Posts Tagged ‘crosshatching’
S is for Sherlock
Thursday, February 24th, 2011
S is for Sherlock by Amy Crook
Edward Gorey’s The Gashlycrumb Tinies is my absolute favourite of works — I get to die first, after all — and so when I was experimenting with my Micron pens the urge to parody BBC’s new Sherlock by mashing up the two was irresistible.
Click the image if you’d like to really see the ridiculously obsessive line work, or just enjoy the smaller version where it all blends into a texture.
I decided to combine the pose from “S is for Susan who perished of fits” and the caption and setting from “N is for Neville who died of ennui” in order to capture the essence of modern Sherlock in his state of utter boredom. The window isn’t precisely true to the show (there’s an ornate railing of some kind outside, and curtains), but I really liked the boring brickwork from the N page, so I copied that faithfully and tediously.
I never really thought I’d learn to like shading in such a time-consuming style, but I’m already thinking about other ways I can make use of it. I’ve already got plans to do a companion piece to this for poor John, since Gorey set me up so very well with “J is for James who took lye by mistake.”
S is for Sherlock who died of ennui, 8.5″x6.5″ pen and ink on sketchbook paper, sold.
You can still get the pair of them as handmade blank greeting cards on Etsy, though!
Categories: Daily Art, People, Figures and Faces, Series and Books, Things I'm a Fan Of, Whimsical and Strange
Tags: baker street tinies, crosshatching, edward gorey, nfs, pastiche, pen and ink, sherlock, sold
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Texture Experiment 1
Tuesday, February 8th, 2011
Texture Experiment 1 by Amy Crook
A while ago I was working on some watercolors, and I played around making some shapes to use as a base for future drawings. I have a lot of small pieces of this thick, soft buff-coloured paper torn out from my printmaking days, and so I used one of those for this. You can see below a few in-progress shots that give you a better idea of what’s hiding under all that texture.
I was inspired by three things for this, first by Kirsty M. Hall’s tendency to draw abstract shapes and textures over already-done drawings and photographs, especially evident looking at some of the great pieces in her 365 Jars project. The second thing was a Jack Skellington drawing I saw earlier this week on Tumblr of all places, and while I love the image out of pure fangirl joy, I was fascinated by the rich textures in the background. On top of that, of course, I had found the process of doing my crosshatched hatbox quite meditative, so I tried to incorporate elements of all three things.
I’ve just bought a set of Micron pens, so I used the second-largest of those to do the black swirl, and then I used a turquoise Pilot fountain pen from Japan, whose ink bled gorgeously into the pale turquoise of the watercolor, adding an extra dimension of contrast between the two sections. Expect to see more of the Micron pens, which I’m a little bit in love with, though I don’t plan to give up my favorite brush pen — I can have pens on the side, it’s an open relationship.
Texture Experiment 1, 5″x5″ pen and ink and watercolor on Arches cover white paper.
Below are some progress shots I took with my iPhone. Sorry about the quality, I was txting a friend for encouragement, and I decided to share!
Texture Experiment 1, progress shot 1, by Amy Crook
Texture Experiment 1, progress shot 2, by Amy Crook
Texture Experiment 1, progress shot 3, by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art
Tags: crosshatching, for sale, pen and ink, spiral, watercolor
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