black paper makes the perfect space backdrop.

Filigree Moon, 7″x5″ salt, Japanese watercolor and glitter gel pen on Arches cover black paper.

Filigree Moon, detail, by Amy Crook

Filigree Moon, detail, by Amy Crook

Above, you can see the filigree lit up by the sunlight, spirals and curlicues that shimmer and vanish when you turn the painting away from the sun. Below, you can see that I’ve finally had the brilliant idea to photograph the black paper pieces without the glass in the frame, and magically there’s no glare. Fancy that.

Filigree Moon, framed art by Amy Crook

Filigree Moon, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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Milk White Moon

Monday, June 4th, 2012

Milk White Moon by Amy Crook

Milk White Moon by Amy Crook

I’ve done moons in blue and orange and yellow, silver and gold and iridescent lavender, and I thought I’d try one in simple white. The salt, too, is undiluted with paint, so there’s nothing but the black paper, white ink and white salt, and any color is just refracted light through the crystals.

There’s two sets of salt pools, the deeper ones with spirals at the center that grew from fat droplets of water carefully applied, and the shallow ones dripped down from a height to splash onto the paper. There’s even little tiny crystals here and there where smaller droplets splashed away from the bigger, which brings a lovely depth to the piece like a real sky.

Milk White Moon, 5″x5″ gel pen and salt on Arches cover black paper.

Milk White Moon, detail 1, by Amy Crook

Milk White Moon, detail 1, by Amy Crook

Above, you can see the delicate splash of one single careless drop of water, surrounded by deeper pools of salt. Below is a close-up of one of those pools, the largest one in the lower center with the large white spiral hiding in its depths.

Milk White Moon, detail 2, by Amy Crook

Milk White Moon, detail 2, by Amy Crook

And finally the piece in the warm summer sunshine, and a frame of course, basking on the blotter of my writing desk with my iPhone for scale.

Milk White Moon, framed art by Amy Crook

Milk White Moon, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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Galaxies

Thursday, May 17th, 2012

Galaxies, abstract art by Amy Crook

Galaxies, abstract art by Amy Crook

From some angles the background of this piece looks as black as the space between galaxies, or at least as black as the paper it’s painted on. Shift it just a little though, and a liberal dusting of silver stars sparkles up in the blackness, making the whole piece shimmer. The iridescent green paint, opaque blue and glittering salt form mysterious shapes floating in the black, broken spirals and strange pools of color.

I was just playing when I made the spirals, wanting some different shapes and enjoying the bigger page, which was more forgiving of the lack of precision from the salt water solution. It sat around for a few weeks after it dried while I decided what to do with it, and in the end I decided a subtle dusting of silver paint would best set off the shapes. I ended up brushing most of the silver particles back off the page, which makes the whole effect much more subtly supporting instead of overwhelming.

Galaxies, 10″x8″ salt and watercolor on paper.

Galaxies, detail 1, by Amy Crook

Galaxies, detail 1, by Amy Crook

Above you can see the golden afternoon light reflecting off the salt and paint in this particular spiral formation. Below, the strange little frost that formed where the water flowed off the edge and then soaked into the corner of the paper.

Galaxies, detail 2, by Amy Crook

Galaxies, detail 2, by Amy Crook

And of course I’ve taken a photo with frame, desk and iPhone, to give you an idea of how big it is in real life.

Galaxies, framed art by Amy Crook

Galaxies, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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Silver Moon

Monday, May 14th, 2012

Silver Moon, watercolor by Amy Crook

Silver Moon, watercolor by Amy Crook

It’s been a while since I gave you a new moon for Monday, so I thought it was about time. I did the salt pools for this one in a variety of sizes, using the clear salt water I made so even the smallest droplet left some salt behind when it dried. I used some powdered silver watercolor I have on hand to create a lovely colorless sky this time, with halos around the biggest star and an outward-fading spiral for the moon.

The reason I talk about the process so much is that’s what I’m mostly thinking about as I work, trying to get the effect I want out of the materials I’m using. I thinned out the silver paint to a specific thickness for the outer two circles on the moon, wanting there to be a delineation between the moon itself and the light that shines from it the way there is with the stars. I went for one big spiral this time because it seemed to fit with the rest, even though the star field is more complicated than in some similar pieces.

I try not to overthink these decisions as I’m making them, because the pieces work best when they’re not too fussy, with swooping paint strokes and not-quite-random scatterings of salt.

Silver Moon, 6″x4″ salt and watercolor on Arches cover black paper.

Silver Moon, detail, by Amy Crook

Silver Moon, detail, by Amy Crook

Above, you can see the light reflecting off the silver paint where it’s most opaque, as well as highlighting the smaller, un-haloed stars in the black. Below, the piece is framed and sitting next to my trusty iPhone for scale.

Silver Moon, framed art by Amy Crook

Silver Moon, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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Salt Bookmark 3

Monday, May 7th, 2012

Salt Bookmark 3 by Amy Crook

Salt Bookmark 3 by Amy Crook

As you’ve no doubt correctly surmised, it’s Bookmark Week again! I’ve sold almost all of the bookmarks from last time, and since May is Get Caught Reading month, I figured that the time was right for another week of tiny, inexpensive originals to tempt you.

This one and Friday’s were done sort of simultaneously, but since I started this one first it got to be number 3 in the series. I’m using the same mix of paint and salt water as I did for last week’s Blue Planets, but this time in dots and spirals instead. Then I crosshatched the background in a complementary green, which brought out the blue and gave the whole thing a nice visual texture.

Salt Bookmark 3, 2″x6″ mixed media on paper, nfs (sold).

Salt Bookmark 3, detail, by Amy Crook

Salt Bookmark 3, detail, by Amy Crook

Above you can see the sparkle of salt, the shimmer of iridescent paint and the shine of glitter gel pen, offset by velvety black paper and opaque blue paint. Below, the bookmark rests on a book for scale, though I’m not honestly sure this one would do that well as a bookmark — I’ve found the blue paint doesn’t bind to the paper as well as one might hope when mixed with the salt. Chemistry at work, I suppose.

Salt Bookmark 3, with book, by Amy Crook

Salt Bookmark 3, with book, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Blue Planet 2

Thursday, May 3rd, 2012

Blue Planet 2, watercolor by Amy Crook

Blue Planet 2, watercolor by Amy Crook

Of all the Blue Planets, this one is a bit like the control in the group. I didn’t have the issues I did with the first one because I very sneakily put the paper on a small plate, so all its edges were raise and the big pool stayed pooled in the center. I didn’t make tentacles, or use a different paper (that’s tomorrow’s). It’s just a simple abstract idea of a blue-green planet floating serenely in the star-studded blackness.

I really like how each of the stars is its own tiny echo of the planet, with salt at the edges, then the green and finally blue in the center. The whole thing feels both familiar and alien at once, and the salt gives it a bit of twinkling light of its own, if only by reflection.

Blue Planet 2, 5″x5″ salt and watercolor on Arches cover black paper.

Blue Planet 2, detail, by Amy Crook

Blue Planet 2, detail, by Amy Crook

Above you can see the big, square crystals that formed all through the planet’s surface, as well as the darker edge crystals and the soft transition from green to blue. Below, you can see it happily tucked into its frame and reflecting onto the shiny iPhone hanging out to show size.

Blue Planet 2, framed art by Amy Crook

Blue Planet 2, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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