Posts Tagged ‘for sale’

Radial Symmetry 1

Thursday, October 20th, 2011

Radial Symmetry 1, abstract art by Amy Crook

Radial Symmetry 1 by Amy Crook, $222

I got some lovely new Japanese gouache paints for my birthday, and I decided to see how they’d work on the black paper. I used double spirals inside these salt circles to give the salt more pigment, which also left darker, warmer centers where the water distributed the pigment into the paper. I used a single color of paint on this, and I found that once it dried, the color stays very consistent no matter how thickly the paint was mixed, but that the thicker paint left rounded, bead-like shapes on the paper.

I think of these a bit like beaded decorations, or possibly flowers with their warm orange centers and pale periwinkle petals. I like to imagine the piece adding a little touch of unexpected loveliness to someone’s life, tucked into a bookshelf or sitting on someone’s desk at work.

Radial Symmetry 1, 5″x5″ mixed media on paper, $222, framed, with free shipping.

Radial Symmetry 1, detail, by Amy Crook

Radial Symmetry 1, detail, by Amy Crook

The salt on these isn’t as sparkly, probably because of the matte black behind them, but I love the way the paint makes soft, glossy swells on the paper. It looks great in a simple black frame, which makes the colors really pop. You can see them reflected in my iPhone for scale, below.

Radial Symmetry 1, framed art by Amy Crook

Radial Symmetry 1, framed, by Amy Crook, $222

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Cthulhu’s Gift

Wednesday, October 19th, 2011

Cthulhu's Gift, cartoon art by Amy Crook

Cthulhu’s Gift by Amy Crook

I’ve been working on holiday cards again this week, and Cthulhu really wants you to like his gift. I decided to make a rather generic gift for the original, and then I drew a page of holiday dingbats — including a delightfully gruesome spike bow of a sort I’ve actually bought and put on gifts myself (minus the blood).

Cthulhu’s Gift, 5″x7″ pen and ink and Copic markers on paper.

Cthulhu's Holiday Gift, cartoon art by Amy Crook

Cthulhu’s Holiday Gift by Amy Crook

The original is, of course, the first version, since this one exists courtesy of Photoshop, but I find I’m rather fond of his baubles. I want a tentacle glass ornament!

This is what he looks like in a frame, though the original won’t be framed unless the buyer requests it for an additional fee.

Cthulhu's Gift, framed art by Amy Crook

Cthulhu’s Gift, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Tentacles, Things I'm a Fan Of, Zombies, Skulls, and Other Morbid Things
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Squid in a Scarf

Wednesday, October 12th, 2011

Squid in a Scarf by Amy Crook

Squid in a Scarf by Amy Crook

It’s this year’s holiday card! I decided to do something extra silly, so not only is our little squid freezing, he comes in colors. You can see his feeder tentacles wrapped around all 8 arms as he shivers in his hat and scarf a bit anxiously. I decided on a chilly ocean blue for his main body color, which works well with all the color schemes I’ve tried so far, from Hogwarts houses to TARDIS blue and white.

Squid in a Scarf, 5″x5″ pen and ink and Copic markers on paper.

Check out my Etsy Shop to get him as a card, print, or even buy the original.

Squid in a Scarf, original art by Amy Crook

Squid in a Scarf, original art by Amy Crook

Categories: Daily Art, Sea Creatures and Other Animals, Tentacles
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Jellyfish Deeps

Tuesday, October 11th, 2011

Jellyfish Deeps, art by Amy Crook

Jellyfish Deeps by Amy Crook

Most of my salt pieces come together in an almost Zen-like way, with the long wait for the salt crystals to form and then a quick flurry of activity as I work with the results. This piece started out with the watercolor background, which took a long time to dry, giving the mixed paint time to separate out into its component colors in some places, while staying a murky purple-black in others. Pen and ink and salt came next, and then the jellyfish in their white gel pen currents swam in last.

It’s interesting how sometimes you can keep adding things to a piece until you ruin it, but other times you have to keep going until it gets past a certain point and turns itself around into something worthwhile. My friend Jeff (who paints wargaming miniatures) calls it “the ass point,” where the piece looks like total ass until you get it to a certain point, and then suddenly all its potential starts to shine through.

I find this point more intimidating than the blank page, since it represents a lot of lost work if it never gets past that point, but there’s a certain satisfaction to having pulled a piece past the ass point and turned it into something I’d want to admit I created.

Jellyfish Deeps, 5″x7″ mixed media on paper, nfs, (sold).

Jellyfish Deeps, detail, by Amy Crook

Jellyfish Deeps, detail, by Amy Crook

This one has a lot of detail that just doesn’t show up until you really look at it, from the colors glowing through the white gel pen to the strange salt pools and their range of crystal sizes and densities. You can see it in its frame, below, with my iPhone for size reference.

Jellyfish Deeps, framed art by Amy Crook

Jellyfish Deeps, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Sea Creatures and Other Animals, Tentacles
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Midnight Rain

Friday, October 7th, 2011

Midnight Rain, abstract art by Amy Crook

Midnight Rain by Amy Crook

This is a cool echo of the fiery copper from yesterday’s art. Although this is the same paint I used in Jellyfish Bloom, the bright aqua pigment sinks into the black paper, leaving a watery echo of peacock-iridescent shimmer floating on top.

The salt this time picked up some of the green from the pen I used, but it’s quite pale inside the opaque matrix of the crystals. They’re darker where the paint coats them, but everything about this piece came out subtle and ghostly. Appropriate for Halloween, I think.

Midnight Rain, 5″x5″ mixed media on paper.

Midnight Rain, detail, by Amy Crook

Midnight Rain, detail, by Amy Crook

When the sunlight hits this one, the iridescent paint goes purple on the paper in lovely contrast to the rich teal you see where it coats the salt crystals. From another angle, it looks more blue, as you can see below in the framed photo.

Midnight Rain, framed art by Amy Crook

Midnight Rain, framed, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Copper Midnight

Thursday, October 6th, 2011

Copper Midnight, art by Amy Crook

Copper Midnight by Amy Crook, $323

This is the first of a pair of pieces I made together using Arches Cover Black paper. I love that this velvety black paper is fade-proof, because it’s not dyed but instead turns black from a chemical reaction set off in the paper. It’s art with science! Not my science, but still.

I made salt circles with my trusty orange pen, which barely picked up at all into the opaque white crystals this time. Then I used metallic copper watercolor for the ripples around each little pool, and copper gel pen for the signature, making an eerie monochrome piece very appropriate for the Halloween season.

Copper Midnight, 5″x5″ mixed media on paper, $323, framed, with free shipping.

Below you can see how the iridescent paint catches the light and glows with shimmery copper.

Copper Midnight, detail 1, by Amy Crook

Copper Midnight, detail 1, by Amy Crook

Here you can see just one salt pool, with the copper coating the salt on one side and making it look like it’s almost made of some strange metallic crystal instead of mundane salt. I’ve always liked how each little ring of salt is its own tiny henge of sorts, big crystals rising up around the scattered few in the center.

Copper Midnight, detail 2, by Amy Crook

Copper Midnight, detail 2, by Amy Crook

When the sunlight isn’t hitting them, the places where the paint was thinnest almost sink completely back into the black paper like ghosts, though it seems to float above the paper where it’s thickest. You can see it in its frame, below, with my iPhone for scale.

Copper Midnight, framed art by Amy Crook

Copper Midnight, framed, by Amy Crook, $323

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Tentacle Deeps 17

Tuesday, October 4th, 2011

Tentacle Deeps 17, art by Amy Crook

Tentacle Deeps 17 by Amy Crook

Yet more tentacles for Tuesday! I used a pure wash of zoisite watercolor, and its granular quality dried in a rather squamous, scale-like texture, subtle and matte with a quality to the paint almost like pastel. The dusty paint mixed in with the pure Sharpie ink of the tentacles, softening the sharp blacks, but I wanted a bit more so I took a grey brush pen and added in a second layer of tentacles behind the first.

Tentacle Deeps 17, 5″x7″ mixed media on paper.

I have to admit, I think every single one of these looks cool photographed from this angle. Plus, you can really see the texture of the paint and paper, here.

Tentacle Deeps 17, detail, by Amy Crook

Tentacle Deeps 17, detail, by Amy Crook

I always like how they look like they’re rising up from some other dimension held within the frame, too. What can I say, I’m easily pleased by tentacles.

Tentacle Deeps 17, framed art by Amy Crook

Tentacle Deeps 17, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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