Posts Tagged ‘for sale’

Aglow

Thursday, June 23rd, 2011

Aglow, watercolor by Amy Crook

Aglow by Amy Crook, $699

Something about this piece just makes me happy every time I look at it, the 13 glowing circles reminding me of stars, or fireflies, or even lamps through a dark mist. The dark blue-black background perfectly offsets the magical snowflake-like rosettes that formed when I tried my salt trick on this softer, more porous paper.

Aglow, work in progress by Amy Crook

Aglow, in progress, by Amy Crook

The other interesting difference with this paper was that the water droplets formed little wells that actually sunk into the paper, making dimples on the back.

Aglow, back, by Amy Crook

Aglow, back, by Amy Crook

When I painted in the background afterward, the paint was drawn straight into the circle by the salt crystals whenever the brush touched the edge of one of the little branches.

Aglow, detail 1, by Amy Crook

Aglow, detail 1, by Amy Crook

This is a really good close-up of a pair of the crystalline structure, so you can see all the detail that gets softened into a simple warm glow when you back up and see it from a distance.

Aglow, detail 2, by Amy Crook

Aglow, detail 2, by Amy Crook

I put it into a wide black frame, which sets off the warmth of the paper and the not-quite-black of the paint really nicely.

Aglow, framed art by Amy Crook

Aglow, framed, by Amy Crook

Aglow, 7″x5″ mixed media on paper, $699, framed, with free shipping.

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Mist

Tuesday, June 21st, 2011

Mist, watercolor by Amy Crook

Mist by Amy Crook, $169

This simple piece puts me in mind of a magical fog rolling in, wrapping the world in a muffling mist, turning everything into texture and dim shape. The detailed texture in the watercolor fascinates me, the subtle gradations in color and density that make it so much more than a simple blob of color.

I’m still on the lookout for good frames in this size, but I do love the way the embossing on the archival cardstock forms a mat that interacts with the image inside when the paint bumps up and sometimes over the edges of its artificial border.

I’ve made a computer wallpaper and iPhone wallpaper of this piece to help showcase the subtle textures that get lost in the tiny version above.

Mist, 8.5″x5.5″ watercolor on embossed paper, $169 with free shipping.

Categories: Abstract and Just Plain Weird, Daily Art, Free Wallpapers
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Bubbling

Friday, June 17th, 2011

Bubbling, art by Amy Crook

Bubbling by Amy Crook, $199

This piece reminds me of bubbles rising up through a lemon-lime soda, or perhaps a glass cauldron full of mysterious iridescent goo. The salt has no ink under each pool this time, so it picked up a little of the paint but remained largely clear. The crystals really catch the light like bubbles, as you can see below. The ink spirals were drawn in while the watercolor was still wet, so they blurred into the background, blending the piece into a more harmonic whole.

A lot of my pieces use numbers that are interesting to me – there’s 7 green swirls in this one, for instance, but the salt pools go to eleven.

This is another size I haven’t yet sourced frames for, but I’m on the lookout, since I’ve done a couple of pieces on this larger stock lately. The paper is thin and tends to warp, but it’s a nice smooth, bright white that takes the colors really well.

However you choose to view this piece, it’s definitely got a cheery, bubbly sort of feel to it.

Bubbling, 5.5″x8.5″ salt, pen and ink and watercolor on embossed cardstock, $199 with free shipping.

Bubbling, detail, by Amy Crook

Bubbling, detail, by Amy Crook, $199

Categories: Abstract and Just Plain Weird, Daily Art
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Ten Thousand Sparklepoints

Thursday, June 16th, 2011

Ten Thousand Sparklepoints, art by Amy Crook

Ten Thousand Sparklepoints by Amy Crook, $199

This sparkly, shiny bit of art is dedicated to the wonderful Havi Brooks and Tara Swiger, both of whom use the term ‘sparklepoints’ in many brilliant and encouraging ways.

All the drawing was done with glitter gel pens, and of course the salt pools are their usual glittery selves, so the title made itself obvious to me early on. It’s definitely the sparkliest thing I’ve done to date, though Curiosity comes a close second — I wonder what it is about the really girly-pretty ones that makes me want to write on them. This one has the title at the top in copper glitter gel pen to match the starburst shapes scattered amongst the lines and spirals of the background.

Ten Thousand Sparklepoints, 7″x5″ mixed media on watercolor paper, $199, framed, with free shipping.

You can really see the light shining off the pen lines and salt below.

Ten Thousand Sparklepoints, detail, by Amy Crook

Ten Thousand Sparklepoints, detail, by Amy Crook

This piece will be shipped in a simple black plastic frame, all set to go up on your wall or lean in a bookshelf.

Ten Thousand Sparklepoints, art by Amy Crook

Ten Thousand Sparklepoints, framed, by Amy Crook, $199

Categories: Abstract and Just Plain Weird, Daily Art
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Iridescence

Tuesday, June 14th, 2011

Iridescence, watercolor by Amy Crook

Iridescence by Amy Crook, $499

Despite the fact that very little about this piece is shiny aside from the salt crystals, it reminds me of the gentle iridescence of bird wings, and that’s where it gets its title. Much like Badlands from last week, this piece has some unusually tall and interesting salt formations, this time created on purpose by using big salt in little puddles.

The other day I mixed up some teal-black paint, and found ways to use it on several pieces but not, ironically, the piece it was originally intended for, which turned out to need more drying time before it was ready for the next step. Here it’s been watered down and then had extra drips and swirls of green and blue added in, which then flowed and dried in the beautiful color patterns you see here.

Iridescence, 7″x5″ watercolor, ink and salt on watercolor paper, $499, framed, with free shipping.

This piece is framed in a shadowbox to protect the salt crystals, and sitting on my bookshelf taking up space I’ll likely need to use for art pretty soon.

Iridescence, framed art by Amy Crook

Iridescence, framed, by Amy Crook

I love the way some of the salt formations are secretly hollow inside, growing walls around an empty inner space where the original salt crystal sat. This one has another formation gamely trying to start off the top corner, as well, the color dense where the ink was concentrated.

Iridescence, detail 1, by Amy Crook

Iridescence, detail 1, by Amy Crook

And this little ziggurat is a textbook formation of simple square crystals.

Iridescence, detail 2, by Amy Crook

Iridescence, detail 2, by Amy Crook

As an added bonus to those of you who read this far down, have an iPhone wallpaper and computer wallpaper. I’m using the computer one myself right now!

After using the iPhone wallpaper for a while, I realized that, while it did have my signature on it, it didn’t have my favorite part of the image, the part Molly called a “dragon’s head.” So, for those of you seeing this many days after posting (yay you!), here’s a different iPhone wallpaper.

Categories: Abstract and Just Plain Weird, Daily Art, Free Wallpapers
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In Suspension

Monday, June 13th, 2011

In Suspension, watercolor by Amy Crook

In Suspension by Amy Crook, $199

This is another of my salt-and-watercolor paintings, this time done in shades of violet. The image reminded me of particles in suspension in a liquid, for really no apparent reason other than the nerdiness of my brain. I really like the way the pigment in these watercolors move and flow as they dry, which to me adds to the image of particles slowly settling out of a suspension; the darker violet at the bottom where the paint pooled is like silt at the bottom of a solution.

For this painting, I first painted the purple wash and let it dry fully. Then I added spirals of ink with a purple pen, placed a chunk of plain rock salt on each one, and covered both with water using an eyedropper. The purple ink dissolved partially in the water, as did some of the paint, and the salt dissolved completely. When the piece was allowed to sit for a day, salt crystals formed on the paper as the water evaporated, the ink and paint adding color to the salt. I keep worrying one of these days my cats will climb high enough in my bookshelves to lick the salt water right off the paper before it can dry, but so far, so good.

This paper is somewhat absorbent, so the drops of water tend to spread a little, and sink in, and the crystals are fairly flat to the surface of the paper. I haven’t yet found a good frame for this size, but the embossing makes them look like they’re already matted, adding a bit of formality to the otherwise abstract piece.

In Suspension, 5.5″x4.25″, watercolor, pen and ink, and salt on watercolor paper, $199 with free shipping.

I admit I’ve rather given up on my scanner properly showing off the embossing on these little cards, so I took another photo that’s got more accurate color and sparkle.

In Suspension, detail, by Amy Crook

In Suspension, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Microscopic

Friday, June 10th, 2011

Microscopic, watercolor by Amy Crook

Microscopic by Amy Crook, $199

My nerdity is showing with this piece — it looks just like I remember the view through the microscope in biology class years ago, mostly monochrome with the organic shapes against the liquid.

This time I was experimenting with putting the salt and ink on top of a dried wash of watercolor. First I painted the shape with the opaque periwinkle blue gouache, adding in a sprinkling of coarse Kosher salt for texture once it was partially dry. Once the wash had dried overnight, I brushed the salt off the painting, and then used a blue pen to put in the swirls (and sign it, once we were all done). I put a big chunk of salt on top of each swirl, and then used an eyedropper to add water over each spot.

The water didn’t stay as well as it usually does, flowing into the organic shapes you can see above. The salt and ink dissolved into the water, and then after 16 hours or so, the water evaporates, leaving behind the pool of ink and salt crystals which have grown right onto the paper, and are now a permanent part of the artwork. Also, it’s subtly sparkly, which I enjoy.

Microscopic, 5.5″x4.25″ watercolor, salt and ink on archival cardstock, $199, with free shipping.

I’m still working on finding frames for this size of piece, but the salt crystals that form on this paper tend to be smaller and less fragile, so there’s less concern about shipping it unframed.

Microscopic, detail, by Amy Crook

Microscopic, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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