Posts Tagged ‘for sale’

Midnight Rain

Friday, October 7th, 2011

Midnight Rain, abstract art by Amy Crook

Midnight Rain by Amy Crook

This is a cool echo of the fiery copper from yesterday’s art. Although this is the same paint I used in Jellyfish Bloom, the bright aqua pigment sinks into the black paper, leaving a watery echo of peacock-iridescent shimmer floating on top.

The salt this time picked up some of the green from the pen I used, but it’s quite pale inside the opaque matrix of the crystals. They’re darker where the paint coats them, but everything about this piece came out subtle and ghostly. Appropriate for Halloween, I think.

Midnight Rain, 5″x5″ mixed media on paper.

Midnight Rain, detail, by Amy Crook

Midnight Rain, detail, by Amy Crook

When the sunlight hits this one, the iridescent paint goes purple on the paper in lovely contrast to the rich teal you see where it coats the salt crystals. From another angle, it looks more blue, as you can see below in the framed photo.

Midnight Rain, framed art by Amy Crook

Midnight Rain, framed, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Copper Midnight

Thursday, October 6th, 2011

Copper Midnight, art by Amy Crook

Copper Midnight by Amy Crook, $323

This is the first of a pair of pieces I made together using Arches Cover Black paper. I love that this velvety black paper is fade-proof, because it’s not dyed but instead turns black from a chemical reaction set off in the paper. It’s art with science! Not my science, but still.

I made salt circles with my trusty orange pen, which barely picked up at all into the opaque white crystals this time. Then I used metallic copper watercolor for the ripples around each little pool, and copper gel pen for the signature, making an eerie monochrome piece very appropriate for the Halloween season.

Copper Midnight, 5″x5″ mixed media on paper, $323, framed, with free shipping.

Below you can see how the iridescent paint catches the light and glows with shimmery copper.

Copper Midnight, detail 1, by Amy Crook

Copper Midnight, detail 1, by Amy Crook

Here you can see just one salt pool, with the copper coating the salt on one side and making it look like it’s almost made of some strange metallic crystal instead of mundane salt. I’ve always liked how each little ring of salt is its own tiny henge of sorts, big crystals rising up around the scattered few in the center.

Copper Midnight, detail 2, by Amy Crook

Copper Midnight, detail 2, by Amy Crook

When the sunlight isn’t hitting them, the places where the paint was thinnest almost sink completely back into the black paper like ghosts, though it seems to float above the paper where it’s thickest. You can see it in its frame, below, with my iPhone for scale.

Copper Midnight, framed art by Amy Crook

Copper Midnight, framed, by Amy Crook, $323

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Tentacle Deeps 17

Tuesday, October 4th, 2011

Tentacle Deeps 17, art by Amy Crook

Tentacle Deeps 17 by Amy Crook

Yet more tentacles for Tuesday! I used a pure wash of zoisite watercolor, and its granular quality dried in a rather squamous, scale-like texture, subtle and matte with a quality to the paint almost like pastel. The dusty paint mixed in with the pure Sharpie ink of the tentacles, softening the sharp blacks, but I wanted a bit more so I took a grey brush pen and added in a second layer of tentacles behind the first.

Tentacle Deeps 17, 5″x7″ mixed media on paper.

I have to admit, I think every single one of these looks cool photographed from this angle. Plus, you can really see the texture of the paint and paper, here.

Tentacle Deeps 17, detail, by Amy Crook

Tentacle Deeps 17, detail, by Amy Crook

I always like how they look like they’re rising up from some other dimension held within the frame, too. What can I say, I’m easily pleased by tentacles.

Tentacle Deeps 17, framed art by Amy Crook

Tentacle Deeps 17, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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Sunset Postcard

Monday, October 3rd, 2011

Sunset Postcard watercolor by Amy Crook

Sunset Postcard by Amy Crook, $222

This watercolor is actually from five years ago. It managed to escape the general posting of old art last year, but I decided to frame and scan it when I ran across it the other day when I was framing some other art.

When I was younger I swear I must have painted dozens of sunsets, usually with skeletal winter trees in front, the black branches framed by colored light. I don’t have many of those left, so this one is very nostalgic for me. My favorite part is along the line of the sun itself, where some of the red has bled onto the sun the way sometimes the sky seems to waver around the edges as the sun sinks below the horizon.

Sunset Postcard, approx. 6″x4″ watercolor on handmade postcard, $222, framed, with free shipping.

I floated the postcard on a black mat within a larger frame, which makes the vivid sunset colors glow out from the darkness.

Sunset Postcard, framed watercolor by Amy Crook

Sunset Postcard, framed watercolor by Amy Crook, $222

Categories: Daily Art, Flowers, Trees and Landscapes
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A Murder of Crows

Thursday, September 29th, 2011

A Murder of Crows, art by Amy Crook

A Murder of Crows by Amy Crook

This piece uses several different techniques together but really just one pen, although I did go back in and add just a hint of color to the shadowy, sunlit crows in their flight. I’m very pleased with the overall effect, which makes me think of a cover or title page to some mystery novel or horror story. There’s even 13 crows in my murder to make it extra spooky.

A Murder of Crows, 6″x6″ pen & ink and salt on watercolor paper.

I like the way the salt is nearly invisible until the sunlight hits it, adding sparkle and color to an otherwise monochrome image.

A Murder of Crows, detail 1, by Amy Crook

A Murder of Crows, detail 1, by Amy Crook

The curving edges on each bird were partially created by the puddles of inky salt water, an imprecise process at best, which helps to give them a sense of being backed and blurred by strong sunlight.

A Murder of Crows, detail 2, by Amy Crook

A Murder of Crows, detail 2, by Amy Crook

Categories: Daily Art, Sea Creatures and Other Animals, Whimsical and Strange
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Tentacle Deeps 16

Tuesday, September 27th, 2011

Tentacle Deeps 16, art by Amy Crook

Tentacle Deeps 16 by Amy Crook

It’s Tuesday and that means tentacles! This is painted on a handmade postcard from India, just like Tentacle Deeps 12 & Tentacle Deeps 13.

I actually use the same two colors of paint for the wash on this as yesterday’s art, but the fade is much looser, and there’s no pure pigment, just different mixtures. When I went to put the tentacles on, it struck me that I hadn’t done a horizontal one yet, and so I used the granular lunar black watercolor to paint in these tentacles. The paint settled into the groovs in the paper, emphasizing the texture of the paper and letting the background color glow through the black as though the tentacles are strangely translucent.

Tentacle Deeps 16, ~4″x6″ watercolor on handmade paper.

I can’t resist taking these bottom-up shots whenever I’m photographing these tentacle pieces these days, even though there’s no salt at all on this one.

Tentacle Deeps 16, detail, by Amy Crook

Tentacle Deeps 16, detail, by Amy Crook

Here we are, a photo of the framed piece with my iPhone providing scale.

Tentacle Deeps 16, framed art by Amy Crook

Tentacle Deeps 16, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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White Hot

Monday, September 26th, 2011

White Hot, abstract art by Amy Crook

White Hot by Amy Crook

It’s hard to capture the way this piece fairly glows with colour. There’s just two pigments, a pink and a rich orangey-gold that fades to the cream color of the paper in the center. I added seven salt circles, double-drawing the spirals in an orange-red and the apricot gold, so the centers of the salt circles reflect the pink from the corners, and the outer circles of salt crystals reflect the orange from the center.

White Hot, 5″x5″ salt, pen & ink, and watercolor on paper.

White Hot, detail 1, by Amy Crook

White Hot, detail 1, by Amy Crook

The salt crystals add a three-dimensional texture to the image, like planets being drawn into an inverse black hole.

White Hot, detail 2, by Amy Crook

White Hot, detail 2, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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