Posts Tagged ‘moon’
Violet Midnight 2
Monday, September 19th, 2011
Violet Midnight 2 by Amy Crook
I’ve been thinking about making prints lately, and that’s led me to think about the way that the salt paintings are really unprintable — while a print of a normal piece is maybe half as cool as the real piece, but printing the salt pieces loses 90% of their awesomeness. So, with that in mind, I mixed up a slightly different mix of the violet-black from Violet Midnight and made a piece that only used the salt for visual texture rather than physical structure. There’s no shiny paint, no sparkly salt, just simple ink and watercolor.
I actually started it the same way I do any salt piece, with spirals in ink on paper, but this time I went straight to painting the background (which has little salt-made stars, done the traditional way by scattering salt onto the damp paint), then used plain water to pick up the ink and create halos of golden orange around the sun and larger stars.
Violet Midnight 2, 7″x5″ watercolor, pen and ink on paper.
Here’s how it looks in a frame, with my iPhone for scale:
Violet Midnight 2, framed, by Amy Crook
Categories: Daily Art, Flowers, Trees and Landscapes, Series and Books
Tags: for sale, moon, orange, pen and ink, salt, spirals, violet, watercolor
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Violet Midnight
Thursday, September 8th, 2011
Violet Midnight by Amy Crook
Another image I keep revisiting, the moon glowing in the night sky. I went for a simple duochrome effect, the stars and moon drawn in orange ink, then the stars turned warm and golden when the salt and water were added. I used a dark blue-violet paint, which was making such fascinating shapes and shadows on its own as it pooled and flowed that I decided not to try to add any more stars and let the velvety paint stand on its own. Then I used a metallic copper watercolor to create the haloes around the moon and stars, the color an excellent match to the orange ink.
Violet Midnight, 7″x5″ mixed media on paper, nfs.
This piece has a great contrast between the matte violet paint and shimmery, iridescent copper paint; between the flat ink and three-dimensional salt crystals; between the meticulous spiral pattern in the moon and the random, cloudy shapes in the sky.
Violet Midnight, detail 1, by Amy Crook
Here you can really see how the interplay of colors and textures up close.
Violet Midnight, detail 2, by Amy Crook
A simple black frame protects the salt, and makes the vivid colors really glow.
Violet Midnight, framed, by Amy Crook
Categories: Daily Art, Flowers, Trees and Landscapes
Tags: moon, nfs, orange, pen and ink, salt, sold, stars, violet, watercolor
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Midnight Blue
Thursday, July 21st, 2011
Midnight Blue, art by Amy Crook
This piece is a deliberate echo of last week’s intricate Cross the Sky, but both simpler and using the iconic blue and yellow color scheme from Van Gogh’s Starry Night.
The stars are monochromatic, first using spirals of orange-gold ink, and then a softer gold mixed to match. The moon is salt-free this time, inked in and then gently blurred with the gold watercolor to give it, too, a bright glow. The pure blue watercolor is bright and joyful, and it dried with a lovely texture in the denser areas. I thought about going in with some black to darken it up, but I like the cheery glow of the piece as is.
Midnight Blue, 7″x5″ pen & ink, salt and watercolor on paper.
The pure blue watercolor is bright and joyful, and it dried with a lovely texture in the denser areas. I thought about going in with some black to darken it up, but I like the cheery glow of the piece as is.
Midnight Blue, detail 1, by Amy Crook
You can see the gentle blurring of the moon below, and the line where a pool of pale gold paint dried.
Midnight Blue, detail 2, by Amy Crook
It looks quite nice in its frame, with the bright colors offset by the black wood.
Midnight Blue, framed art by Amy Crook
Categories: Daily Art, Flowers, Trees and Landscapes
Tags: for sale, moon, pen and ink, salt, stars, watercolor
1 Comment »
Haloed
Friday, July 1st, 2011
Haloed by Amy Crook
For this piece I used salt in a more traditional method to get the haloed starbursts in the blue-black sky. I overworked the section with the moon a little too much, so the paper tore in places, but I do like the overall effect and might try to reproduce it later with a bit more care.
Haloed, 9″x5″ mixed media on paper, nfs.
Haloed, detail, by Amy Crook
Categories: Daily Art, Flowers, Trees and Landscapes
Tags: moon, nfs, pen and ink, salt, watercolor
Harvest Moon 2
Tuesday, June 28th, 2011
Harvest Moon 2 by Amy Crook
Even as I’m really developing the salt work into a proper technique, I still learn something new with each piece. This painting began with a lot of painstaking drawing that became nearly obliterated by the process, and ended up with a deceptively simple image with a lot of texture and detail just waiting to be found by the careful viewer.
Harvest Moon 2, 7″x5″ salt, pen and ink and watercolor on watercolor paper.
The central shape actually started as a dense circle of pen-and-ink spirals, but you can only see a tiny shadow of the original ink if you look very closely.
Harvest Moon 2, detail 1, by Amy Crook
When I added the salt and water to it, the golden-orange ink turned into a vividly orange puddle, which then dried to the softer peach color you see in the final product.
Harvest Moon 2, in progress, by Amy Crook
There’s a dense layer of sparkling salt crystals overlaying the entire surface of the ‘moon,’ adding a physical texture on top of the visual texture.
Harvest Moon 2, detail 2, by Amy Crook
The salt layer, like the ink beneath it, formed unevenly based on where the paper warped and the water pooled. Here you can really see the line of dense crystals that runs vertically through the image.
Harvest Moon 2, detail 3, by Amy Crook
And here it is tucked into a frame, ready to find its new home.
Harvest Moon 2, framed, by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
Tags: harvest moon, moon, pen and ink, salt, watercolor
Eye of the Moon
Thursday, May 19th, 2011
Eye of the Moon by Amy Crook
The same day I did the tea washes, I did a few watercolor washes as well, just simple pale circles to do something with later. When I took this one back out the other night, it reminded me of an eye, but also of a pale, cool moon floating in its own gentle glow. The paper around the circle is a bit warped, giving it a touch of subtle halo, which you can just barely see in the image above.
I used the same crosshatch pattern as I did with Blood Moon, only this time I used a deep blue-black rather than the bright red. Instead of adding texture with a contrasting color of ink, I put an abstractly slitted pupil into the center of the white “eye” that gave the whole image an ornate feeling. The high contrast between background and foreground gives this piece much more deliberateness, and this thinner sketchbook paper also held the ink better, with less bleeding.
Eye of the Moon, 7″x5″ watercolor and pen & ink on paper.
I took a progress shot with my iPhone right after I started, so you can see the texture on the wash without the interference of the pattern.
Eye of the Moon, work in progress by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art
Tags: blue, crosshatching, eye, for sale, moon, pen and ink, watercolor
Seascape
Saturday, March 12th, 2011
Seascape by Amy Crook
This painting has an interesting history. I first painted it many years ago at the urging of an internet friend, and had originally intended to put a mermaid on the rough stones. I wanted to show the waves splashing up against the rocks and give a real impression of spray catching the moonlight, cool and refreshing with just a hint of mystery. Once it dried, I found I liked it just the way it was, and even the friend agreed that it was better like this — though I did do some photoshopping to add in her mermaid for a desktop background.
Cue the passage of many years hanging on my walls in the sun, and we have some distressing fading. I know which color is to blame now, but back in the day I loved the shade so much I didn’t worry enough about lightfastness. Oops!
I finally took the time and effort to use a more lightfast color to repair the sea and sky. You can see below a shot where the upper left has been fixed, and the lower right is waiting for its new infusion of color.
The shot above was taken before it had a chance to dry, so there’s a little glare, but the rich midnight blue sky has been renewed, and it’s ready to be re-hung.
Seascape, 18″x24″, oil on canvas.
Categories: Flowers, Trees and Landscapes
Tags: blue, for sale, moon, oil painting, sea
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