Archive for the ‘Abstract and Just Plain Weird’ Category
Five 4
Monday, October 17th, 2011
Five 4 by Amy Crook
This paper absorbed the water slowly, but still too fast for the salt to do its usual thing. Instead, it formed this mysterious flower-like shape inside the paper — this is actually what started as the back of the paper. The ink left ghostly rainbows of dye in the paper as it separated into its component colors. I went back in and added more ink and water both, which leaves us with a subtle embossed flower surrounded with the gentle green of new leaves.
Five 4, 3.5″x2.5″ mixed media on paper, nfs (but available for trading!).
This detail shot really makes the pink I dotted into each petal glow, and you can just see the five golden stamen I put in the center. I love that this card has so much detail hiding in the extremely subtle play of color and texture.
Five 4, detail, by Amy Crook
If you’re an artist who makes ATCs of your own, and are coveting this one, let me know!
Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
Tags: aceo, atc, five series, pen and ink, sakura, salt
Five 3
Friday, October 14th, 2011
Five 3 by Amy Crook
I decided to do #3 horizontally when one of the salt pools didn’t take, instead spreading out into the paper for mysterious reasons. I added ink dots to depressions in both the wet and dry paper, and I love the way the blue-black ink spread throughout the damp spot. I like the way the stamped “canvas” texture in this paper really supports and informs the art that came to life on its surface.
Five 3, 3.5″x2.5″ mixed media on paper, nfs (but available for trading!).
The canvas-like texture of this card is really evident here, and the way the water and salt distorted it in the lower left where the salt pool didn’t properly form.
Five 3, detail, by Amy Crook
If you’re an artist who makes ATCs of your own, and are coveting this one, let me know!
Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
Tags: aceo, atc, five series, pen and ink, salt
Five 2
Thursday, October 13th, 2011
Five 2 by Amy Crook
In this second piece in the series, I used a purple pen to go with the pinkish-purple that lingered in the center of the salt pools, and the ink separated out as it dried, leaving the pink behind in the lightest washes and looking bluer at the edges. I used simple water to create the background wash, picking up ink from shading that’s nearly erased at the top and bottom, plus the tips of some of the longest lines in the center designs.
This is another of those pieces where incessant fiddling gave me interesting results in the form of the layered ink washes, especially down in the lower left.
Five 2, 2.5″x3.5″ mixed media on paper, nfs (but available for trading!).
You can see the paper texture in the detail shot, and the shape and sparkle in the blue salt pools.
Five 2, detail, by Amy Crook
If you’re an artist who makes ATCs of your own, and are coveting this one, let me know!
Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
Tags: aceo, atc, five series, pen and ink, salt
Jellyfish Deeps
Tuesday, October 11th, 2011
Jellyfish Deeps by Amy Crook
Most of my salt pieces come together in an almost Zen-like way, with the long wait for the salt crystals to form and then a quick flurry of activity as I work with the results. This piece started out with the watercolor background, which took a long time to dry, giving the mixed paint time to separate out into its component colors in some places, while staying a murky purple-black in others. Pen and ink and salt came next, and then the jellyfish in their white gel pen currents swam in last.
It’s interesting how sometimes you can keep adding things to a piece until you ruin it, but other times you have to keep going until it gets past a certain point and turns itself around into something worthwhile. My friend Jeff (who paints wargaming miniatures) calls it “the ass point,” where the piece looks like total ass until you get it to a certain point, and then suddenly all its potential starts to shine through.
I find this point more intimidating than the blank page, since it represents a lot of lost work if it never gets past that point, but there’s a certain satisfaction to having pulled a piece past the ass point and turned it into something I’d want to admit I created.
Jellyfish Deeps, 5″x7″ mixed media on paper, nfs, (sold).
Jellyfish Deeps, detail, by Amy Crook
This one has a lot of detail that just doesn’t show up until you really look at it, from the colors glowing through the white gel pen to the strange salt pools and their range of crystal sizes and densities. You can see it in its frame, below, with my iPhone for size reference.
Jellyfish Deeps, framed art by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art, Sea Creatures and Other Animals, Tentacles
Tags: crosshatching, for sale, gel pen, jellyfish, pen and ink, salt, tentacles, watercolor
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Five 1
Monday, October 10th, 2011
Five 1 by Amy Crook
This is my first foray into Artist Trading Cards (or Artist Card Edition Originals, as they’re called if you sell them), though I’ve had a pack of assorted blanks for a while now. I wasn’t sure if any of them would hold up to my method of growing salt crystals, but I decided to do a set of 5 with 5 ink spirals each (whether or not the salt pools formed), and call it, brilliantly, Five.
Have I mentioned I hate coming up with titles?
Five 1, 2.5″x3.5″ mixed media on paper, nfs (but available for trading!).
This one formed a very interesting salt crystal on one of the pools that looked almost melted, curvy and organic in a way most of them really never are.
Five 1, detail, by Amy Crook
If you’re an artist who makes ATCs of your own, and are coveting this one, let me know!
Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
Tags: aceo, atc, five series, pen and ink, salt
Midnight Rain
Friday, October 7th, 2011
Midnight Rain by Amy Crook
This is a cool echo of the fiery copper from yesterday’s art. Although this is the same paint I used in Jellyfish Bloom, the bright aqua pigment sinks into the black paper, leaving a watery echo of peacock-iridescent shimmer floating on top.
The salt this time picked up some of the green from the pen I used, but it’s quite pale inside the opaque matrix of the crystals. They’re darker where the paint coats them, but everything about this piece came out subtle and ghostly. Appropriate for Halloween, I think.
Midnight Rain, 5″x5″ mixed media on paper.
Midnight Rain, detail, by Amy Crook
When the sunlight hits this one, the iridescent paint goes purple on the paper in lovely contrast to the rich teal you see where it coats the salt crystals. From another angle, it looks more blue, as you can see below in the framed photo.
Midnight Rain, framed, by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
Tags: black, for sale, iridescent, pen and ink, salt, teal, watercolor
Copper Midnight
Thursday, October 6th, 2011
Copper Midnight by Amy Crook, $323
This is the first of a pair of pieces I made together using Arches Cover Black paper. I love that this velvety black paper is fade-proof, because it’s not dyed but instead turns black from a chemical reaction set off in the paper. It’s art with science! Not my science, but still.
I made salt circles with my trusty orange pen, which barely picked up at all into the opaque white crystals this time. Then I used metallic copper watercolor for the ripples around each little pool, and copper gel pen for the signature, making an eerie monochrome piece very appropriate for the Halloween season.
Copper Midnight, 5″x5″ mixed media on paper, $323, framed, with free shipping.
Below you can see how the iridescent paint catches the light and glows with shimmery copper.
Copper Midnight, detail 1, by Amy Crook
Here you can see just one salt pool, with the copper coating the salt on one side and making it look like it’s almost made of some strange metallic crystal instead of mundane salt. I’ve always liked how each little ring of salt is its own tiny henge of sorts, big crystals rising up around the scattered few in the center.
Copper Midnight, detail 2, by Amy Crook
When the sunlight isn’t hitting them, the places where the paint was thinnest almost sink completely back into the black paper like ghosts, though it seems to float above the paper where it’s thickest. You can see it in its frame, below, with my iPhone for scale.
Copper Midnight, framed, by Amy Crook, $323
Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
Tags: black, copper, for sale, iridescent, pen and ink, salt, watercolor
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