Posts Tagged ‘crosshatching’

Tentacle Deeps 15

Tuesday, September 20th, 2011

Tentacle Deeps 15, Cthulhu art by Amy Crook

Tentacle Deeps 15 by Amy Crook

Days of work went into today’s piece, but I think they’re my favorite tentacles yet. I used the same technique of softening pen-and-ink with water as in Tentacle Deeps 14, but then I went through and grew salt crystals along the body of each tentacle. The cross-hatching used three different pens to create the sense of light and depth, and my friend Eric L suggested that it looks like the tentacles are starting to dissolve where the light is hitting them.

Tentacle Deeps 15, 5″x7″ mixed media on paper.

Here you can see a closer view of the texture and the way I created the effect of light fading to darkness.

Tentacle Deeps 15, detail 1, by Amy Crook

Tentacle Deeps 15, detail 1, by Amy Crook

I love how this shows off the variation in the tentacle colors, and the way the salt crystals sparkle even with the dark ink suffusing them.

Tentacle Deeps 15, detail 2, by Amy Crook

Tentacle Deeps 15, detail 2, by Amy Crook

I finally had the brilliant idea of putting something in the framed shots so you’d get a sense of scale, so enjoy this shot of the tentacles in their frame, hanging out with my iPhone.

Tentacle Deeps 15, framed art by Amy Crook

Tentacle Deeps 15, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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Mud Puddle

Friday, September 2nd, 2011

Mud Puddle, abstract art by Amy Crook

Mud Puddle by Amy Crook, $444

This is one of the last of my tea experiments from a few months ago. I had the piece sitting around for weeks and weeks not really being anything, until one day I was in a crosshatching mood and suddenly I saw it as a mud puddle just needing a grassy lawn all around it. The puddle itself was made of strong black tea, and the spots of texture were big crystals of salt, some of which had a bit of watercolor left on them to add a touch of color to the tea.

Mud Puddle, 5″x5″ mixed media on paper, $444, framed, with free shipping.

I spent a couple of hours putting in the green pen-and-ink grass around the tea puddle, and I took photos with my iPhone as it progressed (though I forgot to take a before shot, oops).

Mud Puddle, work in progress, by Amy Crook

Mud Puddle, work in progress, by Amy Crook

When I’m working on a piece like this, I often spin it this way and that while I’m working to get a better angle for whatever I’m doing. Then, if it’s an abstract piece, I look at it in all four directions before I decide on which way is really up and sign it.

Mud Puddle, detail, by Amy Crook

Mud Puddle, detail, by Amy Crook

There’s a bit of subtle sparkle in the area where some of the salt sat, but the chunks remained mostly intact instead of dissolving into the tea, so there’s no crystal formations beyond the tiny ones you can see above.

The frame I’ve got it in is a little lighter than it shows in the photo, though I’m considering one even a shade lighter to go better with the delicate tea-dyed puddle.

Mud Puddle, framed art by Amy Crook

Mud Puddle, framed, by Amy Crook, $444

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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Salted Squid 2

Tuesday, August 30th, 2011

Salted Squid 2 by Amy Crook

Salted Squid 2 by Amy Crook

Tentacle Tuesday is back with a sequel to the whimsical Salted Squid 1. I wanted to do something more controlled, so I scribbled out a complete squid in green pen and then went over it with water and a brush, and sprinkled the resulting pool with salt. You can see the pen lines still there as darker shadows in the larger shape, and so I decided to stay with that pen-and-ink feeling for the background.

I used two different colors of pen on the background to simulate sunlight shining down fro above, and then left blank circles like bubbles rising up. Then, I used plain water again, this time without the salt, to give a soft, watercolor feeling to the shafts of sunlight, and the darker depths at the bottom.

Salted Squid 2, 7″x5″ salt, pen and ink on watercolor paper.

You can see the even layer of sparkling crystals that make up the  body of the squid here, along with some detail on the close pen-and-ink lines.

Salted Squid 2, detail, by Amy Crook

Salted Squid 2, detail, by Amy Crook

The black frame with its glass gives the feeling of looking into an aquarium, or so I like to tell myself. He looks adorable on my bookshelf, anyway.

Salted Squid 2, framed, by Amy Crook

Salted Squid 2, framed, by Amy Crook

Categories: Daily Art, Sea Creatures and Other Animals, Series and Books, Tentacles
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Eye of the Moon

Thursday, May 19th, 2011

Eye of the Moon, watercolor by Amy Crook

Eye of the Moon by Amy Crook

The same day I did the tea washes, I did a few watercolor washes as well, just simple pale circles to do something with later. When I took this one back out the other night, it reminded me of an eye, but also of a pale, cool moon floating in its own gentle glow. The paper around the circle is a bit warped, giving it a touch of subtle halo, which you can just barely see in the image above.

I used the same crosshatch pattern as I did with Blood Moon, only this time I used a deep blue-black rather than the bright red. Instead of adding texture with a contrasting color of ink, I put an abstractly slitted pupil into the center of the white “eye” that gave the whole image an ornate feeling. The high contrast between background and foreground gives this piece much more deliberateness, and this thinner sketchbook paper also held the ink better, with less bleeding.

Eye of the Moon, 7″x5″ watercolor and pen & ink on paper.

I took a progress shot with my iPhone right after I started, so you can see the texture on the wash without the interference of the pattern.

Eye of the Moon, work in progress by Amy Crook

Eye of the Moon, work in progress by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Los Muertos 1

Monday, March 14th, 2011

Los Muertos 1 by Amy Crook

Los Muertos 1 by Amy Crook

This piece was born out of pure play. I first brushed in a spiral in watery black ink, and then I watered the ink down even further to make lighter and lighter greys to play with. I also added in a tiny bit of color here and there, which is almost completely obscured by the later crosshatching. Then I used a green fountain pen to crosshatch around the main shape, starting while the paper was wet and letting it dry as I worked, so some of the lines are more blurred than others.

Then I wet down the central area all over again and used a black pen to ink there, and when I was done, the whole thing reminded me of one of those elaborately decorated Day of the Dead skulls. I got my dark red fountain pen (which the scanner decided was rather more magenta than the real thing) and drew spiral eyes, and then signed the piece using that red as well.

The end effect is rather creepy, but as I’m fond of creepy, that works out well.

Los Muertos 1, 5″x7″ pen and ink and watercolor on watercolor paper.

Categories: Abstract and Just Plain Weird, Daily Art, People, Figures and Faces, Zombies, Skulls, and Other Morbid Things
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J is for John

Monday, March 7th, 2011

J is for John by Amy Crook

J is for John by Amy Crook

My second Sherlock Holmes/Edward Gorey pastiche, this one is based off of “J is for James who took lye by mistake” from The Gashlycrumb Tinies and BBC’s new Sherlock tv series.

Click the image if you’d like to really see the ridiculously obsessive line work — the wallpaper was particularly labor-intensive, and I have no one but myself to blame. I’ve been in a mood lately to do work like this, that involves a lot of tiny pen-and-ink details, and unlike similar attempts when I was younger, I find it rather meditative now. I often put on audio recordings and just sit and let the two things filter into my brain, though there are frequent breaks to IM friends and goof off online, not to mention stretching my back and resting my poor hand.

Now that I’ve got the techniques down, I have to figure out what I can do with them that isn’t a parody, pastiche or plain old copy, though.

J is for John who took lye by mistake, 8.5″x5″ pen and ink on sketchbook paper, sold.

You can still get the pair of them as handmade blank greeting cards on Etsy, though!

Categories: Daily Art, People, Figures and Faces, Series and Books, Things I'm a Fan Of
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Blood Moon

Monday, February 28th, 2011

Blood Moon by Amy Crook

Blood Moon by Amy Crook

Tonight I got out some watercolor paper and my paints and sat down to just play. I painted a number of washes for future use. This red-pink circle had dried just enough that, once the paints were put away, I sat with a red fountain pen and just started shading. Once I’d put in a small section of red on red, I started to see the moon shape forming, so I finished it up deliberately. Then, at the end, I took a darker red pen and put in the little spirals, over the places I’d dripped in a bit of blue-black when the wash was still wet.

I used a simpler texture than the one from my Texture Experiment 1, which let the work go faster and less precisely. In general, however, I’m finding a heretofore-unknown penchant for obsessive detail and crosshatching. I must be maturing; the last time I tried it with etching, I hated the fine, tedious work.

Blood Moon, 5″x5″ watercolor, pen and ink on reused watercolor paper, sold.

Categories: Abstract and Just Plain Weird, Daily Art, Whimsical and Strange
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