Posts Tagged ‘salt’

Golden Moon

Monday, February 27th, 2012

Golden Moon, watercolor and salt painting by Amy Crook

Golden Moon, watercolor and salt painting by Amy Crook

Two of my favorite pieces at the Endgame show have been bought, so I took this one and Violet Midnight 2 over there to replace the sold pieces on the wall. Then I realized I’m so far behind in posting that I hadn’t even shown it to you guys here on the site, oops.

I used a gorgeous golden yellow paint to make these spirals, and then added the salt while they were still wet. You can really see how the salt around the “stars” is yellower than the white aura I added to the moon later, sans paint. I like this one because it makes me think of moonrise, of looking up into the sky with the low, yellow moon hanging just off to one side of your vision, rather than taking over the whole show.

It’s bigger than my usual, too, 10″x8″ instead of the smaller size, which gives room for the smaller, saltless star-spirals that I put into the background. The piece is really simple but it’s got a lot of depth for me because it took several sessions to paint all the details, and spent at least two days just growing salt crystals. Each of these salt pieces is part art and part experiment for me, so when I’m working on them I tend to think a lot about the technical aspects and let the aesthetics work themselves out almost meditatively in the spacing, size and color choices.

Golden Moon, 10″x8″ salt and watercolor on Arches cover black paper.

Golden Moon, detail 1, by Amy Crook

Golden Moon, detail 1, by Amy Crook

Above you can really see how much whiter the salt is without the paint adulterating it. I love the way this shot came out enough I even made you guys a wallpaper of it. And by you I mean me, of course. Below, I’ve zoomed in on just one pair of stars, so you can see how sparkly and three-dimensional they really are. I actually find it pretty funny that I’ve started making a lot of art that shimmers, glitters and sparkles, since in my real life I’m the least-sparkly person you’ll meet with my unchanging jewelry and boring black t-shirts.

Golden Moon, detail 2, by Amy Crook

Golden Moon, detail 2, by Amy Crook

And finally, you can see it in a frame! The shot’s a little dark, but that’s because black paper behind glass is basically a mirror, also known as a huge pain in my butt to photograph.

Golden Moon, framed art by Amy Crook

Golden Moon, framed art by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, Free Wallpapers, Series and Books
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Salt Bookmark 2

Monday, February 13th, 2012

Salt Bookmark 2 by Amy Crook

Salt Bookmark 2
by Amy Crook

It’s bookmark week! Lately when I tear giant sheets of art paper down to the sizes I like to work in, I’ve been saving the blank scraps, and this week I have enough finished bookmarks to make a week of it. I tried to do at least one in each of the styles I’ve been using, so there’s quite a variety, and they’re all for sale and a bookmark-friendly price. I’m not going to put them in the main art shop, but you can always go look at the collection (plus my older couple of contributions) by going to the bookmark tag. I’ve priced these nice and low so that you can get your hands on an Amy Crook original without breaking the bank, and have a bit of art to carry with you, keeping your place safe and beautiful.

Each one of these is an original, one-of-a-kind work of art, and I decided to start the week off with a salt painting. Barely-green salt and two colors of green glitter gel pen give this piece a shimmer that’s really appealing. The salt crystals are small enough not to get crunched off or damage your book, though they might wear over time, the way these things do.

Salt Bookmark 2, 1″x5″ ink-dyed salt and glitter gel pen on black paper, nfs, sold.

Salt Bookmark 2, detail, by Amy Crook

Salt Bookmark 2, detail, by Amy Crook

Above you can see the contrast between the pen that’s mostly glitter, and the pen that’s a fine metallic ink, both in color and density. The salt and its halo both glimmer in the sunlight. Below, you can see its size compared to a standard hardcover book.

Salt Bookmark 2, with book, by Amy Crook

Salt Bookmark 2, with book, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Mood Ring

Thursday, February 9th, 2012

Mood Ring, abstract watercolor painting by Amy Crook

Mood Ring, abstract watercolor painting by Amy Crook, $323

More experiments with the awesome black paper this week. This paper is actually colored by a chemical reaction in the paper pulp when they manufacture it, so the velvety black color is completely lightfast. Possibly more so than the paint and inks I use, actually.

The deep purple paint nearly disappears into the paper, but the opaque red pulls it into visibility, and both colors dye the salt here and there. I think I did tint this salt with ink as well, but I’m having a hard time remembering. The end result had a very ’70s feel to it to me, hence the title. Yeah, I said hence.

Mood Ring, 5″x5″ watercolor and salt on paper, $323 framed, with free shipping.

Something about the middle ring in the group of 3 catches the light much more than the other rings, which you can see in the detail below.

Mood Ring, detail 1, by Amy Crook

Mood Ring, detail 1, by Amy Crook

Below you can see the purple and red paint bleeding into the salt in the circles down in the lower right. I also made an iPhone wallpaper of the three central circles, and am sneaking it in here for those who read all the words.

Mood Ring, detail 2, by Amy Crook

Mood Ring, detail 2, by Amy Crook

And this one actually does fit into a frame, so you can see it next to my iPhone (for scale only, sorry) below.

Mood Ring, framed art by Amy Crook

Mood Ring, framed art by Amy Crook, $323

Categories: Abstract and Just Plain Weird, Daily Art, Free Wallpapers
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Blue Moon

Thursday, February 2nd, 2012

Blue Moon, watercolor painting by Amy Crook

Blue Moon by Amy Crook

I chose soft blue pen and ink to pair with a rich, deep blue background, and then added salt in two different ways for texture. The brightest stars are the now-familiar salt pools, and there’s a scattering of dimmer ones formed by salt sprinkled onto the damp watercolor paint and brushed off once it dried. It was still too stark for me, so I went and found my tiny dot-card sample of interference blue and added haloes of half-there light around each salt pool and the moon, too, which you can barely see in the above scan, and better down in the detail shots below.

Blue Moon, 7″x5″ salt, pen & ink, watercolor and iridescent watercolor on paper, nfs (sold).

Blue Moon, detail 1, by Amy Crook

Blue Moon, detail 1, by Amy Crook

Above you can see three of the salt pools up close and personal, light glinting off their facets and a faint shadow of the interference blue. Below, the shimmer’s caught the light and you can see the brushed haloes around each large object, as well as the little starbursts of texture in the background of the deep blue sky.

Blue Moon, detail 2, by Amy Crook

Blue Moon, detail 2, by Amy Crook

And of course I took a photo of it framed, once I had it all ready for the show. In the sunlight, the background looks less black, though it’s still velvety-matte against the shimmering, sparkling stars and moon.

Blue Moon, framed watercolor by Amy Crook

Blue Moon, framed watercolor by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, Series and Books
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Ultramarine

Friday, January 20th, 2012

Ultramarine abstract art by Amy Crook

Ultramarine by Amy Crook, $299

I’ve been wanting something other than plain white for backgrounds on the salt pieces just for contrast, so this time I painted the paper with a very light yellow wash and added in some slightly darker spirals to the mix. This whole piece is really about spirals, from the little watercolor stick spirals that didn’t dissolve even a tiny bit into the salt, to the big ones around the pools. It gets its name from the shade of blue, of course, ultramarine both inside and outside the salt pools.

Ultramarine, 6″x6″ watercolor and salt on paper, $299 framed, with free shipping.

In the same way that my scanner likes to think white paper is really blue, my camera often splashes them with red, so I’d say the real color is somewhere in between the detail below and the scan above. Oh, technology.

Ultramarine, detail, by Amy Crook

Ultramarine, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Dichrome

Thursday, January 19th, 2012

Dichrome abstract art by Amy Crook

Dichrome by Amy Crook

Despite the rather random way this image came about (and really, do my abstract pieces come about any other way?), I’m really in love with the stuttering flow of the paint and the subtle transition from warm orange to cool, soft blue. The salt pools came later, using a black ink that separates in water into brown and blue, which mixed beautifully with the pink Himalayan salt.

The swoop of paint reminds me of clouds at sunset, breaking up as they rise up into the sky, but then I’m not sure what the salt pools would become, though they were absolutely necessary for the visual balance of the piece.

Dichrome, 6″x6″ watercolor, ink and salt on paper, nfs (sold).

There’s a lot of variation in the salt pools this time around, and here you can really see the colors of them and how they echo the paint colors.

Dichrome, detail 1, by Amy Crook

Dichrome, detail 1, by Amy Crook

And here’s another view of the same section that allows you to really appreciate the geometric crystals in the big pool, and the chunk of pink salt with its rough surfaces that’s nearby. I always find the close-up photos of the salt crystal formations fascinating.

Dichrome, detail 2, by Amy Crook

Dichrome, detail 2, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Green Blue Violet

Thursday, January 12th, 2012

Green Blue Violet, abstract art by Amy Crook

Green Blue Violet, abstract art by Amy Crook

In contrast to the warm, cheerful harmony of Red Orange Yellow, today’s piece has the spiky green and swirly blue fighting over the tiny violet salt pools. Both of the paint colors were quite granulating, giving a rich texture to the large areas, and interesting color variation where the paint separated. The salt pools also had separating paint, the rich violet turning to pink salt and blue-violet spirals.

Green Blue Violet, 8″x8″ watercolor and salt on paper.

Here you can see the midnight blue swirling around one of the last salt pools it’s captured, with the earthy, grass-stain green just barely visible in the background.

Green Blue Violet, detail 1, by Amy Crook

Green Blue Violet, detail 1, by Amy Crook

And below you can see a salt pool that’s surrendered to the blue paint, which creeps in between the crystals to dye them in camouflage.

Green Blue Violet, detail 2, by Amy Crook

Green Blue Violet, detail 2, by Amy Crook

You’re welcome to email me if you’d like some help figuring out how to bring this piece into your home, or just want to chat away from the comments.

Categories: Abstract and Just Plain Weird, Daily Art
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