Posts Tagged ‘purple’

7 Spirals

Thursday, December 1st, 2011

7 Spirals, abstract art by Amy Crook

7 Spirals by Amy Crook

I’ve noticed that the dye-based inks I use on some of the salt pieces will fade in strong sunlight, so I’ve been experimenting with using watercolors to dye the salt instead, with mixed results. The color I used in this painting came out clear and strong, making sparkling fuchsia salt crystals.

Even though there’s 15 salt pools, I chose to name it after the purple spirals that fill the white space in loose, haphazard shapes. The spirals are actually made by mixing the pink pigment in the inner ring with the teal pigment in the outer rings, giving surprising violets with unusual tones and highlights where the pigments separated.

7 Spirals, 5″x7″ pen & ink, salt, and watercolor on paper.

7 Spirals, detail, by Amy Crook

7 Spirals, detail, by Amy Crook

You can really see the rich colors in this detail shot, above, and the subtle sparkle of the salt in the waning autumn light in my apartment. Below, the paint seems almost to glow in its matte black frame.

7 Spirals, framed art by Amy Crook

7 Spirals, framed, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Iridescence 3

Thursday, August 11th, 2011

Iridescence 3, abstract art by Amy Crook

Iridescence 3, abstract art by Amy Crook, $333

I admit, I wanted to post both of these in the same week because they feel like different sides of the same coin to me. They use similar color schemes and techniques, but where Iridescence 2 is all soft glowing colors and indistinct shapes, Iridescence 3 is all sharp-edged spirals and visible brush strokes.

Even the haloes of complementary color around each salt pool are sharper and more distinct than in the previous piece, with more areas of pure white paper peeking through as a result. I’m not sure which of the two I prefer, though this is the one I’ve got out on display right now.

Iridescence 3, 7″x5″ mixed media on watercolor paper, $333, framed, with free shipping.

This is a closeup of the green salt pool in the lower left, so you can really see how the paint is layered in distinct circles with watercolor’s characteristic dark, sharp edges.

Iridescence 3, detail, by Amy Crook

Iridescence 3, detail, by Amy Crook

The bold black frame works really well with the blue-black and violet-black in the darkest, sharpest of the paint swirls, and protects the fragile salt crystals from damage.

Iridescence 3, framed art by Amy Crook

Iridescence 3, framed, by Amy Crook, $333

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Iridescence 2

Tuesday, August 9th, 2011

Iridescence 2, abstract art by Amy Crook

Iridescence 2, abstract art by Amy Crook, $333

Going in the opposite direction of yesterday’s art, this one expands the color palette along the entire cool end of the spectrum. I used green, aqua, blue and violet pens for my salt circles. Then I supplemented it with a layer of hibiscus tea in its low-saturation periwinkle shades. After that I used watercolors in matching hues, the dark indigo-black and violet softened by swirls of complementary colors around each salt pool. Finally, I used a little bit of salt to add texture to a few of the darkest places, giving the whole piece a layered complexity.

I decided to continue naming them as a series after one of my favorite of the salt pieces, Iridescence, because they had the same quality of seeming as though they were reflective without anything shiny, other than the sparkling salt crystals.

Iridescence 2, 7″x5″ mixed media on paper, $333, framed, with free shipping.

You can see one of the wonderfully complex salt structures here, a little lopsided ziggurat of crystal formations saturated with ink and ever overdyed with paint. If you click on the image you can see it even bigger and really get a sense of the detail, though of course the actual circle is barely the size of a dime.

Iridescence 2, detail, by Amy Crook

Iridescence 2, detail, by Amy Crook

The piece looks beautiful safely tucked into its frame, the soft lines and cool colors offset by the simple black wood.

Iridescence 2, framed art by Amy Crook

Iridescence 2, framed, by Amy Crook, $333

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Untitled Jar 1

Monday, June 20th, 2011

Untitled Jar 1, mixed media art by Amy Crook

Untitled Jar 1, interior, by Amy Crook

I’ve finally given in to my six-month admiration of Kirsty M Hall’s 365 Jars project and made a jar of my own!

It started out as yet another salt experiment, but for whatever reason the water soaked through the paper, making a fascinating layered piece of art. There’s even salt crystals formed inside the paper itself, pushing their shape up under the matte inked spirals. The back of the paper is subtly sparkly, though, which forms the inner curve of the piece. This purple ink tends to separate out into the water, making the salt circles a pinkish lavender and the spirals themselves a darker blue-violet.

I wanted a way to display the piece that invited the viewer to look at both sides, and the idea of curling it up into a jar seemed obvious after nearly half a year of seeing Kirsty’s daily posts. I first tried it out in a smaller corked bottle I have, but the paper was curled too tight to see inside, defeating the whole point.

In order to make it fit properly in the jar, I tore the paper into an organic shape, including liberating one of the swirls onto its own little piece of paper that sits against the glass in the gap between edges. Then I filled the bottom with the same rock salt I use to make these art pieces, including a few chunks that had been stained with pink and blue ink hiding amongst all the white.

Below you can see all six faces of the jar, and at the bottom I’ve made a silly gif of the jar rotating endlessly.

Untitled Jar 1, mixed media in a jar, not for sale.

The obvious first panel, with my signature on it in the original purple color.

Untitled Jar 1, mixed media art by Amy Crook

Untitled Jar 1, detail, by Amy Crook

Here you can see the “front” really clearly, the swirls with their salt-crystal texture and just the edge of my signature.

Untitled Jar 1, mixed media art by Amy Crook

Untitled Jar 1, detail, by Amy Crook

Another good shot of the salt texture, with a few surface crystals catching the light. You can also see the backs of some of the other shapes in the tiny window above the torn paper.

Untitled Jar 1, mixed media art by Amy Crook

Untitled Jar 1, detail, by Amy Crook

Here the two sides are juxtaposed.

Untitled Jar 1, mixed media art by Amy Crook

Untitled Jar 1, detail, by Amy Crook

The big, sparkly inside shape with its variegated shades of lavender, plus the little escapist swirl on its own little island of paper.

Untitled Jar 1, mixed media art by Amy Crook

Untitled Jar 1, detail, by Amy Crook

Another good shot of the back and the way the ink bled through in different colors than what stayed on the surface, and a few of the blue-tinted salt crystals are visible down at the bottom.

Untitled Jar 1, mixed media art by Amy Crook

Untitled Jar 1, detail, by Amy Crook

Here’s the animated version, which loses some detail but is kind of fun to watch:

Untitled Jar 1, mixed media art by Amy Crook

Untitled Jar 1, animated, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Innocent Stars

Thursday, May 12th, 2011

Innocent Stars, watercolor by Amy Crook

Innocent Stars by Amy Crook

This piece started out as an experiment to see how the three different pens — blue, green and purple — would fare when wetted with the salt-and-water technique I used for Water Lilies 1. As you can see, the blue hardly bled into the salt at all, the purple let out some pink but stayed largely unblurred, and the green dissolved almost completely. I let it sit for a while on my bookshelf while I pondered what to do next, and eventually I decided that the swirling bright spots reminded me a bit of bright stars.

I mixed up a dark purple-blue-black and layered it into the background in messy, childlike strokes. Then I scattered some smaller salt granules over the wet paint and let it form another, softer set of stars as it dried.

Innocent Stars, 7″x5″ salt, watercolor and pen and ink on watercolor paper, $222 framed with free shipping.

The piece is framed and hanging out in my living room at the moment, just waiting to find a new home.

Innocent Stars, framed watercolor by Amy Crook

Innocent Stars, framed, by Amy Crook

Below you can see a couple of close-up details of the salt-and-ink “stars.” My camera was having trouble with the colors, though, so the first one is much more accurate than the second.

Innocent Stars, detail, watercolor by Amy Crook

Innocent Stars, detail, by Amy Crook

Innocent Stars, detail, watercolor by Amy Crook

Innocent Stars, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Whimsical and Strange
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Salt Cell 2

Thursday, March 31st, 2011

Salt Cell 2 by Amy Crook

Salt Cell 2 by Amy Crook

After exploring the combination of salt and watercolor last week, I picked up some larger crystals of sea salt. Wanting to do something else that echoed Salt Cell but incorporated some pen-and-ink work as well, I decided on a rather tedious methodology. The process affected the outcome because the paint began to dry before I was done putting the salt back on the little circles.

I think I might try it again, but with fewer salt crystals.

Salt Cell 2, 5″x5″ pen and ink and watercolor on watercolor paper, $229 with free shipping.

You can see more about how this piece came together below the cut.

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Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Reflect

Friday, June 18th, 2010

Reflect, detail, by Amy Crook

Reflect, 3″x3″ monoprint on 9″x9″ watercolor paper

This monoprint has always made me think of giant, ancient trees growing right at the edge of a pond, reflected such that it’s hard to tell where the trees end and the water begins. You might see something totally different, of course, since this is a very abstract image. I did a couple of prints with this color scheme, I’ll try to post the other one tomorrow or next week. Actually, I used to dye my hair both of those colors at one point, though these days I don’t like to bleach it out in order to go blue or green, so mostly I stick to red or purple.

A monoprint is created by using thick, fingerpaint-like water-based inks to paint onto a blank acrylic printing plate, and then running the result through a press with wet paper just like an etching. It creates a single one-of-a-kind print that’s a merger of painting and randomness, the image flipped and often changed by the pressure and the way the ink interacts with the water-soaked paper. I would often print half a dozen in the course of a session and only keep the ones I really liked.

Reflect by Amy Crook

Reflect by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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