Posts Tagged ‘words’

Holiday Progress

Tuesday, December 18th, 2012

holiday cards and Valentine designs in progress

holiday cards and Valentine designs in progress

Given Instagram’s lovely new TOS, I figured I’d continue my week of silly posts with the alternate photo tools on my phone. I keep wondering what will happen when someone’s photo of a third party’s copyrighted designs (say, a car, given that all car designs are legally protected in every which way they can) ends up being used for a commercial purpose by Instagram, when the person who took the photo didn’t own the copyright of the thing in the photo in the first place, and therefore couldn’t actually pass it on to Instagram. This is a bit different than everyone else’s likeness rights worries, but then, I never take photos of my likeness, so it makes sense I’d think of it another way.

Other companies’ idiocy aside, I saw The Hobbit and I unabashedly loved every minute of it. I pretty much spent any slow time trying to remember which dwarf was which, and therefore the nearly three-hour movie passed in a blink for me.

Today’s photo is one of my personal holiday cards (yes, some people got tentacles), and the inks for one of next year’s Valentines. Ironically one of my designs was Instagram-centric, so I’ll probably be scrapping that idea and sticking with the other nerdy concepts. It’s too bad, too, because I loved the silly wee painting I did for the front!

I hope you’re staying warm, dry and happy this week, whichever holidays you love best. Personally, I’m a fan of Halloween, Christmas, the solstice, and of course the New Year! How about you?

Categories: Daily Art, Words Words Words, Works In Progress
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221b Becomes Tattoos

Wednesday, December 5th, 2012

Baker Street Tinies: B is for Baker Street, exterior, by Amy Crook

Baker Street Tinies: B is for Baker Street, exterior, by Amy Crook

Baker Street Tinies: B is for Baker Street, interior, by Amy Crook

Baker Street Tinies: B is for Baker Street, interior, by Amy Crook

Remember these? The wonderful Nicole & Mo wanted a pair of tattoo designs that were part Sherlock, part Holmes, and part Edward Gorey. They took my artwork to their tattoo artist, who promptly told them “no,” hah! I guess I should’ve used bigger pens.

They each got to choose one section to fit on their arms for the final tattoos, which you can see below.

Baker Street Tinies tattoos, design by Amy Crook

Baker Street Tinies tattoos, design by Amy Crook

Nicole, left, has an eerie outside view of 221b Baker Street on her forearm. She had it drawn as it might look if it were a single townhouse instead of part of the larger building, and also transported to a rather spookier version of London. Mo, on the right, got the fireplace at 221b as her tattoo, minus the intricate wallpaper. We moved the skull from another wall to join the skull on the mantel, but otherwise hers is more faithful to Sherlock‘s actual set.

I really love the way their tattoo artist interpreted my delicate linework into her own art form, preserving as much of the detail as possible while keeping the designs clear and clean so they’d age well.

But the best part is that the tattoos went to London! Nicole sent me the best photo, below, of her tattoo outside the building they actually used for 221b Baker Street in the show. Sadly the Sherlock set wasn’t hiding inside for Mo to get a photo of hers. Wouldn’t that be something awesome?

Tattoos go to London!

Tattoos go to London!

Categories: Completed Commissions, Daily Art, Series and Books, Things I'm a Fan Of, Words Words Words
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How to Ask for Art as a Gift

Wednesday, November 7th, 2012

A is for A Perfect Gift

So, what if you’ve got your heart set on a piece of art you saw in a gallery, online, or elsewhere? How do you let it be known what you’re hoping for?

I always have my heart set on spiralsWell, part of this depends on whether you’re the sort of people that give each other a Very Specific List, or Broad Hints. For the former, you’ve got your answer — tell them! For the latter, it’s important to think about whether you have a specific piece you want or you just like anything by the artist in a certain style.

If there’s just one piece you want above all others, you can put it as your computer and phone wallpaper, forward the email or web page about it to the people in question, and generally talk about it in glowing terms. The phrase, “I know just where I’d put it,” is an excellent clue.

You can find out if the artist offers gift certificates and what their terms are. (I do! They’re generally good for a year from date of purchase.) Getting a few people to give you a gift certificate for an artist’s shop is a good way to get an original that’s out of reach of any one person.

bookmarks are awesomeTry to keep budget in mind.

Don’t ask someone who normally gives you a $20 gift card for a $2000 painting. Instead, you could ask them for a print, or a $20 gift card to that artist’s shop or gallery. You can hint to your friend who likes to organize these things that you’d love the piece, and if everyone chipped in you might be able to cover the balance. A lot of artists will help you out with payment plans, too, so you could use your friends’ generosity to make a head start on the painting of your dreams.

The group gift plan works really well for office Secret Santas, too, because you can casually say, “Oh, I’m asking all my friends for gift cards for this artist I like,” at work.

Make sure they know where to buy.

If your Mom’s not so great with the internet, make sure she knows how to call the gallery or contact the artist in a way that feels safe for her. If your friend in Buffalo wants to give you something from a gallery in San Diego, make sure they’ve got a site where they can order online. If it’s a local artist that shows in your favorite cafe, take your friends to coffee and then ask in front of them how one buys the art.

Figure out the seller’s policies.

hello, city, how have you been?If your gift-givers are the sort to want to feel clever and get you something kind of like the thing you asked for that they think is entirely superior, make sure the gallery or artist will exchange it. This also applies to things like gift cards, prints or crafts. The one original you want might also sell before your loved ones can buy it, so you need to figure out if the gallery or artist will help you find something to go in its place, or refund the money.

You can read more about my policies here, but remember I’m only one artist, and every small business is a little different.

Think about giving art to yourself.

Sometimes, we get so caught up in holiday madness we forget to take care of yourselves. Consider giving yourself the gift of art, something you can see every day and smile over during the busy season and after. Hints and lists aside, sometimes it’s good to just go for what you know you want and not have to worry about ending up with the ugly green one instead of the pretty blue one, or something from entirely the wrong artist.

Art can be a real mood-booster, especially if you buy it when you see it instead of worrying someone else will snap it up. A bit of self-care goes a long way during gift-giving season!

No matter what, remember that they tried.

If you do get something a bit disappointing, try to remember that, at least to most people, gift-giving is hard. It happens to be my super power, but even I have a harder time with some people than others. Even if you end up with something more worthy of Regretsy than your mantelpiece, smile and hope they put in the receipt.

It’s a cliche, but it really is the thought that counts. Even if that thought is a little bit awful.

the stars might be right but sometimes relatives can get it very wrong

Categories: Daily Art, Words Words Words
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How to Buy Art as a Gift

Wednesday, October 17th, 2012

Octopi and gifts go together like tentacles and surprises!

So, you’re the sort of awesome person who wants to buy your loved ones some original art for the next gift-giving occasion. You’re here, so clearly you have excellent taste, you like to support independent artists, or you got lost on Google.

We’ll pretend it’s the first two.

What do you want to know before you buy?

Tentacles are always in season.

So, the first question to ask yourself whenever you’re gift-shopping for someone is, what’s my budget? It might seem mercenary, but there’s a world of difference between a $20 gift and a $50 gift, let alone a $500 gift. If you’re spending less, it’s good to find someone who sells prints, or small items with art printed on it. If you’re specifically looking at art from me for under $20, my Etsy shop is a great place to find prints and cards, or you can check and see which bookmarks are still looking for a home.

The next question is, what do they like? It’s all well and good if you love my art (and yay you!), but your mom might not want tentacles on her wall. Or she might, in which case, go her, too! It’s wonderful to introduce your friends and loved ones to an artist you adore, but it’s always good to make sure they really want the piece you’re buying. This is a bit selfish, but as an artist I hate the idea that someone might get my art and then not like or display it, or even declutter it to the trash someday.

This one's just shiny. Oooohshiny.

Plus, you want them to make the good face when they open the package. You know the face I mean.

There’s also the “art of things they love” clause — a Cthulhu original will generally go over well with a Cthulhu fan no matter what artist made it. Though it’s good to make sure it is something they love, and not something they once told their mom they liked and have gotten one of every holiday for the last 20 years.

Have you considered asking?

To frame or not to frame, that is the question.It may seem strange, but if you’re really into the idea of getting an original for someone that you think is just perfect for them, consider talking to them about it. Not just, you know, “hey do you want this,” (although that has worked for me in the past!), but showing them some links of art you like in another context. It’s a good sneaky way to disconnect the piece from your ego, so they’ll tell you what they really think instead of worrying about not liking your gift.

Think, too, about whether you want the art framed or gift-wrapped or sent directly to the recipient, and then find out if the artist can accommodate you. For me, I will gift-wrap free, ship wherever you like (but I prefer to be told if it’s going to a recipient so the thank-you card can make sense), and frames are usually optional and cost more, but sometimes included (for the salt pieces).

A letter of their name could be cool. I'm just sayin'.So, once you’ve figured out your budget, and the kind of art they like, and how you want to present it, what’s next? Buying, of course.

Why would you want to give someone art, anyway?

Original art is by definition unique, and hopefully something they’ll value and treasure for years to come. If you’ve paid attention to what they want and what they like, you can add a lot of simple happiness and beauty to someone’s life with art. It might sound cheesy, but the right art for the right person will improve their environment, which in turn improves their smile to frown ratio.

And who doesn’t want more smiles?

Smiles are the silver lining in having to shop for gifts.

Categories: Daily Art, Words Words Words
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Denouement – How Commissions Work

Wednesday, October 3rd, 2012

(or at least how this one did)

Denouement, commissioned oil painting by Amy Crook

Denouement, commissioned oil painting by Amy Crook

Denouement, 36″x24″ oil paint on canvas, nfs (commission).

This commission was many months in the making, as all my oil paintings are, but in the long run both Kristen (the commissioner) and I are happy with the results. I believe there was something about squeaking noises during the unboxing, specifically…

We chatted a little about the commission process from her end, and this is what she had to say:

I tend not to buy ‘pre-created’ art a lot. Much of what I have in my possession (walls, hidden in the closet, etc) is from commissions, because it’s exactly what I want. I’ve had some smaller things done from other people, but nothing else on this large a scale. I was Natalie’s roommate when she got Till the Walls Shall Crumble to Ruin, and that was kinda what pushed me to go to you for this big piece. She told me that you guys had some many conversations about her art that you had to use a separate conversation on gmail, which boggled my mind, but then we ended up doing the same!

Mostly I just thought of every beautiful thing I really wanted to put into it, and how to make an amalgam of six different things into one idea, and what would that idea look like at the end of the day. So even though the image was so freaking clear in the my head I knew it needed to be adjusted. That’s where you came in. And I knew the basic idea: the hero standing at the end of a journey and going into the light, but the specifics were hard coming. Photo references were totally helpful, plus the mood I wanted, melancholy instead of heroic. It’s Luke burning Vader rather than a bunch of ewoks singing.

Then there were sketches — it was like slowly seeing what I had in my mind’s eye but also redefining it, because what i had in my head could never be exactly put onto canvas, and I knew that. So it was looking and quirking an eyebrow and readjusting and asking questions, figuring out what worked in silhouette and what didn’t. The waiting from my end was agony, but a lot of it was on me. It took ages to figure out exactly what I wanted.

It was a very interesting little journey but completely worth it. It’s amazing to have something so important to me on my wall, in my life, tangible. Which is what is. It’s an incredibly important idea that I can touch, and that’s a wonderful thing. Overall, it was a very pleasant experience, even the agony of waiting. It went on my wall very quickly once it came, though!

Denouement commission, various studies by Amy Crook

Denouement commission, various studies by Amy Crook

Above you can see some of the sketches we went through, starting in the lower right of the four-panel page I made myself. I did a lot of studies for this one, because I knew once I was painting the process demanded I know exactly what I needed to do. The watercolor study came out a bit mushy because of the paper I was using, which wasn’t at all suited to it, but I took a very good scan of the sketch on that page before I added color.

Denouement commission, transferring to the canvas

Denouement commission, transferring to the canvas

That sketch got printed off onto a few sheets of paper, and then I cut them out and used them to transfer exactly the image we’d agreed upon to the canvas.

Denoument commission, work in progress by Amy Crook

Denoument commission, work in progress by Amy Crook

Then I painted in the color, which looks super bright with the background still white. You can see where I wanted to have everything decided upon before it got to this stage. Plus, this way the carving above the door was almost perfectly symmetrical, heh.

Denouement commission, detail, by Amy Crook

Denouement commission, detail, by Amy Crook

Here you can see a really nice view of the sunlight glow, which was the last thing to go in, and also the texture of the paint that gives all of the detail in the black areas without any actual color variation beyond the glow.

It takes me months and months to do one of these commissions, but I always love the results. There’s something really special about doing a painting just for someone else, knowing it’s just what they wanted.

What about you, would you like to commission one of your own?

Categories: Completed Commissions, Daily Art, People, Figures and Faces, Words Words Words
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On Calligraphy

Wednesday, July 18th, 2012

Red Irony, detail, by Amy Crook

Red Irony, detail, by Amy Crook

Like basically every other artist I’ve ever talked to, I’ve been drawing stuff from a very young age. We all do, really, even the non-artists among us are given crayons, cheap finger paints, sidewalk chalk, and pencils (not to mention in-class boredom to inspire margin-doodling). So, with that in mind, I think the first time I really chose an art form to try to pursue in a meaningful way, on purpose, it was calligraphy.

A Murder of Crows by Amy Crook

A Murder of Crows by Amy Crook

I started out with one of those Schaeffer calligraphy sets basically just like this one, which I’m pretty sure I still have somewhere, along with a couple dozen of the little ink capsules that fit into those pens. I remember painstakingly learning a few different fonts, writing out song lyrics in a slightly wobbly hand, and doing all those things young girls do when they learn to make their writing pretty.

Once I got older, sometime in college when I was trying Real Serious Art, calligraphy got set aside as a childish plaything, and the pens went into the black hole of art supply hoarding. I’d pull them out once in a while to do something, but in the long run (even now), I tend to prefer simple pointed fountain pens rather than the chisel tips, and drawing the shapes by hand rather than counting on the shape of the pen to create them.

A is for Arabesque, detail, by Amy Crook

A is for Arabesque, detail, by Amy Crook

Recently I’ve been exposed to a few more examples of grown-up calligraphy, from Melissa Dinwiddie‘s gorgeous professional work to the plethora of Qs I visited online while working on the Quadrivium logo. I’ve seen a lot of people successfully integrating words into their art, as well, often using stamps or collage to add a message to their work.

With all this inspiration and the whole internet full of it as well, I’ve started getting back into calligraphy, not just as a long-forgotten habit but a legitimate art form of its own. Monday’s art may be part of a trend, I’m not sure yet — I don’t always have words to put on a piece. Sometimes Google can find me a quote that fits, like in Pomegranate below, but not always. I’m definitely going to continue my illuminated alphabet, though. I love the intersection between tradition and absurdity, modern glitter gel pen and ancient motifs.

I don’t always have something to say with my art, but when I do, at least I’ve got the skills to make it as beautiful as the pieces deserve, I hope.

Pomegranate by Amy Crook

Pomegranate by Amy Crook

Categories: Daily Art, Words Words Words
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Why Bookmarks?

Wednesday, July 11th, 2012

Bookmarks by Amy Crook

Bookmarks by Amy Crook

I asked one of my darling patrons what I should post about today, and he asked me a really easy question: Why bookmarks?

I’m sure he was expecting some deep answer about my love of books or the utility of art, but in all honesty, it’s really simple. I often have little strips of paper left when I’m tearing or cutting down larger sheets. Since I’m a total art supply hoarder, I’ve kept some around (and more since I started doing Bookmark Weeks), and one day when I was on the phone for something, I pulled one out and started doodling on it. It’s a fun way to mess around on a small scale with lowered expectations. I sell the results for a relatively low price, so that way people who can’t afford one of my regular paintings or drawings can still have a wee Amy original.

Plus, now I feel all virtuous when I save weird little scraps of paper.

For the curious, I’ve got 4 new ones done, so there’s only 3 more to go before I can slack off real posts and do another Bookmark Week for your enjoyment. If you’re on Twitter, keep an eye out for a preview tweet one of these Sundays — I ended up pre-selling a couple of them before the posts even went up last time. There’s only two left out of the previous lots, some tentacles and the very first one I ever posted.

Categories: Daily Art, Words Words Words
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