Posts Tagged ‘brush and ink’

Tentacle Deeps 14

Tuesday, September 6th, 2011

Tentacle Deeps 14, art by Amy Crook

Tentacle Deeps 14 by Amy Crook

Just when you thought the tentacles were slumbering, my Tentacle Deeps series is back! I’ve had a few more ideas for them niggling in the back of my head, and this is the first of at least two new additions to the series. This one, despite the look, is entirely done with ink pens and water, no paint involved. I used brushes dipped in plain water to create the visual effects and the second layer of tentacles. There’s a hint of the original pen lines in each tentacle, fore- and background, and subtle colors are hiding in the black, added with scribbles of blue and purple before the water was applied.

Tentacle Deeps 14, 5″x7″ pen, brush and ink on paper.

Tentacle Deeps 14, detail, by Amy Crook

Tentacle Deeps 14, detail, by Amy Crook

You can see some of the texture here in the above detail shot, and the soft variations of blue, green, and purple hiding in the black. Below, you can see how the simple black frame looks with the tentacles inside.

Tentacle Deeps 14, framed art by Amy Crook

Tentacle Deeps 14, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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Badlands

Tuesday, June 7th, 2011

Badlands, ink and salt painting by Amy Crook

Badlands by Amy Crook

This painting reminds me of going through the badlands of South Dakota as a kid on vacation with my family, being surrounded by the pinks and browns and bizarre rock formations that made it seem like being in a whole different world.

Badlands, 5″x7″ ink and salt on watercolor paper.

For whatever reason, a few of the salt formations on this one were particularly tall and strange, especially the one right in the center.

Badlands, work in progress by Amy Crook

Badlands, work in progress by Amy Crook

You can see here before I added in the brown ink paintings how the shape rises up about a quarter of an inch above the paper, topped with a little plateau-like crystal of darker pink salt.

As a result, I ended up buying a shadow box to frame it in, so the delicate crystals will be safe from jostling and accidental destruction.

Badlands, framed painting by Amy Crook

Badlands, framed, by Amy Crook

And a couple of extra detail shots, just so you can get a sense of the strange sparkle and depth of the piece.

Badlands, detail, by Amy Crook

Badlands, detail, by Amy Crook

Above is another angle on the central salt pillar, now with its accompanying ink washes, and below you can see the heart-shaped crystal formation in the lower left, where three pools merged to form one big shape. You can even faintly see the lines of pink from the original spirals that lend their color to the salt, some of which stayed stubbornly in the paper this time.

Badlands, detail 2, by Amy Crook

Badlands, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Church of the Mind

Saturday, March 19th, 2011

Church of the Mind by Amy Crook

Church of the Mind by Amy Crook

When I originally drew this, I had considered coloring the stained glass window, but I found the image so striking in black and white I left it.

A few astute people among you might recognize the model as one I’ve used a few times before, though the stark chiaroscuro led to his face being obscured. If you click to see the larger view, you can just make out the subtle skull shadowing the figure’s face.

There’s some sort of statement in the juxtaposition of images, but I’ll leave it up to you to decide what.

Church of the Mind, 12″x18″ brush and ink on paper, $599 with free shipping.

This image is on paper, and will require matting or framing to be suitable for display; I’m happy to frame it for you for a small additional fee.

Categories: Daily Art, Nudes and Other Sexy Things, People, Figures and Faces
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Growth

Friday, March 18th, 2011

Growth by Amy Crook

Growth by Amy Crook

I finished this little piece and then had to let it sit overnight to think of what to call it. The central circle initially put me in mind of a moon, or a planet, or possibly a pirate’s black spot when it was all by itself, a dark blue-black shadow of painted ink that dried to a gorgeous matte finish.

Then I came in days later and decided to add the little clusters of circles around it in black fountain pen, knowing that the ink would blur and spread as I made the little circles, adding texture and shadow. As I built up the outside texture, it reminded me of a decorative border, or a cluster of marine eggs, or possibly a layer of industrial growth around a planet, building up and sending off pieces out into the space around it. Or perhaps floating down from the white to aggregate, giving life to the lifeless rock in the middle.

Growth, 5″x5″ pen & ink and Japanese watercolor on watercolor paper.

Growth, detail, by Amy Crook

Growth, detail, by Amy Crook

Above, you can see a close-up of the tiny little circles that make up the pattern of growth, pushing off and away from the central mass. Below, you can see it in a narrow-edged frame with its brand-new sibling, and my iPhone for scale.

Growth 2 and Growth, framed art by Amy Crook

Growth 2 and Growth, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Flying Pig

Sunday, May 2nd, 2010

Flying Pig by Amy Crook

Flying Pig by Amy Crook

One of my clients has a flying pig as their mascot. I recently did this card for one of the owners’ birthdays, just a little doodle with watercolor straight onto the blank card. I did a more elaborate version with a Santa hat for them for Christmas, but forgot to get a good picture of it. At least I managed to preserve this little piggy for posterity!

Categories: Angels, Cthulhu, and Other Myths, Daily Art
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