Posts Tagged ‘pen and ink’

Iridescence 2

Tuesday, August 9th, 2011

Iridescence 2, abstract art by Amy Crook

Iridescence 2, abstract art by Amy Crook, $333

Going in the opposite direction of yesterday’s art, this one expands the color palette along the entire cool end of the spectrum. I used green, aqua, blue and violet pens for my salt circles. Then I supplemented it with a layer of hibiscus tea in its low-saturation periwinkle shades. After that I used watercolors in matching hues, the dark indigo-black and violet softened by swirls of complementary colors around each salt pool. Finally, I used a little bit of salt to add texture to a few of the darkest places, giving the whole piece a layered complexity.

I decided to continue naming them as a series after one of my favorite of the salt pieces, Iridescence, because they had the same quality of seeming as though they were reflective without anything shiny, other than the sparkling salt crystals.

Iridescence 2, 7″x5″ mixed media on paper, $333, framed, with free shipping.

You can see one of the wonderfully complex salt structures here, a little lopsided ziggurat of crystal formations saturated with ink and ever overdyed with paint. If you click on the image you can see it even bigger and really get a sense of the detail, though of course the actual circle is barely the size of a dime.

Iridescence 2, detail, by Amy Crook

Iridescence 2, detail, by Amy Crook

The piece looks beautiful safely tucked into its frame, the soft lines and cool colors offset by the simple black wood.

Iridescence 2, framed art by Amy Crook

Iridescence 2, framed, by Amy Crook, $333

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Green to Blue

Friday, August 5th, 2011

Green to Blue, abstract art by Amy Crook

Green to Blue, abstract art by Amy Crook, $299

This abstract work uses the same soft celadon green Crane & Co. cardstock as Hibiscus Green, but is a much more complex piece. I used a green pen for the salt pools, which ended up with a much less uniform color to them than most of mine, the ink staying more firmly soaked into the paper so that the salt rises pale and shining above the darker green centers. I used watercolor for the surroundings, trying to expand the palette without covering up the gorgeous, subtle hue of the paper completely.

Green to Blue, 6.375″x4.25″ mixed media on paper, $299 with free shipping.

Here you can see a view of one of the formations at the center of the piece, with light shining on the fine line of redistributed salt in the blue paint.

Green to Blue, detail, by Amy Crook

Green to Blue, detail, by Amy Crook, $299

I don’t have a frame for this piece yet, but I’ve made a computer wallpaper and iPhone wallpaper of this piece for you to enjoy.

Categories: Abstract and Just Plain Weird, Daily Art, Free Wallpapers
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Vine Glory

Thursday, August 4th, 2011

Vine Glory, art by Amy Crook

Vine Glory by Amy Crook, $333

I wasn’t sure what to do with these glowing green florets after I’d created them on the page, but after looking again at Goth Vines I decided to take a different tack with the same idea. The hibiscus tea I used for the flowers blurred out into softer shapes than I’d originally expected, but it went with the softness of the green florets. I used a the green pen on the vines as inhabits the salt circles, and then signed the piece with the same orange that decorates each blossom with a hint of pollen.

The pink trumpet-like flowers look a bit like morning glories to me, and so I couldn’t resist punning a bit with the title. Since this piece is so decorative, I also made an iPhone wallpaper and computer wallpaper out of it for you.

Vine Glory, 5″x7″ mixed media on watercolor paper, $333, framed, with free shipping.

I used the other side of this paper, which has a different texture, and the result was much softer salt formations, though I still got the haloing effect the crystals aren’t nearly so defined as in Snowflakes or Aglow.

Vine Glory, detail, by Amy Crook

Vine Glory, detail, by Amy Crook

I ended up having to remove the very bottom of this piece in order to make it fit in a frame, just the last, translucent 1/8″ or so where the ink was blurring anyway.

Vine Glory, framed art by Amy Crook

Vine Glory, framed, by Amy Crook, $333

Categories: Daily Art, Flowers, Trees and Landscapes, Free Wallpapers
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Hibiscus Blue 4

Monday, August 1st, 2011

Hibiscus Blue 4, abstract art by Amy Crook

Hibiscus Blue 4, abstract art by Amy Crook, $444

This fourth installment of my Hibiscus Blue series is even simpler than #2, with thin, sharp-edged indigo spirals swirling around the lighter blue salt circles. The cool, subdued colors let the lines themselves set the tone. The rhythm of this piece is quite playful, like raindrops in a puddle at the very start of a warm summer storm when only a dozen or so drops have hit.

Hibiscus Blue 4, 7″x5″ mixed media on watercolor paper, $444, framed, with free shipping.

Hibiscus Blue 4, detail, by Amy Crook

Hibiscus Blue 4, detail, by Amy Crook

The salt circles are very simple this time, no fancy formations, just a soft hint of blue with an echo of the original spiral at the center of each one. When it’s tucked into its simple black frame, you can really get a sense of the motion of the brush in every stroke and swirl.

Hibiscus Blue 4, framed art by Amy Crook

Hibiscus Blue 4, framed art by Amy Crook, $444

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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7 Seconds

Thursday, July 28th, 2011

7 Seconds, abstract art by Amy Crook

7 Seconds, abstract art by Amy Crook, $399

I can’t really explain the title of this painting, other than to say it suggested itself to me when I was contemplating what to name the file when I was scanning it. There are seven pools of salt, rather more distorted from perfect rounds than usual because the paper was already slightly warped by the wash of hibiscus tea before I made them.

This is one of my first pieces combining watercolor with tea, though I’ve since worked on several more. I really like the way the rich turquoise paint works with the softer green of the salt, and the muted blue-violet of the tea.

7 Seconds, 7″x5″ mixed media on paper, $399, framed, with free shipping.

Here you can see the initial wash drying — the lightest spots turned to blue almost immediately, leaving the original pink lingering in the pools of tea, though as you can see they, too, changed as they dried.

7 Seconds, work in progress, by Amy Crook

7 Seconds, work in progress, by Amy Crook

This photo gives away one of my cheater secrets — I use the knickknacks off my shelves to flatten out the pages when they get too warped. Though it’s far from perfect, that’s part of the point, the compromise between order and entropy, deliberation and natural randomness.

7 Seconds, work in progress by Amy Crook

7 Seconds, work in progress by Amy Crook

It was quite warm the day the salt water was drying, which created unusually delicate salt formations.

7 Seconds, detail 1, by Amy Crook

7 Seconds, detail 1, by Amy Crook

Some of those formations were washed away by the paint, turning instead into small crystals haloing the original salt pools.

7 Seconds, detail 2, by Amy Crook

7 Seconds, detail 2, by Amy Crook

This is definitely one of those paintings that looks much better once it’s framed. The black really makes the colors look richer and deeper, and helps showcase the harmony of the piece.

7 Seconds, framed art by Amy Crook

7 Seconds, framed art by Amy Crook, $399

Categories: Abstract and Just Plain Weird, Daily Art
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Hibiscus Pink

Friday, July 22nd, 2011

Hibiscus Pink, art by Amy Crook

Hibiscus Pink by Amy Crook, $323

If a paper doesn’t have the right pH to change the hibiscus tea to blue, it dries a rich, saturated pink with just a hint of violet undertones. The color layers on much more solidly than the blue, soaking into the paper to make it look almost dyed.

This is also the paper that makes gorgeous little flower-like shapes with the salt, which turned out very pale with the assortment of ink colors I chose for the piece. There’s 21 of them, in 3 very similar shades.

It’s a bit of a difficult piece for me to judge because I’m not a fan of pink, but I do think it’s a successful one. The rich color of the tea really permeates the paper, while the inks colored the salt very delicately, giving a good contrast between them.

Hibiscus Pink, 5″x7″mixed media on watercolor paper, $323, framed, with free shipping.

This detail shot shows the subtle raised texture of the salt crystals on the paper, and the sparkle at the center of each salt “flower”.”

Hibiscus Pink, detail, by Amy Crook

Hibiscus Pink, detail, by Amy Crook

When I was making the piece, I tried to make a sort of gradient, distributing the orange, red and pink circles. I always love the way the water droplets pick up the color and shine on the paper, a temporary moment of beauty in the process.

Hibiscus Pink, work in progress, by Amy Crook

Hibiscus Pink, work in progress, by Amy Crook

The paper on this piece is a little big for a standard 5″x7″ frame, so I might change it out for a matted one if it sells, but here you can get an idea of how it looks framed.

Hibiscus Pink, framed art by Amy Crook

Hibiscus Pink, framed, by Amy Crook, $323

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Midnight Blue

Thursday, July 21st, 2011

Midnight Blue, art by Amy Crook

Midnight Blue, art by Amy Crook

This piece is a deliberate echo of last week’s intricate Cross the Sky, but both simpler and using the iconic blue and yellow color scheme from Van Gogh’s Starry Night.

The stars are monochromatic, first using spirals of orange-gold ink, and then a softer gold mixed to match. The moon is salt-free this time, inked in and then gently blurred with the gold watercolor to give it, too, a bright glow. The pure blue watercolor is bright and joyful, and it dried with a lovely texture in the denser areas. I thought about going in with some black to darken it up, but I like the cheery glow of the piece as is.

Midnight Blue, 7″x5″ pen & ink, salt and watercolor on paper.

The pure blue watercolor is bright and joyful, and it dried with a lovely texture in the denser areas. I thought about going in with some black to darken it up, but I like the cheery glow of the piece as is.

Midnight Blue, detail 1, by Amy Crook

Midnight Blue, detail 1, by Amy Crook

You can see the gentle blurring of the moon below, and the line where a pool of pale gold paint dried.

Midnight Blue, detail 2, by Amy Crook

Midnight Blue, detail 2, by Amy Crook

It looks quite nice in its frame, with the bright colors offset by the black wood.

Midnight Blue, framed art by Amy Crook

Midnight Blue, framed art by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes
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