Archive for the ‘Flowers, Trees and Landscapes’ Category

Water Lilies 2

Monday, May 9th, 2011

Water Lilies 2, watercolor by Amy Crook

Water Lilies 2 by Amy Crook

This is currently sitting in a frame on my bookshelf next to Water Lilies 1, and the two of them catch the morning sun beautifully. The salt “flowers” have a soft sparkle to them that really draws the eye to their three-dimensional shapes. I especially like the way the electric blue spirals dissolve into a soft but very clear cyan that tints the salt crystals.

The nerd in me also likes that the lily pads came out with a very Pac-Man

Water Lilies 2, 7″x5″ watercolor and salt on watercolor paper, $199 framed with free shipping.

Water Lilies 2, framed, watercolor by Amy Crook

Water Lilies 1 & Water Lilies 2, framed, by Amy Crook

Water Lilies 2, detail, watercolor by Amy Crook

Water Lilies 2, detail, by Amy Crook

Water Lilies 2, detail, watercolor by Amy Crook

Water Lilies 2, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes, Series and Books
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Water Lilies 1

Thursday, April 28th, 2011

Water Lilies 1 watercolor by Amy Crook

Water Lilies 1, watercolor by Amy Crook

This whole piece was an experiment, but I’m really happy with the results. The electric blue ink of the pen I used originally dissolved completely in the drops of water that beaded up on the paper, and the rocks of salt I put in the center of each little spiral did as well. Then the water took a full day to dry, the salt crystallizing back out onto the paper to form the three-dimensional baby blue “flowers.” I went in afterward and painted in the lily pads around each flower, letting the paint smudge and dissolve a bit of the salt, giving the whole thing an impressionist, watery feeling.

I liked it so much I’ve framed it to put on my bookshelf, and started another, similar piece with more color.

Water Lilies 1, 7″x5″ pen & ink, watercolor, and salt on watercolor paper.

Water Lilies 1, progress 1, by Amy Crook

Water Lilies 1, progress 1, by Amy Crook

Above you can see the water beaded up, the blue ink swirling up into the drops, and the salt crystal hiding in the middle of each. Below, the result a day later, when the water had completely evaporated, leaving salt and ink in a new configuration.

Water Lilies 1, progress 2, by Amy Crook

Water Lilies 1, progress 2, by Amy Crook

Water Lilies 1, progress 3, by Amy Crook

Water Lilies 1, progress 3, by Amy Crook

Above you can see how the paper is gently warped, and the salt crystals rise up above it in robin’s egg blue and rich, watery green. Below, a shot of the piece in its frame, all ready to be hung on the wall, put on a bookshelf, or to decorate your desk.

Water Lilies 1, framed watercolor by Amy Crook

Water Lilies 1, framed, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes, Series and Books
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Seascape

Saturday, March 12th, 2011

Seascape by Amy Crook

Seascape by Amy Crook

This painting has an interesting history. I first painted it many years ago at the urging of an internet friend, and had originally intended to put a mermaid on the rough stones. I wanted to show the waves splashing up against the rocks and give a real impression of spray catching the moonlight, cool and refreshing with just a hint of mystery. Once it dried, I found I liked it just the way it was, and even the friend agreed that it was better like this — though I did do some photoshopping to add in her mermaid for a desktop background.

Cue the passage of many years hanging on my walls in the sun, and we have some distressing fading. I know which color is to blame now, but back in the day I loved the shade so much I didn’t worry enough about lightfastness. Oops!

I finally took the time and effort to use a more lightfast color to repair the sea and sky. You can see below a shot where the upper left has been fixed, and the lower right is waiting for its new infusion of color.

The shot above was taken before it had a chance to dry, so there’s a little glare, but the rich midnight blue sky has been renewed, and it’s ready to be re-hung.

Seascape, 18″x24″, oil on canvas.

Categories: Flowers, Trees and Landscapes
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Romantic Gesture

Saturday, January 15th, 2011

Romantic Gesture by Amy Crook

Romantic Gesture by Amy Crook

The most romantic gesture of all: the gift of a unique flower that lasts all year long. This beautiful monoprint features an abstract rose that spills over the sides of the page. This print is totally unique: there will never be another quite like it. Perfect for the art-loving valentine in your life.

This one-of-a-kind piece of art was created with a unique process called monoprinting. Thick water-based inks are painted onto a blank acrylic printing plate, and then run through a printing press to transfer them to thick archival paper. It’s very similar to the way an etching is hand-pulled, but in this case there is only one copy created, since the original painting vanishes when the inks transfer to the paper. The process is a mix of deliberate art and random elements, since a measure of the texture is lost when the wet paper contacts the water-based inks, absorbing them in a slightly different manner every time.

The printing plate in this case was 2″x6″, printed onto a larger 8″x11″ sheet of paper. The second photo shows the way the plate was framed, to draw the viewer’s eye and imagination toward the place where the rose exits the image, allowing them to fill in the rest of the rosebud, to conjure their own image what exists beyond the tiny slice of sky and leaf and stem.

Romantic Gesture, monoprint on watercolor paper, 8″x11″, $399 with free shipping.

Romantic Gesture, detail, by Amy Crook

Romantic Gesture, detail, by Amy Crook

This print is on watercolor paper but will require framing or matting to be suitable for display. I’m happy to frame it for you for a small additional fee.

Categories: Abstract and Just Plain Weird, Flowers, Trees and Landscapes
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2011 Starcycles Calendar Cover

Thursday, December 9th, 2010

2011 Starcycles Calendar, cover by Amy Crook

2011 Starcycles Calendar, cover by Amy Crook

Way back in 1999, Georgia Stathis first approached me to take over the design on her then-print astrology dayplanner-style calendar. We’ve skipped a few years here and there, but this year I painted several images in watercolor and then put them together with Photoshop to create this dreamy image for Year of the Rabbit. Georgia’s 2011 Calendar is available as a pdf download, or she’ll print and bind them for an additional charge. You could even print your own and have it hole-punched to fit in a Dayplanner, if you wanted.

I’m just starting to get a feel for using watercolors, so this was a great excuse for me to get them out and experiment, knowing I could fix any issues in Photoshop later. My favorite part is the subtle “rabbit in the moon” version of the moon’s shadows popular in Chinese mythology.

Categories: Completed Commissions, Daily Art, Flowers, Trees and Landscapes, Series and Books
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Goth Christmas Tree

Monday, November 15th, 2010

Goth Christmas Tree by Amy Crook

Goth Christmas Tree by Amy Crook

It’s that time of year, and I’ve been working on holiday card designs. In addition to my usual stock of Lovecraftian horrors, I decided to do a cheerfully morbid Christmas tree. Skulls adorn the branches and it’s topped with an eye-tipped vine. There’s a bloodstained package among the gifts under the tree, and the curly, swirly, tentacle-ish branches are reaching down to help distribute them.

You can pick up some of these cards for your own holidays at Etsy, or buy the original below.

Goth Christmas Tree, 5″x7″ pen and ink on watercolor paper.

Categories: Daily Art, Flowers, Trees and Landscapes, Tentacles, Whimsical and Strange, Zombies, Skulls, and Other Morbid Things
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Bronze Roses

Saturday, November 13th, 2010

3 Bronze Roses, detail 1, by Amy Crook

3 Bronze Roses, detail 1, by Amy Crook

I made these roses using the lost wax casting method; each one started life as a dried long-stemmed rose, which I dipped in wax and made ready for casting. The process only worked about 25% of the time, because of the long thin stem the metal had to travel to get to the solid flower, and the leaves almost never cast.

I left the bits of flash and other imperfections on them as part of their character, the human element intervening in nature long enough to create these haunting pieces. The element of randomness is one I enjoy exploring in my art, and you can really see how it gave these roses a new life.

They get their color from a chemical patina, another process involving water and fire that has slowly evolved over time thanks to exposure to the air and handling.

I’ve sold all of the half dozen or so that I originally made, but maybe someday I’ll be in a position to create more.

3 Bronze Roses by Amy Crook

3 Bronze Roses by Amy Crook

Categories: Flowers, Trees and Landscapes, Zombies, Skulls, and Other Morbid Things
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