Posts Tagged ‘violet’
Violet Midnight 2
Monday, September 19th, 2011
Violet Midnight 2 by Amy Crook
I’ve been thinking about making prints lately, and that’s led me to think about the way that the salt paintings are really unprintable — while a print of a normal piece is maybe half as cool as the real piece, but printing the salt pieces loses 90% of their awesomeness. So, with that in mind, I mixed up a slightly different mix of the violet-black from Violet Midnight and made a piece that only used the salt for visual texture rather than physical structure. There’s no shiny paint, no sparkly salt, just simple ink and watercolor.
I actually started it the same way I do any salt piece, with spirals in ink on paper, but this time I went straight to painting the background (which has little salt-made stars, done the traditional way by scattering salt onto the damp paint), then used plain water to pick up the ink and create halos of golden orange around the sun and larger stars.
Violet Midnight 2, 7″x5″ watercolor, pen and ink on paper.
Here’s how it looks in a frame, with my iPhone for scale:
Violet Midnight 2, framed, by Amy Crook
Categories: Daily Art, Flowers, Trees and Landscapes, Series and Books
Tags: for sale, moon, orange, pen and ink, salt, spirals, violet, watercolor
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Violet Midnight
Thursday, September 8th, 2011
Violet Midnight by Amy Crook
Another image I keep revisiting, the moon glowing in the night sky. I went for a simple duochrome effect, the stars and moon drawn in orange ink, then the stars turned warm and golden when the salt and water were added. I used a dark blue-violet paint, which was making such fascinating shapes and shadows on its own as it pooled and flowed that I decided not to try to add any more stars and let the velvety paint stand on its own. Then I used a metallic copper watercolor to create the haloes around the moon and stars, the color an excellent match to the orange ink.
Violet Midnight, 7″x5″ mixed media on paper, nfs.
This piece has a great contrast between the matte violet paint and shimmery, iridescent copper paint; between the flat ink and three-dimensional salt crystals; between the meticulous spiral pattern in the moon and the random, cloudy shapes in the sky.
Violet Midnight, detail 1, by Amy Crook
Here you can really see how the interplay of colors and textures up close.
Violet Midnight, detail 2, by Amy Crook
A simple black frame protects the salt, and makes the vivid colors really glow.
Violet Midnight, framed, by Amy Crook
Categories: Daily Art, Flowers, Trees and Landscapes
Tags: moon, nfs, orange, pen and ink, salt, sold, stars, violet, watercolor
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Hibiscus Violet
Friday, August 12th, 2011
Hibiscus Violet, abstract art by Amy Crook, $99
Something about having painted the iridescent oils onto this watercolor postcard before gracing it with the hibiscus tea caused the tea to stop at a lovely violet mid-stage between the vibrant pink and soft blue of my other hibiscus pieces. I used salt to add some extra texture to the tea wash, but most of the texture comes from the peaks of dried oil paint.
This piece rides the edge of being busy, the harmonious color palette keeping it from being too random. I really like the way the paint shimmers in the light, but the areas of tea are a soft matte, which makes the paint seem to float above the background just a tiny bit.
Hibiscus Violet, 4″x6″ mixed media on watercolor postcard, $99, framed, with free shipping.
Here you can really see how the paint rises up from the page, and get a sense of the iridescent effect.
Hibiscus Violet, detail, by Amy Crook
I’ve put it in a simple black frame, you can see how the colors change depending on the light.
Hibiscus Violet, framed art by Amy Crook, $99
Categories: Abstract and Just Plain Weird, Daily Art
Tags: for sale, hibiscus, iridescent, oil paint, postcard, tea, violet
In Suspension
Monday, June 13th, 2011
In Suspension by Amy Crook, $199
This is another of my salt-and-watercolor paintings, this time done in shades of violet. The image reminded me of particles in suspension in a liquid, for really no apparent reason other than the nerdiness of my brain. I really like the way the pigment in these watercolors move and flow as they dry, which to me adds to the image of particles slowly settling out of a suspension; the darker violet at the bottom where the paint pooled is like silt at the bottom of a solution.
For this painting, I first painted the purple wash and let it dry fully. Then I added spirals of ink with a purple pen, placed a chunk of plain rock salt on each one, and covered both with water using an eyedropper. The purple ink dissolved partially in the water, as did some of the paint, and the salt dissolved completely. When the piece was allowed to sit for a day, salt crystals formed on the paper as the water evaporated, the ink and paint adding color to the salt. I keep worrying one of these days my cats will climb high enough in my bookshelves to lick the salt water right off the paper before it can dry, but so far, so good.
This paper is somewhat absorbent, so the drops of water tend to spread a little, and sink in, and the crystals are fairly flat to the surface of the paper. I haven’t yet found a good frame for this size, but the embossing makes them look like they’re already matted, adding a bit of formality to the otherwise abstract piece.
In Suspension, 5.5″x4.25″, watercolor, pen and ink, and salt on watercolor paper, $199 with free shipping.
I admit I’ve rather given up on my scanner properly showing off the embossing on these little cards, so I took another photo that’s got more accurate color and sparkle.
In Suspension, detail, by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art
Tags: for sale, salt, violet, watercolor
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