Posts Tagged ‘for sale’

Ash Print

Saturday, March 7th, 2020

an ink wash painting of a footprint with ash trailing away from it, by Amy Crook

Ash Print, 5″x7″ ink on paper

In the final installment of my Ash Ghost series, we have a single footprint, already being blown away by a wind that doesn’t seem to be as forceful as the dissolution would suggest.

The soft subtle texture feels like charcoal but is actually ink, layered in to get the depth and texture of a pile of powder.

The real question is, how does something with no feet leave footprints?

Ash Print, detail, by Amy Crook

Above, you can see the texture of paper and ink playing off each other, swirls like ash blowing on the unseen winds. Below, the painting waits in a frame, a moment forever preserved.

Ash Print, framed art by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Floating Gallery, Series and Books, Zombies, Skulls, and Other Morbid Things
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Three Crows 2

Friday, March 6th, 2020

three crows with shining eyes flying past a setting sun, and a twisted, spooky tree, watercolor by Amy Crook

Three Crows 2, 6″x4″ watercolor on paper

Sometimes original, amazing titles come to me, and sometimes you get Three Crows 2.

The art that goes with the uninspired title, however, has a gorgeous sky full of hidden shimmer in the sunset-painted clouds. The tree twists out into the middle ground with gorgeously shaded branches, and the three crows have just enough spook and shimmer to them to stand out beautifully against both. Their eyes are painted with a dot of one of my favorite weird paints that shimmers from red to green like a scarab.

Where do you need a little bit of spookiness in your spring?

Three Crows 2, detail, by Amy Crook

Above, you can see two of the crows flying past the shimmering clouds, their eyes reflecting unknown secrets. Below, this deceptively small painting is waiting in its frame to be whisked away to a new environment, with new secrets to be learned.

Three Crows 2, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Sea Creatures and Other Animals, Series and Books
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The Skies of Unknown Kadath

Thursday, March 5th, 2020

dreamy abstract art featuring clouds of iridescent color on black paper, by Amy Crook

The Skies of Unknown Kadath, 6″x8″ watercolor on black paper

In this month’s lone abstract painting, shiny paints layer over black paper to get this dreamlike effect.

“The Dream-Quest of Unknown Kadath” is a novella by horror writer HP Lovecraft, best known for creating Cthulhu and also being hugely bigoted (even for 100 years ago). It’s a fascinating trip into dreams and obsession and madness, like so many of his works, and the painting’s title is a nod to the surreal descriptions that keep his work in our collective memory.

There’s a lot hiding in this painting, full of pigments that shine at different angles, in different colors, that peek through the less-glittery mineral paints and stand out against the black background.

The Skies of Unknown Kadath, detail, by Amy Crook

Above, you can see some of the shining paints at a close up and oblique angle, the pigments catching sunlight and showing the layers of texture and detail. Below, it’s in a temporary frame, just waiting for the right dreamer.

The Skies of Unknown Kadath, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Floating Gallery
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Sharpie Sky

Tuesday, March 3rd, 2020

a marker-black sky around a blue metallic moon, with a scribbly crow, altered print by Amy Crook

Sharpie Sky, 6″x4″ inkjet ink, sharpie ink, and watercolor on metallic photo paper

In the second installment of my misprint redux, I used a big fat Sharpie to darken the sky to black like my heart. There’s a soft brushing of iridescent watercolor over the whole sky, with twinkling stars of the same blue-green to add light to the deep black.

The bird got its own treatment, scribbled shadows to deepen its silhouette, make it more solid and less of a ghost. The whole effect is quite striking, much more dramatic than its predecessor, especially when the light hits it so the ink turns matte while the moon shines.

Is this the one that needs to fly home to you?

Sharpie Sky, detail, by Amy Crook

Above, you can see the dark scribbles bringing the bird more fully into the foreground. Below, a simple black frame holds this magical sky like a window into another world.

Sharpie Sky, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Sea Creatures and Other Animals, Series and Books
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Midnight Blue Sky

Monday, March 2nd, 2020

a watercolor painting on a metallic photo print of a blue moon, blue-black sky with copper stars, and a flying crow, by Amy Crook

Midnight Blue Sky, 5″x5″ inkjet and watercolor on metallic photo paper

Thanks to weird color results and other misprint issues, these prints won’t be making it into my Etsy shop. Instead, I gave away the best ones and used the remaining three for experimentation!

This one uses metallic blue and copper watercolor to change the sky to a swirling vortex, to turn the stars into an eerie presence, and make the crow’s eye shine balefully out at the viewer.

For anyone who likes corvids and shiny things, this is a great little remix of one of my best recent works.

Midnight Blue Sky, detail, by Amy Crook

Above, you can see the copper shine of this crow’s altered eye. Below, it’s framed and waiting for the right home to fly to.

Midnight Blue Sky, framed art by Amy Crook

Midnight Blue Sky, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Sea Creatures and Other Animals, Series and Books
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Growth 13

Friday, November 8th, 2019

an abstract watercolor in oranges and golds by Amy Crook

Growth 13, 8″x8″ watercolor on paper

A bright and cheerful change of pace brings us the almost-too-saturated colors of this newest Growth painting.

It owes a lot of its aesthetic to another series, Concentric, but the final image still follows the reaching-out visual language of its quieter predecessors. There’s a sense of light, of motion through space that only a few of its fellow pieces reflect.

The warmth suggests combustion, sparks from a fire, from a meteorite falling and burning on its way to earth. And yet, there’s something solid about the droplets raining down and radiating away from it, so perhaps it will leave an impression after all.

Growth 13, detail, by Amy Crook

Growth 13, detail, by Amy Crook

Above, you can see the shine and texture of the golden beads of paint floating atop the orange glow. Below, this bright painting is framed in black to set off its gorgeous colors.

Growth 13, framed art by Amy Crook

Growth 13, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Floating Gallery, Series and Books
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Fire Season

Wednesday, November 6th, 2019

an ink painting of stark ruins poking up against an orange sky, wreathed in smoke, by Amy Crook

Fire Season, 6″x4″ ink on paper

It’s fire season here in California, and it’s been a month for ruins all around.

The beautiful golden-peach glow of the smoldering sky is hard to capture on a monitor, but the inks give a magnificently clear color in person. The charcoal grey of ink wash swoops in fluid lines to suggest some kind of burnt-out ruins, close or distant, large or small.

Birds circle above and around, giving them a sense of scale — unless it’s the birds themselves that are distant.

Fire Season, detail, by Amy Crook

Fire Season, detail, by Amy Crook

Above, you can see the shadow of a bird, the soft texture of paper and glow of the sky, and the stark jut of burnt ruins wreathed in their own smoky residue. Below, this dramatic scene is contained safely in a frame, just waiting to grace your wall.

Fire Season, framed art by Amy Crook

Fire Season, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Series and Books
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