Posts Tagged ‘for sale’

Sunset Postcard

Monday, October 3rd, 2011

Sunset Postcard watercolor by Amy Crook

Sunset Postcard by Amy Crook, $222

This watercolor is actually from five years ago. It managed to escape the general posting of old art last year, but I decided to frame and scan it when I ran across it the other day when I was framing some other art.

When I was younger I swear I must have painted dozens of sunsets, usually with skeletal winter trees in front, the black branches framed by colored light. I don’t have many of those left, so this one is very nostalgic for me. My favorite part is along the line of the sun itself, where some of the red has bled onto the sun the way sometimes the sky seems to waver around the edges as the sun sinks below the horizon.

Sunset Postcard, approx. 6″x4″ watercolor on handmade postcard, $222, framed, with free shipping.

I floated the postcard on a black mat within a larger frame, which makes the vivid sunset colors glow out from the darkness.

Sunset Postcard, framed watercolor by Amy Crook

Sunset Postcard, framed watercolor by Amy Crook, $222

Categories: Daily Art, Flowers, Trees and Landscapes
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A Murder of Crows

Thursday, September 29th, 2011

A Murder of Crows, art by Amy Crook

A Murder of Crows by Amy Crook

This piece uses several different techniques together but really just one pen, although I did go back in and add just a hint of color to the shadowy, sunlit crows in their flight. I’m very pleased with the overall effect, which makes me think of a cover or title page to some mystery novel or horror story. There’s even 13 crows in my murder to make it extra spooky.

A Murder of Crows, 6″x6″ pen & ink and salt on watercolor paper.

I like the way the salt is nearly invisible until the sunlight hits it, adding sparkle and color to an otherwise monochrome image.

A Murder of Crows, detail 1, by Amy Crook

A Murder of Crows, detail 1, by Amy Crook

The curving edges on each bird were partially created by the puddles of inky salt water, an imprecise process at best, which helps to give them a sense of being backed and blurred by strong sunlight.

A Murder of Crows, detail 2, by Amy Crook

A Murder of Crows, detail 2, by Amy Crook

Categories: Daily Art, Sea Creatures and Other Animals, Whimsical and Strange
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Tentacle Deeps 16

Tuesday, September 27th, 2011

Tentacle Deeps 16, art by Amy Crook

Tentacle Deeps 16 by Amy Crook

It’s Tuesday and that means tentacles! This is painted on a handmade postcard from India, just like Tentacle Deeps 12 & Tentacle Deeps 13.

I actually use the same two colors of paint for the wash on this as yesterday’s art, but the fade is much looser, and there’s no pure pigment, just different mixtures. When I went to put the tentacles on, it struck me that I hadn’t done a horizontal one yet, and so I used the granular lunar black watercolor to paint in these tentacles. The paint settled into the groovs in the paper, emphasizing the texture of the paper and letting the background color glow through the black as though the tentacles are strangely translucent.

Tentacle Deeps 16, ~4″x6″ watercolor on handmade paper.

I can’t resist taking these bottom-up shots whenever I’m photographing these tentacle pieces these days, even though there’s no salt at all on this one.

Tentacle Deeps 16, detail, by Amy Crook

Tentacle Deeps 16, detail, by Amy Crook

Here we are, a photo of the framed piece with my iPhone providing scale.

Tentacle Deeps 16, framed art by Amy Crook

Tentacle Deeps 16, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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White Hot

Monday, September 26th, 2011

White Hot, abstract art by Amy Crook

White Hot by Amy Crook

It’s hard to capture the way this piece fairly glows with colour. There’s just two pigments, a pink and a rich orangey-gold that fades to the cream color of the paper in the center. I added seven salt circles, double-drawing the spirals in an orange-red and the apricot gold, so the centers of the salt circles reflect the pink from the corners, and the outer circles of salt crystals reflect the orange from the center.

White Hot, 5″x5″ salt, pen & ink, and watercolor on paper.

White Hot, detail 1, by Amy Crook

White Hot, detail 1, by Amy Crook

The salt crystals add a three-dimensional texture to the image, like planets being drawn into an inverse black hole.

White Hot, detail 2, by Amy Crook

White Hot, detail 2, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Zoisite Swirls

Saturday, September 24th, 2011

Zoisite Swirls, abstract art by Amy Crook

Zoisite Swirls by Amy Crook, $77

This piece is an echo of Hibiscus Green, but using the color palette from yesterday’s art. The mixture of the gold tones and zoisite texture gives it an illusion of being an iridescent bronze, even though the paint is actually quite matte. The zoisite is especially matte, soft and velvety looking on the paper’s surface.

Zoisite Swirls, 6.375″x4.25″ hibiscus tea on paper, $77 with free shipping.

Categories: Abstract and Just Plain Weird, Daily Art
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Tentacle Deeps 15

Tuesday, September 20th, 2011

Tentacle Deeps 15, Cthulhu art by Amy Crook

Tentacle Deeps 15 by Amy Crook

Days of work went into today’s piece, but I think they’re my favorite tentacles yet. I used the same technique of softening pen-and-ink with water as in Tentacle Deeps 14, but then I went through and grew salt crystals along the body of each tentacle. The cross-hatching used three different pens to create the sense of light and depth, and my friend Eric L suggested that it looks like the tentacles are starting to dissolve where the light is hitting them.

Tentacle Deeps 15, 5″x7″ mixed media on paper.

Here you can see a closer view of the texture and the way I created the effect of light fading to darkness.

Tentacle Deeps 15, detail 1, by Amy Crook

Tentacle Deeps 15, detail 1, by Amy Crook

I love how this shows off the variation in the tentacle colors, and the way the salt crystals sparkle even with the dark ink suffusing them.

Tentacle Deeps 15, detail 2, by Amy Crook

Tentacle Deeps 15, detail 2, by Amy Crook

I finally had the brilliant idea of putting something in the framed shots so you’d get a sense of scale, so enjoy this shot of the tentacles in their frame, hanging out with my iPhone.

Tentacle Deeps 15, framed art by Amy Crook

Tentacle Deeps 15, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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Violet Midnight 2

Monday, September 19th, 2011

Violet Midnight 2, art by Amy Crook

Violet Midnight 2 by Amy Crook

I’ve been thinking about making prints lately, and that’s led me to think about the way that the salt paintings are really unprintable — while a print of a normal piece is maybe half as cool as the real piece, but printing the salt pieces loses 90% of their awesomeness. So, with that in mind, I mixed up a slightly different mix of the violet-black from Violet Midnight and made a piece that only used the salt for visual texture rather than physical structure. There’s no shiny paint, no sparkly salt, just simple ink and watercolor.

I actually started it the same way I do any salt piece, with spirals in ink on paper, but this time I went straight to painting the background (which has little salt-made stars, done the traditional way by scattering salt onto the damp paint), then used plain water to pick up the ink and create halos of golden orange around the sun and larger stars.

Violet Midnight 2, 7″x5″ watercolor, pen and ink on paper.

Here’s how it looks in a frame, with my iPhone for scale:

Violet Midnight 2, framed art by Amy Crook

Violet Midnight 2, framed, by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, Series and Books
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