Posts Tagged ‘black paper’
Monday, September 2nd, 2019
The Avengers are a huge cultural phenomenon right now, and that first movie is one of my favorites. I decided to round out my original set of MCU abstracts by adding in the missing members of the OG crew. The title is from a Franz Ferdinand song, fittingly.
Hawkeye doesn’t get a lot of love in the movies, but his current comics run is pretty much amazing. Clint Barton is a genius with the bow, and a human disaster the rest of the time but somehow you can’t help but love him anyway.
The color scheme is based a little more on his comics run, but the bullseye is right on target for any version of Hawkeye.
After all, he never misses.
Above, you can see the swirling rings of violet highlighted by purple. Below, it’s sitting in a frame, waiting to go to its new home to live happily ever after.
Categories: Abstract and Just Plain Weird, Floating Gallery, Series and Books, Things I'm a Fan Of
Tags: black paper, hawkeye, interference, japanese watercolor, mcu, mcu abstracts, nfs, sold, watercolor
Friday, July 5th, 2019
It’s been a month for revisiting old ideas in new ways, and this bit of Arches cover black paper just asked to be an abstract sky. The near stars bloom with nebula-like shapes, blue-hot centers limned in shining lilac. Or perhaps it’s snowflakes in someone’s too-bright halogen headlights, fat and fluffy in the near sky and smaller specks of light in the far. Night-blooming flowers might also seem to glow in the right light, petals moving in the wind and centers fragrant with nectar and dew.
Whatever you see in this painting, it’s floating through the darkness of the everyday to light up your imagination.
Above, you can see the blue-hot center of each near ‘star’ just barely visible with its violet halo. Below, you can see it in its frame, like a window into another galaxy.
Tuesday, August 14th, 2018
Three sandhill cranes are flying across this minuscule moon, golden-yellow and full like a proper autumn moon should be.
After June’s Harvest Moon painting, a patron suggested I try another on black paper instead of white. It’s a very different process, and the results have a darker, more solid quality.
The stars have a little shine to them, a hint of gold to add sparkle. The cranes have a little complexity in their color, both from the Payne’s grey and the way the thick, opaque Japanese paints mix into the top layer.
Above, you can see a close-up of the cranes and the textural surface of the moon. Below, the painting is in a frame, waiting to fly to its new home.
More Art This Way »