Posts Tagged ‘glitter gel pen’

Filigree Planet 3

Friday, July 20th, 2012

Filigree Planet 3 by Amy Crook

Filigree Planet 3 by Amy Crook

I used the same rich fuchsia on the stars here as I did on the central part of Monday’s painting, and they make the glittery filigree on the planet look very orange by comparison. The underlying planet is a mix of reds, pinks and oranges, with texture added by salt. Strangely, the crystals on the planet itself grew very flat and dark this time, with almost no shine to them, so I decided to add in the filigree to keep the planet from being outshone by its surrounding field of stars.

Filigree Planet 3, 7″x5″ salt, Japanese watercolor and glitter gel pen on Arches cover black paper.

Filigree Planet 3, detail 1, by Amy Crook

Filigree Planet 3, detail 1, by Amy Crook

Above, you can see the shine of the red glitter, and some of the underlying texture on the planet as well. Below, you can see a close-up of three of the tiny pink salt pools in all their fucshia glory. Pink (the color, not the rock star) and I have a strange relationship, since I usually loathe it, but I’m finding it’s got its uses in moderation.

Filigree Planet 3, detail 2, by Amy Crook

Filigree Planet 3, detail 2, by Amy Crook

Finally, you can see the piece tucked neatly into a frame. There’s no glass here, but it will ship to you fully protected and ready to hang. I just really hate trying to get the glare out of my photos.

Filigree Planet, framed art by Amy Crook

Filigree Planet, framed art by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, Series and Books
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B is for Blackletter

Thursday, July 19th, 2012

B is for Blackletter, calligraphic illumination by Amy Crook

B is for Blackletter, calligraphic illumination by Amy Crook

I went Gryffindor with my second letter, bold red and rich yellow, though I chose the red glitter pen rather than gold for my second illumination. My B uses a classic blackletter face, heavy and Germanic, with a bit of whimsy thrown into the illumination for it.

Just as with the A, I let the ink bleed into the paint so the shapes of the letter have a lovely orange fade, and though I used a very bright, pure red on the background, I used a dark red-orange inside the B itself to better offset the glitter illumination.

B is for Blackletter, 5″x5″ pen & ink, Japanese watercolor, and glitter gel pen on paper.

B is for Blackletter, detail, by Amy Crook

B is for Blackletter, detail, by Amy Crook

The shine on the red glitter is much more subtle and harder to photograph, especially since it goes a bit pink when the light hits it, so the colors in the above detail photo are a bit off in general. Alas. Below, you can see it happily tucked into a frame with my phone to show you the relative size. The central box on these is 3 inches square, but the border and signature rest outside.

B is for Blackletter & E is for Emboss, framed art by Amy Crook

B is for Blackletter & E is for Emboss, framed art by Amy Crook

Categories: Daily Art, Illuminated Alphabet, Series and Books, Whimsical and Strange
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Make Good Art

Monday, July 16th, 2012

Make Good Art calligraphic painting by Amy Crook

Make Good Art calligraphic painting by Amy Crook

Although I think many people have said this before (including several of my prior art teachers), it’s come most recently from Neil Gaiman. I also find the advice later on about freelancing to be very good and very true — to paraphrase, you must do good work, be on time, and be pleasant, and people will continue to hire you; actually, two out of three will do, most days. And thank goodness for that, because some days all three is more than anyone can manage.

I made this very pink wash when I was mucking about with my red palette of Japanese watercolors, going from the color that is almost exactly the same as the Orchid crayon in my childhood set, through a bright fuchsia pink and on to a lovely deep burgundy. I used my poor abused fountain pen to scribble in the lettering, then took my water brush and blurred it out, which gives an interesting effect, especially in the capitals. Next came the gold glitter paint in the letters, and I left it overnight to figure out what more it needed.

It needed tentacles, of course!

I finally found the fourth palette from the same set, which is six different shades of almost-black, so I took the rich plum-purple one and made a row of tentacles reaching up to tease at the lettering. Then, to balance it, I added the gold filigree at the top, and it finally felt done.

My mental narrative for it is a bit like, “Glimpse of the golden vines of Olympus? Make good art! Chased by tentacles from the Depths? Make good art!”

So, that’s my message for you this Monday – whatever form it takes, whatever inspires you, today, make good art.

Make Good Art, 8″x4″ Japanese watercolor, pen & ink, and glitter gel pen on Fluid watercolor paper on paper.

Make Good Art, detail 1, by Amy Crook

Make Good Art, detail 1, by Amy Crook

This is one of those pieces that’s very different depending on the lighting; the gold almost vanishes when it’s in low light, but it stands out beautifully when the sun hits it, and the thicker paint on the tentacles also has a bit of a gloss here and there. Below, you can see the effect just on the word “Art.”

And for those of you that’ve read this far, have a wallpaper of the above image, with my gloved fingers sneakily Photoshopped out.

Make Good Art, detail 2, by Amy Crook

Make Good Art, detail 2, by Amy Crook

I put it in a temporary frame so you can see the scale. Given the odd size, you may want to have it custom framed, or put it on a piece of mat board in a larger frame the way I’ve got it shown below.

Make Good Art, framed, by Amy Crook

Make Good Art, framed, by Amy Crook

Categories: Daily Art, Free Wallpapers, Things I'm a Fan Of, Whimsical and Strange, Words Words Words
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A is for Arabesque

Thursday, July 12th, 2012

A is for Arabesque, calligraphic illumination by Amy Crook

A is for Arabesque, calligraphic illumination by Amy Crook

I’ve begun a new series, though this one I can guarantee has a specifically limited lifespan. I’ve decided to do an illuminated alphabet, using pen and ink for the lines, watercolor for the fills, and glitter gel pen in lieu of gold leaf.

The first in my series is, of course, A, the awesomest letter in the alphabet. A is for Amy who fell down the stairs, after all, at least according to Gorey. A is also for arabesque, in this case referring to the graceful design motif, usually of acanthus leaves, used to decorate all sorts of things from calligraphy to mosques. My blue glittery acanthus are spiraling in the background of this grand periwinkle A. I’ve decided to do each letter with some sort of design or typographical motif represented, so let’s hope I can find something for that other end of the alphabet where things get tricksy.

B and C are already chosen, anyway.

I’m planning to post these once a week, so it will take six months for the series to be done, give or take a few weeks off for bookmarks or Sharpie art.

A is for Arabesque, 5″x5″ watercolor, pen and ink and glitter gel pen on paper.

A is for Arabesque, detail, by Amy Crook

A is for Arabesque, detail, by Amy Crook

Above, you can see the sun catching the glitter and making it shine much brighter than the paper (which really is white, I swear). Below, I’ve got it tucked into a frame and hanging out with the J on the shelf with some of my many, many books.

A is for Arabesque & J is for Juxtapose, framed art by Amy Crook

A is for Arabesque & J is for Juxtapose, framed art by Amy Crook

Categories: Daily Art, Illuminated Alphabet, Series and Books, Whimsical and Strange
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Filigree Moon 2

Monday, July 9th, 2012

Filigree Moon 2 by Amy Crook

Filigree Moon 2 by Amy Crook

This painting is the shining golden harvest moon version of the cool Filigree Moon from two weeks ago. The moon is rising up in one corner, covered in gold spirals, adding its light to a sky full of stars. There’s faint white salt pools, deep golden yellow ones, and some glittery gold spirals as well decorating the black paper the same way the stars dot the sky.

I’d been using my cooler glitter pens for my planets, the blue and purple, and I wanted to use the gold for a bit. So, I got out some black paper and first made the golden moon background, then scattered in some stars with salt, water and paint, then a few more of just salt water. Finally once it was all dry, I came in and added spirals, first to the moon and then to give the sky even more sparkle.

Filigree Moon 2, 7″x5″ Japanese watercolor and glitter gel pen on Arches cover black paper.

Filigree Moon 2, detail 1, by Amy Crook

Filigree Moon 2, detail 1, by Amy Crook

Above you can see a very close photo of two of the tiny salt pools, including the one big crystal that formed. Below is a shot of the moon itself, in all its glittery glory, with the same two pools in the distance on the upper left.

Filigree Moon 2, detail 2, by Amy Crook

Filigree Moon 2, detail 2, by Amy Crook

And finally, you can see it in a frame (with the glass left out), hanging out with my iPhone so they can talk about whether size matters.

Filigree Moon 2, framed art by Amy Crook

Filigree Moon 2, framed art by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, Series and Books
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Filigree Planet 2

Monday, July 2nd, 2012

Filigree Planet 2 by Amy Crook

Filigree Planet 2 by Amy Crook

One more example of all the tiny spirals, this one with a few purple spirals sneaking in among the blue just to switch things up. The planet itself is a rich, grapey purple with some splashes of lighter periwinkle as highlights. The black space around it has quite a mysterious, almost wormhole-like texture to it, swirling around the planet’s inexorable gravity.

Filigree Planet 2, 7″x5″ watercolor and glitter gel pen on paper.

Filigree Planet 2, detail, by Amy Crook

Filigree Planet 2, detail, by Amy Crook

I love the way the light shimmers off these glittery pens, but they fade to near-invisibility at other angles and distances. I even made you, well, okay, I made myself a computer wallpaper off of the detail shot above, but you can use it, too. Below, you can see the piece tucked into a black frame, reflecting serenely in my iPhone (as usual, it’s not included, heh).

Filigree Planet 2, framed art by Amy Crook

Filigree Planet 2, framed art by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, Free Wallpapers, Series and Books
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Filigree Planet

Friday, June 29th, 2012

Filigree Planet by Amy Crook

Filigree Planet by Amy Crook

And here we have the final piece with the spirals of doom. I was really in love with the planet itself before I got out the pens, and then I was so delighted by the filigree look on Monday’s piece that I decided all the space around this one needed it. It’s slightly less masochistic than the piece I’m still working on with the black pen-and-ink spiral texture, which means it actually got done whereas that one’s back on hold until my wrist forgives me in a few more days.

The warm, bright purple of the glitter stands out much more clearly on the black paper, in the way of these things, framing this richly textured planet with whimsical spirals. There’s a very subtle bit sheen to the dark salt crystals that formed as the piece dried, but it’s very subdued compared to the bright glittery “stars” surrounding the planet.

I first painted the actual periwinkle wash, then I took a darker, warmer violet and dripped it wetly onto the still-damp wash. Finally, I added a few drips of salt water to the mix and, after a bit more interference, let the whole thing dry. The spirals came last, and in stages over the course of a couple of days.

Filigree Planet, 5″x5.25″ Japanese watercolor and glitter gel pen on Arches cover black paper.

Filigree Planet, detail 1, by Amy Crook

Filigree Planet, detail 1, by Amy Crook

Above you can see the sun lighting up the glittery spirals and just glinting off the salt at the center of the piece. Below, I tilted the piece away from the light so you can see the difference in color. It’s interactive!

Filigree Planet, detail 2, by Amy Crook

Filigree Planet, detail 2, by Amy Crook

Finally we have it loosely tucked into a 5″x5″ frame, though it doesn’t really fit as it’s just a wee bit too wide. It’ll need to be matted into a bigger frame for final display, which I can do for you if you like for an additional fee.

Filigree Planet, framed art by Amy Crook

Filigree Planet, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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