Posts Tagged ‘for sale’

C is for Counter

Thursday, July 26th, 2012

C is for Counter, calligraphic illumination by Amy Crook

C is for Counter, calligraphic illumination by Amy Crook

Counter space is the space inside of a letter, whether open or closed. No, I didn’t know that before I started this project, either, don’t worry, but once I heard the term I became fascinated with the idea of fitting an old-school moon in the curve of the C for this alphabet.

C is for Counter, 5″x5″ Japanese watercolor, pen & ink and glitter gel pen on paper.

C is for Counter, detail, by Amy Crook

C is for Counter, detail, by Amy Crook

Above, you can see the shining silver stars in the blue sky, and also a better sense of the shading, which my scanner blew out completely in the yellows. Below, the C is hanging out with the Endless (whose names all start with D, ironically) and the G as well. It’s all ready for a Catherine or Carl to take it home, or perhaps a Mr. Cunningham. I think the framed photo actually has the most accurate color, too.

C is for Counter & G is for Gothic, framed art by Amy Crook

C is for Counter & G is for Gothic, framed art by Amy Crook

Categories: Daily Art, Illuminated Alphabet, Series and Books, Whimsical and Strange
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Tentacle Deeps 39

Tuesday, July 24th, 2012

Tentacle Deeps 39 by Amy Crook

Tentacle Deeps 39 by Amy Crook

Golden sunlight filters into the murky deeps, while iridescent, ghostly green tentacles slither upward, reaching for the surface. The tentacles nearly vanish from some angles, but they’re bright as gilt when they catch the light, in a cool, shining green.

Tentacle Deeps 39, 6″x6″ Japanese watercolor and iridescent watercolor on Fluid watercolor paper with pen & ink signature.

Tentacle Deeps 39, detail, by Amy Crook

Tentacle Deeps 39, detail, by Amy Crook

Above, you can see the light shining off the tentacles against the velvety green-black of the background. Below, you can see it temporarily tucked into an 8″x10″ frame, waiting its final destination.

Tentacle Deeps 39, framed art by Amy Crook

Tentacle Deeps 39, framed art by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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Filigree Planet 3

Friday, July 20th, 2012

Filigree Planet 3 by Amy Crook

Filigree Planet 3 by Amy Crook

I used the same rich fuchsia on the stars here as I did on the central part of Monday’s painting, and they make the glittery filigree on the planet look very orange by comparison. The underlying planet is a mix of reds, pinks and oranges, with texture added by salt. Strangely, the crystals on the planet itself grew very flat and dark this time, with almost no shine to them, so I decided to add in the filigree to keep the planet from being outshone by its surrounding field of stars.

Filigree Planet 3, 7″x5″ salt, Japanese watercolor and glitter gel pen on Arches cover black paper.

Filigree Planet 3, detail 1, by Amy Crook

Filigree Planet 3, detail 1, by Amy Crook

Above, you can see the shine of the red glitter, and some of the underlying texture on the planet as well. Below, you can see a close-up of three of the tiny pink salt pools in all their fucshia glory. Pink (the color, not the rock star) and I have a strange relationship, since I usually loathe it, but I’m finding it’s got its uses in moderation.

Filigree Planet 3, detail 2, by Amy Crook

Filigree Planet 3, detail 2, by Amy Crook

Finally, you can see the piece tucked neatly into a frame. There’s no glass here, but it will ship to you fully protected and ready to hang. I just really hate trying to get the glare out of my photos.

Filigree Planet, framed art by Amy Crook

Filigree Planet, framed art by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, Series and Books
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B is for Blackletter

Thursday, July 19th, 2012

B is for Blackletter, calligraphic illumination by Amy Crook

B is for Blackletter, calligraphic illumination by Amy Crook

I went Gryffindor with my second letter, bold red and rich yellow, though I chose the red glitter pen rather than gold for my second illumination. My B uses a classic blackletter face, heavy and Germanic, with a bit of whimsy thrown into the illumination for it.

Just as with the A, I let the ink bleed into the paint so the shapes of the letter have a lovely orange fade, and though I used a very bright, pure red on the background, I used a dark red-orange inside the B itself to better offset the glitter illumination.

B is for Blackletter, 5″x5″ pen & ink, Japanese watercolor, and glitter gel pen on paper.

B is for Blackletter, detail, by Amy Crook

B is for Blackletter, detail, by Amy Crook

The shine on the red glitter is much more subtle and harder to photograph, especially since it goes a bit pink when the light hits it, so the colors in the above detail photo are a bit off in general. Alas. Below, you can see it happily tucked into a frame with my phone to show you the relative size. The central box on these is 3 inches square, but the border and signature rest outside.

B is for Blackletter & E is for Emboss, framed art by Amy Crook

B is for Blackletter & E is for Emboss, framed art by Amy Crook

Categories: Daily Art, Illuminated Alphabet, Series and Books, Whimsical and Strange
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Lone Tentacle

Tuesday, July 17th, 2012

Lone Tentacle by Amy Crook

Lone Tentacle by Amy Crook

This dark, intense bluish-violet wash was just asking for tentacles, but after I’d scribbled in the first one it seemed like that was really enough. I just really like something about the way the single, lone tentacle reaches upward toward the light, silhouetted against the violet depths.

Lone Tentacle, 6″x6″ pen & ink and Japanese watercolor on Fluid watercolor paper.

Lone Tentacle, detail, by Amy Crook

Lone Tentacle, detail, by Amy Crook

Above, you can see the shading detail on the tentacle, the textures of paper and paint that give the piece a murky, atmospheric feel. I liked this shot so much, I’m using it as a wallpaper, in fact. Below, you can see it temporarily tucked into a 8″x10″ frame, hanging out with my iPhone for scale.

Lone Tentacle, framed, by Amy Crook

Lone Tentacle, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Free Wallpapers, Tentacles
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Make Good Art

Monday, July 16th, 2012

Make Good Art calligraphic painting by Amy Crook

Make Good Art calligraphic painting by Amy Crook

Although I think many people have said this before (including several of my prior art teachers), it’s come most recently from Neil Gaiman. I also find the advice later on about freelancing to be very good and very true — to paraphrase, you must do good work, be on time, and be pleasant, and people will continue to hire you; actually, two out of three will do, most days. And thank goodness for that, because some days all three is more than anyone can manage.

I made this very pink wash when I was mucking about with my red palette of Japanese watercolors, going from the color that is almost exactly the same as the Orchid crayon in my childhood set, through a bright fuchsia pink and on to a lovely deep burgundy. I used my poor abused fountain pen to scribble in the lettering, then took my water brush and blurred it out, which gives an interesting effect, especially in the capitals. Next came the gold glitter paint in the letters, and I left it overnight to figure out what more it needed.

It needed tentacles, of course!

I finally found the fourth palette from the same set, which is six different shades of almost-black, so I took the rich plum-purple one and made a row of tentacles reaching up to tease at the lettering. Then, to balance it, I added the gold filigree at the top, and it finally felt done.

My mental narrative for it is a bit like, “Glimpse of the golden vines of Olympus? Make good art! Chased by tentacles from the Depths? Make good art!”

So, that’s my message for you this Monday – whatever form it takes, whatever inspires you, today, make good art.

Make Good Art, 8″x4″ Japanese watercolor, pen & ink, and glitter gel pen on Fluid watercolor paper on paper.

Make Good Art, detail 1, by Amy Crook

Make Good Art, detail 1, by Amy Crook

This is one of those pieces that’s very different depending on the lighting; the gold almost vanishes when it’s in low light, but it stands out beautifully when the sun hits it, and the thicker paint on the tentacles also has a bit of a gloss here and there. Below, you can see the effect just on the word “Art.”

And for those of you that’ve read this far, have a wallpaper of the above image, with my gloved fingers sneakily Photoshopped out.

Make Good Art, detail 2, by Amy Crook

Make Good Art, detail 2, by Amy Crook

I put it in a temporary frame so you can see the scale. Given the odd size, you may want to have it custom framed, or put it on a piece of mat board in a larger frame the way I’ve got it shown below.

Make Good Art, framed, by Amy Crook

Make Good Art, framed, by Amy Crook

Categories: Daily Art, Free Wallpapers, Things I'm a Fan Of, Whimsical and Strange, Words Words Words
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Binary Green

Friday, July 13th, 2012

Binary Green by Amy Crook

Binary Green by Amy Crook

Two green planets orbit each other in a mysterious, swirly blue-black sky. This binary system has continents dotted with sparkling salt crystals, perhaps the cities of some alien race.

I have three flower-shaped ceramic palettes of Japanese watercolors. One is earth tones, reds and oranges. One is blues, purples and a nice solid black. The last one is greens and yellows and a matte blue-black that you can see making the swirly night above. I had my water brushes out the other night with the green palette, and this piece was one of the results, along with the tentacles from Tuesday. (There’s also a pair of bookmarks no one will see until I get to 7 and declare another Bookmark Week.)

I really like the effect I’m getting with judicious use of the saturated salt solution, dripping it onto damp watercolor and making mysterious geographies as the two interact. I think I’ll take my planets to Endgame this month and give the skies a rest, so look out for that post as well.

Binary Green, 7″x5″ Japanese watercolor and salt on paper.

Binary Green, detail 1, by Amy Crook

Binary Green, detail 1, by Amy Crook

Above you can see the sparkling salt on the upper left planet’s surface, where below we have the darker shapes glittering from the surface of the lower right planet.

Binary Green, detail 2, by Amy Crook

Binary Green, detail 2, by Amy Crook

And finally, I’ve put it in a frame (sans glass), so you can imagine it sitting on your desk at work, giving you dreams of distant worlds during your coffee breaks.

Binary Green, framed art by Amy Crook

Binary Green, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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