Archive for the ‘Abstract and Just Plain Weird’ Category

Three

Friday, February 18th, 2011

Three by Amy Crook

Three by Amy Crook

This piece I actually painted upside-down, wasn’t thrilled with it, and then as soon as I flipped it over to get the background wash finished up I was suddenly oddly pleased. I can’t really explain what I like about it, but I really do like it.

It’s another piece that’s mostly ink & watercolor experiments, but I think the result has a nice graphical feel to it. I have the urge to frame this piece a specific way with the postcard floated on a black mat, perhaps one day I’ll make the effort. I have one other postcard framed that way, and I think this one would benefit from that.

Three, 6.5″x4″ watercolor on handmade postcard, $99 with free shipping.

Categories: Abstract and Just Plain Weird, Daily Art
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Moleskine Volant: Clusters

Tuesday, February 15th, 2011

Clusters Volant by Amy Crook

Clusters Volant by Amy Crook

This is the second of the pair of blue Volant notebooks, in a lighter blue. This one I drew with a more abstract design in just two colors of oil paint marker, blue and black. I wanted to explore the idea of clusters of objects, and interconnectedness, without getting too obsessive about the details. The first clusters I drew at the top were close-fitting and made me think of blackberries, so as I moved downward I tried to add a little more space and looseness to their structure.

Clusters, 5″x8.25″ Sharpie oil markers on a 96-page blank Moleskine Volant. $29 with free shipping.

Categories: Abstract and Just Plain Weird, Daily Art, Moleskines
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Texture Experiment 1

Tuesday, February 8th, 2011

Texture Experiment 1 by Amy Crook

Texture Experiment 1 by Amy Crook

A while ago I was working on some watercolors, and I played around making some shapes to use as a base for future drawings. I have a lot of small pieces of this thick, soft buff-coloured paper torn out from my printmaking days, and so I used one of those for this. You can see below a few in-progress shots that give you a better idea of what’s hiding under all that texture.

I was inspired by three things for this, first by Kirsty M. Hall’s tendency to draw abstract shapes and textures over already-done drawings and photographs, especially evident looking at some of the great pieces in her 365 Jars project. The second thing was a Jack Skellington drawing I saw earlier this week on Tumblr of all places, and while I love the image out of pure fangirl joy, I was fascinated by the rich textures in the background. On top of that, of course, I had found the process of doing my crosshatched hatbox quite meditative, so I tried to incorporate elements of all three things.

I’ve just bought a set of Micron pens, so I used the second-largest of those to do the black swirl, and then I used a turquoise Pilot fountain pen from Japan, whose ink bled gorgeously into the pale turquoise of the watercolor, adding an extra dimension of contrast between the two sections. Expect to see more of the Micron pens, which I’m a little bit in love with, though I don’t plan to give up my favorite brush pen — I can have pens on the side, it’s an open relationship.

Texture Experiment 1, 5″x5″ pen and ink and watercolor on Arches cover white paper.

Below are some progress shots I took with my iPhone. Sorry about the quality, I was txting a friend for encouragement, and I decided to share!

Texture Experiment 1, progress shot 1, by Amy Crook

Texture Experiment 1, progress shot 1, by Amy Crook

Texture Experiment 1, progress shot 2, by Amy Crook

Texture Experiment 1, progress shot 2, by Amy Crook

Texture Experiment 1, progress shot 3, by Amy Crook

Texture Experiment 1, progress shot 3, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Blue Square

Saturday, February 5th, 2011

Blue Square by Amy Crook

Blue Square by Amy Crook

I have never managed to successfully take a photograph that captures the color and texture of this painting. It’s a sad sort of blue-grey, but with a gentle glow of hope in the upper left that keeps it from being depressing. There’s a lot of subtle color changes and textures, and I’ve finished the edges with Payne’s Gray, which has helped to set off the small details and changes in colour.

This painting’s story isn’t so much the story of it being painted one day in a fit of melancholy and creatitivty, as it is the way it’s travelled with me through the years. Right now it’s hanging on the wall above my antique secretary, with smudges on the wall from where I painted the sides last month (my poor landlords, I console myself that I don’t plan to move for several years yet). It’s lived in many apartments, sometimes hanging, sometimes not, but it’s always held a special place for me as an abstract that, while having no discernible figures or features, still manages to convey something to the viewer.

Blue Square, 20″x20″ oil on canvas, $699 with free shipping.

The edges of this canvas have been finished in deep blue-grey, making it suitable for hanging as is. I’m always happy to help you by framing it for a wee little fee, if that’s your preference.

Categories: Abstract and Just Plain Weird, Daily Art
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In and In and In

Monday, January 17th, 2011

In and In and In by Amy Crook

In and In and In by Amy Crook

I’m so pleased to finally be back painting again, after a long winter of no sunlight, no energy, and no time. This is a tiny painting, mostly in shades of blue, and it looks to me like some sort of well or tunnel with a light beckoning at the end, luring one to explore what’s beyond the buff frame.

I’m actually very happy with this painting, as well. I love doing abstracts like this, I always have, but I’ve been drowning in weebles lately trying to get my Valentine’s Day projects done for my Etsy shop. I love doing the weebles, but like anything, sometimes variety is better.

I have a sort of a show next month! The Book Shop in Hayward, CA, has artists in their shop window every month, and I’m to be Miss February. This piece is among the ones slated to go in the window, provided it dries in time. Like all the other tiny paintings, this one comes with a wooden easel for display, which can tuck into a bookcase, sit on top of a computer monitor or mantelpiece, and bring a bit of mystery into your space.

In and In and In, 2.75″x2.75″ oil paint on canvas with 5″ wooden easel.

Categories: Abstract and Just Plain Weird, Daily Art
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Romantic Gesture

Saturday, January 15th, 2011

Romantic Gesture by Amy Crook

Romantic Gesture by Amy Crook

The most romantic gesture of all: the gift of a unique flower that lasts all year long. This beautiful monoprint features an abstract rose that spills over the sides of the page. This print is totally unique: there will never be another quite like it. Perfect for the art-loving valentine in your life.

This one-of-a-kind piece of art was created with a unique process called monoprinting. Thick water-based inks are painted onto a blank acrylic printing plate, and then run through a printing press to transfer them to thick archival paper. It’s very similar to the way an etching is hand-pulled, but in this case there is only one copy created, since the original painting vanishes when the inks transfer to the paper. The process is a mix of deliberate art and random elements, since a measure of the texture is lost when the wet paper contacts the water-based inks, absorbing them in a slightly different manner every time.

The printing plate in this case was 2″x6″, printed onto a larger 8″x11″ sheet of paper. The second photo shows the way the plate was framed, to draw the viewer’s eye and imagination toward the place where the rose exits the image, allowing them to fill in the rest of the rosebud, to conjure their own image what exists beyond the tiny slice of sky and leaf and stem.

Romantic Gesture, monoprint on watercolor paper, 8″x11″, $399 with free shipping.

Romantic Gesture, detail, by Amy Crook

Romantic Gesture, detail, by Amy Crook

This print is on watercolor paper but will require framing or matting to be suitable for display. I’m happy to frame it for you for a small additional fee.

Categories: Abstract and Just Plain Weird, Flowers, Trees and Landscapes
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Spirit Cruicifix

Saturday, December 25th, 2010

Spirit Crucifix by Amy Crook

Spirit Crucifix by Amy Crook

I’m always frustrated by how hard it is to get beautiful, intense blues and reds to shine through in an electronic image. This monoprint retained a lot of the brush-stroke feel of the original plate, only slightly softened by its trip through the printing press.

This is my favorite of the small series of cruciform images I did at the time. It has an intense burst of sunset color with the rich, calm blue floating above it, almost like someone floating on a pool of water. There’s a real sense of peace and spirituality to it that suits the season.

Spirit Crucifix, 18″x14″ monoprint on 22.5″x15″ watercolor paper, $399 with free shipping.

Categories: Abstract and Just Plain Weird, Angels, Cthulhu, and Other Myths, Daily Art, People, Figures and Faces, Series and Books
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