Archive for the ‘Abstract and Just Plain Weird’ Category

Midnight Rain

Friday, October 7th, 2011

Midnight Rain, abstract art by Amy Crook

Midnight Rain by Amy Crook

This is a cool echo of the fiery copper from yesterday’s art. Although this is the same paint I used in Jellyfish Bloom, the bright aqua pigment sinks into the black paper, leaving a watery echo of peacock-iridescent shimmer floating on top.

The salt this time picked up some of the green from the pen I used, but it’s quite pale inside the opaque matrix of the crystals. They’re darker where the paint coats them, but everything about this piece came out subtle and ghostly. Appropriate for Halloween, I think.

Midnight Rain, 5″x5″ mixed media on paper.

Midnight Rain, detail, by Amy Crook

Midnight Rain, detail, by Amy Crook

When the sunlight hits this one, the iridescent paint goes purple on the paper in lovely contrast to the rich teal you see where it coats the salt crystals. From another angle, it looks more blue, as you can see below in the framed photo.

Midnight Rain, framed art by Amy Crook

Midnight Rain, framed, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Copper Midnight

Thursday, October 6th, 2011

Copper Midnight, art by Amy Crook

Copper Midnight by Amy Crook, $323

This is the first of a pair of pieces I made together using Arches Cover Black paper. I love that this velvety black paper is fade-proof, because it’s not dyed but instead turns black from a chemical reaction set off in the paper. It’s art with science! Not my science, but still.

I made salt circles with my trusty orange pen, which barely picked up at all into the opaque white crystals this time. Then I used metallic copper watercolor for the ripples around each little pool, and copper gel pen for the signature, making an eerie monochrome piece very appropriate for the Halloween season.

Copper Midnight, 5″x5″ mixed media on paper, $323, framed, with free shipping.

Below you can see how the iridescent paint catches the light and glows with shimmery copper.

Copper Midnight, detail 1, by Amy Crook

Copper Midnight, detail 1, by Amy Crook

Here you can see just one salt pool, with the copper coating the salt on one side and making it look like it’s almost made of some strange metallic crystal instead of mundane salt. I’ve always liked how each little ring of salt is its own tiny henge of sorts, big crystals rising up around the scattered few in the center.

Copper Midnight, detail 2, by Amy Crook

Copper Midnight, detail 2, by Amy Crook

When the sunlight isn’t hitting them, the places where the paint was thinnest almost sink completely back into the black paper like ghosts, though it seems to float above the paper where it’s thickest. You can see it in its frame, below, with my iPhone for scale.

Copper Midnight, framed art by Amy Crook

Copper Midnight, framed, by Amy Crook, $323

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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White Hot

Monday, September 26th, 2011

White Hot, abstract art by Amy Crook

White Hot by Amy Crook

It’s hard to capture the way this piece fairly glows with colour. There’s just two pigments, a pink and a rich orangey-gold that fades to the cream color of the paper in the center. I added seven salt circles, double-drawing the spirals in an orange-red and the apricot gold, so the centers of the salt circles reflect the pink from the corners, and the outer circles of salt crystals reflect the orange from the center.

White Hot, 5″x5″ salt, pen & ink, and watercolor on paper.

White Hot, detail 1, by Amy Crook

White Hot, detail 1, by Amy Crook

The salt crystals add a three-dimensional texture to the image, like planets being drawn into an inverse black hole.

White Hot, detail 2, by Amy Crook

White Hot, detail 2, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Zoisite Swirls

Saturday, September 24th, 2011

Zoisite Swirls, abstract art by Amy Crook

Zoisite Swirls by Amy Crook, $77

This piece is an echo of Hibiscus Green, but using the color palette from yesterday’s art. The mixture of the gold tones and zoisite texture gives it an illusion of being an iridescent bronze, even though the paint is actually quite matte. The zoisite is especially matte, soft and velvety looking on the paper’s surface.

Zoisite Swirls, 6.375″x4.25″ hibiscus tea on paper, $77 with free shipping.

Categories: Abstract and Just Plain Weird, Daily Art
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Modern Snow

Friday, September 16th, 2011

Modern Snow, abstract art by Amy Crook

Modern Snow by Amy Crook, $555

It’s always fascinating to me how the different colors of ink react to the salt — some of them don’t actually spread into the halo of crystal formations, but this one took its rich blue color all the way to the tips, leaving the darker, more violet-toned ink behind in the central circle. This piece combines the blue snowflake-like salt formations from Snowflakes with the fascinating brushwork from Aglow 2 to get an entirely new effect that reminds me of a pattern from the ’50s or ’60s.

Modern Snow, 5″x5″ mixed media on paper, $555, framed, with free shipping.

Like all the paintings I made using the lunar black, this one’s got the gorgeous contrast between the velvety dark areas and the sparkling salt crystals.

Modern Snow, detail, by Amy Crook

Modern Snow, detail, by Amy Crook

A simple frame will keep your art safe from damage, even those strange sideways crystals that grow at odd angles out of the paper.

Modern Snow, framed art by Amy Crook

Modern Snow, framed, by Amy Crook, $555

Categories: Abstract and Just Plain Weird, Daily Art
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Aglow 2

Thursday, September 15th, 2011

Aglow 2, abstract art by Amy Crook

Aglow 2 by Amy Crook, $499

I just couldn’t resist revisiting the delicate colors and shapes I got using the orange ink pen with this paper and my salt techniques. I combined a constellation-like cluster of salt rosettes with the rich texture and deep, velvety color of the lunar black watercolor to create a companion piece to the original Aglow. This paper has such a soft texture of its own that the watercolor paint tends to sink in, giving the background a more muted feel and making the textures more subtle.

Aglow 2, 5″x5″ mixed media on paper, $499, framed, with free shipping.

The surprise this time is the delicate intersection of brush strokes in the lower right, which created an effect I liked so much you’ll see it repeated over again in tomorrow’s piece.

Aglow 2, detail 1, by Amy Crook

Aglow 2, detail 1, by Amy Crook

I also love the way this delicate little line of three salt pools looks like Orion’s belt, or perhaps just a trio of fireflies dancing in the deepening night.

Aglow 2, detail 2, by Amy Crook

Aglow 2, detail 2, by Amy Crook

A thin black frame protects the piece and offsets the subtle gradations in the paint.

Aglow 2, framed art by Amy Crook

Aglow 2, framed, by Amy Crook, $499

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Triskaidekaphobia

Tuesday, September 13th, 2011

Triskaidekaphobia, abstract art by Amy Crook

Triskaidekaphobia by Amy Crook, $313

Unlike most of my abstract pieces, this one got its name when it was just barely begun. Thirteen green spirals adorned this odd-sized bit of sample paper, and something about the pattern just suggested its name to me. It’s even a bit ironic, since 13’s one of my lucky numbers (what? sometimes a girl’s gotta embrace the cliche).

I used the gorgeously graining Lunar Black that you’ll see in all 3 of this week’s abstract pieces to create the richly textured background, though there’s even a little bit of Bloodstone snuck in that’s nearly invisible except in strong light. The black is very matte, which sets off the subtle shine of the salt crystals beautifully.

Triskaidekaphobia, approx. 6.5″x6.5″ mixed media on paper, $313, framed, with free shipping.

Triskaidekaphobia, detail 1, by Amy Crook

Triskaidekaphobia, detail 1, by Amy Crook

Up close you can see the dense, velvety black creeping in around the clusters of sparkling salt pools.

Triskaidekaphobia, detail 2, by Amy Crook

Triskaidekaphobia, detail 2, by Amy Crook

I tucked it into an 8″x8″ frame using archival photo corners, so it’ll ship safely to you with its crystals intact.

Triskaidekaphobia, framed art by Amy Crook

Triskaidekaphobia, framed, by Amy Crook, $313

Categories: Abstract and Just Plain Weird, Daily Art, Things I'm a Fan Of
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