Archive for the ‘Flowers, Trees and Landscapes’ Category
Haloed
Friday, July 1st, 2011
Haloed by Amy Crook
For this piece I used salt in a more traditional method to get the haloed starbursts in the blue-black sky. I overworked the section with the moon a little too much, so the paper tore in places, but I do like the overall effect and might try to reproduce it later with a bit more care.
Haloed, 9″x5″ mixed media on paper, nfs.
Haloed, detail, by Amy Crook
Categories: Daily Art, Flowers, Trees and Landscapes
Tags: moon, nfs, pen and ink, salt, watercolor
Twisted Tree
Thursday, June 30th, 2011
Twisted Tree by Amy Crook
Today’s art combines a number of techniques into one unusual piece. The base is a heavy, handmade postcard from India, part of a set I bought years ago with irregular, natural edges. The wash was made with strong black tea, and the texture comes from salt crystals placed on the wet paper. Then, I added a touch of blue paint and a little more salt to create the shape of the bird.
I have to admit, once I saw a bird in the blue, I couldn’t help but think of Twitter, but I think that’s just a sign I spend too much time on social networks.
I broke out my fine-point sharpies in brown and black to create the tree and the detail on the bird, using a loose, scribbly style to create an organic shape that fit with the background.
Twisted Tree, 4″x6″ mixed media on paper, nfs (sold).
The bird ended up with a bit of an attitude, and I rather imagine him saying something like, “Yeah, yeah, tweet, whatever.” Despite that, he’s got a bit of sparkle to his personality, as you can see here.
Twisted Tree, detail 1, by Amy Crook
Actually, there’s salt crystals in a fine layer all along the lower part of the painting, giving it texture and a subtle glimmer.
Twisted Tree, detail 2, by Amy Crook
It looks quite nice in a simple black frame, and this painting, like always, will ship wrapped up safely and ready to display.
Twisted Tree, framed, by Amy Crook
Categories: Daily Art, Flowers, Trees and Landscapes
Tags: bird, nfs, salt, sharpie, sold, tea, tree, twitter
Harvest Moon 2
Tuesday, June 28th, 2011
Harvest Moon 2 by Amy Crook
Even as I’m really developing the salt work into a proper technique, I still learn something new with each piece. This painting began with a lot of painstaking drawing that became nearly obliterated by the process, and ended up with a deceptively simple image with a lot of texture and detail just waiting to be found by the careful viewer.
Harvest Moon 2, 7″x5″ salt, pen and ink and watercolor on watercolor paper.
The central shape actually started as a dense circle of pen-and-ink spirals, but you can only see a tiny shadow of the original ink if you look very closely.
Harvest Moon 2, detail 1, by Amy Crook
When I added the salt and water to it, the golden-orange ink turned into a vividly orange puddle, which then dried to the softer peach color you see in the final product.
Harvest Moon 2, in progress, by Amy Crook
There’s a dense layer of sparkling salt crystals overlaying the entire surface of the ‘moon,’ adding a physical texture on top of the visual texture.
Harvest Moon 2, detail 2, by Amy Crook
The salt layer, like the ink beneath it, formed unevenly based on where the paper warped and the water pooled. Here you can really see the line of dense crystals that runs vertically through the image.
Harvest Moon 2, detail 3, by Amy Crook
And here it is tucked into a frame, ready to find its new home.
Harvest Moon 2, framed, by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
Tags: harvest moon, moon, pen and ink, salt, watercolor
Mod Tree
Monday, June 27th, 2011
Mod Tree, framed, by Amy Crook, $222
This piece was an experiment in making something less abstract out of the salt pools. I really like the way the arrangement of dots suggest a tree without ever actually forming the shape of leaves. The circles remind me of abstract Mod art from the ’60s, hence the name.
When I make these pieces, I can only line three or four up on the bookshelf at a time, and they have to dry anywhere from half a day to a full 24 hours. I can’t always take good progress photos if I start something at night, but when the sun’s shining in the window I do try to make sure I get some shots.
Mod Tree, 5″x7″ salt, pen and ink and watercolor on watercolor paper, $222, framed, with free shipping.
In the first detail shot, the lighter colors got washed out a bit but you can see the biggest salt crystals rising up off the paper.
Mod Tree, detail 1, by Amy Crook
Here you can see how the minimalist tree trunk gently supports the sparkling arrangement of leaves above.
Mod Tree, detail 2, by Amy Crook
Here you can really see the salt inside each water droplet, before it dissolved. I love how the light just glows through the water at the start, an ephemeral moment of beauty in the process of making art.
Mod Tree, in progress, by Amy Crook
The scanned version doesn’t have the same sparkle and dimension as the photos, but you can see the shape and color really clearly. It’ll ship in its frame so it stays nice and safe on its journey to your home.
Mod Tree by Amy Crook, $222
Categories: Daily Art, Flowers, Trees and Landscapes
Tags: for sale, green, pen and ink, salt, tree, watercolor
Water Lilies 2
Monday, May 9th, 2011
Water Lilies 2 by Amy Crook
This is currently sitting in a frame on my bookshelf next to Water Lilies 1, and the two of them catch the morning sun beautifully. The salt “flowers” have a soft sparkle to them that really draws the eye to their three-dimensional shapes. I especially like the way the electric blue spirals dissolve into a soft but very clear cyan that tints the salt crystals.
The nerd in me also likes that the lily pads came out with a very Pac-Man
Water Lilies 2, 7″x5″ watercolor and salt on watercolor paper, $199 framed with free shipping.
Water Lilies 1 & Water Lilies 2, framed, by Amy Crook
Water Lilies 2, detail, by Amy Crook
Water Lilies 2, detail, by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes, Series and Books
Tags: for sale, framed, salt, watercolor
Water Lilies 1
Thursday, April 28th, 2011
Water Lilies 1, watercolor by Amy Crook
This whole piece was an experiment, but I’m really happy with the results. The electric blue ink of the pen I used originally dissolved completely in the drops of water that beaded up on the paper, and the rocks of salt I put in the center of each little spiral did as well. Then the water took a full day to dry, the salt crystallizing back out onto the paper to form the three-dimensional baby blue “flowers.” I went in afterward and painted in the lily pads around each flower, letting the paint smudge and dissolve a bit of the salt, giving the whole thing an impressionist, watery feeling.
I liked it so much I’ve framed it to put on my bookshelf, and started another, similar piece with more color.
Water Lilies 1, 7″x5″ pen & ink, watercolor, and salt on watercolor paper.
Water Lilies 1, progress 1, by Amy Crook
Above you can see the water beaded up, the blue ink swirling up into the drops, and the salt crystal hiding in the middle of each. Below, the result a day later, when the water had completely evaporated, leaving salt and ink in a new configuration.
Water Lilies 1, progress 2, by Amy Crook
Water Lilies 1, progress 3, by Amy Crook
Above you can see how the paper is gently warped, and the salt crystals rise up above it in robin’s egg blue and rich, watery green. Below, a shot of the piece in its frame, all ready to be hung on the wall, put on a bookshelf, or to decorate your desk.
Water Lilies 1, framed, by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes, Series and Books
Tags: blue, for sale, green, pen and ink, salt, watercolor
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Seascape
Saturday, March 12th, 2011
Seascape by Amy Crook
This painting has an interesting history. I first painted it many years ago at the urging of an internet friend, and had originally intended to put a mermaid on the rough stones. I wanted to show the waves splashing up against the rocks and give a real impression of spray catching the moonlight, cool and refreshing with just a hint of mystery. Once it dried, I found I liked it just the way it was, and even the friend agreed that it was better like this — though I did do some photoshopping to add in her mermaid for a desktop background.
Cue the passage of many years hanging on my walls in the sun, and we have some distressing fading. I know which color is to blame now, but back in the day I loved the shade so much I didn’t worry enough about lightfastness. Oops!
I finally took the time and effort to use a more lightfast color to repair the sea and sky. You can see below a shot where the upper left has been fixed, and the lower right is waiting for its new infusion of color.
The shot above was taken before it had a chance to dry, so there’s a little glare, but the rich midnight blue sky has been renewed, and it’s ready to be re-hung.
Seascape, 18″x24″, oil on canvas.
Categories: Flowers, Trees and Landscapes
Tags: blue, for sale, moon, oil painting, sea
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