Archive for the ‘Daily Art’ Category

Skellington Jack Face

Sunday, October 7th, 2012

Skellington Jack face sketch by Amy Crook

Skellington Jack face sketch by Amy Crook

Jack Skellington is dubious about your proposal.

Have a great Sunday!

Categories: Daily Art, Things I'm a Fan Of
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Tea or Death

Saturday, October 6th, 2012

Tea or Death, a Sherlock comic by Amy Crook

Tea or Death, a Sherlock comic by Amy Crook

John is most displeased to have woken up to find all the tea in the house sacrificed to one of Sherlock’s mad experiments. Let’s hope for everyone’s sake that Sherlock errs on the side of caution and comes home with a nice big box!

Tea or Death, 9″x7″ pen & ink and watercolor on watercolor paper, nfs (sold)

Categories: Daily Art, People, Figures and Faces, Series and Books, Things I'm a Fan Of
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A Murder of Crows 2

Friday, October 5th, 2012

A Murder of Crows 2 by Amy Crook

A Murder of Crows 2 by Amy Crook

This piece is visually and thematically related to A Murder of Crows, but this time instead of swirling around calligraphy these pen-and-ink crows are coming to rest on some power lines. They were inspired by the convocation of crows that’s often outside my window, including the loud fellow who woke me up this morning by scolding my cat, who just chittered excitedly right back.

I had a tiny frame I got from who knows where that I wanted to make something just to fit, and this murder of seven crows seemed like the perfect flock for the small space.

A Murder of Crows 2, 3.5″x5″ pen & ink and watercolor on watercolor paper.

A Murder of Crows 2, detail, by Amy Crook

A Murder of Crows 2, detail, by Amy Crook

Above, there’s a little detail of one of the crows, who was scribbled in with a fountain pen and then smoothed out with a paintbrush and water to give him a soft, almost glowing quality. Below, you can see the piece in the frame that inspired it, nearly as small as my iPhone.

A Murder of Crows 2, framed art by Amy Crook

A Murder of Crows 2, framed art by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, Sea Creatures and Other Animals, Series and Books
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K is for Greek Key

Thursday, October 4th, 2012

K is for Greek Key, calligraphic illumination by Amy Crook

K is for Greek Key, calligraphic illumination by Amy Crook

It’s a bit cheating to use the Greek Key pattern for K, but it was the option that appealed to me the most. It’s hard to do kerning with only one letter, after all!

I ended up designing my own Greek Key in Illustrator, printing it, and using my lightbox to copy it in blue glitter gel pen onto the K. All the tools of the modern age are getting put to use as I explore the historic art of calligraphic illumination.

K is for Greek Key, 5″x5″ pen & ink, Japanese watercolor, and glitter gel pen on paper.

K is for Greek Key, detail, by Amy Crook

K is for Greek Key, detail, by Amy Crook

Between the color and the glitter, I had a really hard time photographing this piece. The Key pattern blends into the soft blue background to the camera, but of course your eye immediately catches the light. Below, you can see it in a frame, spelling out the word I said when I realized I didn’t have a framed photo for it.

K is for Greek Key, framed art by Amy Crook

K is for Greek Key, framed art by Amy Crook
(with A is for Arabesque and C is for Counter)

Categories: Daily Art, Illuminated Alphabet, Series and Books, Whimsical and Strange
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Denouement – How Commissions Work

Wednesday, October 3rd, 2012

(or at least how this one did)

Denouement, commissioned oil painting by Amy Crook

Denouement, commissioned oil painting by Amy Crook

Denouement, 36″x24″ oil paint on canvas, nfs (commission).

This commission was many months in the making, as all my oil paintings are, but in the long run both Kristen (the commissioner) and I are happy with the results. I believe there was something about squeaking noises during the unboxing, specifically…

We chatted a little about the commission process from her end, and this is what she had to say:

I tend not to buy ‘pre-created’ art a lot. Much of what I have in my possession (walls, hidden in the closet, etc) is from commissions, because it’s exactly what I want. I’ve had some smaller things done from other people, but nothing else on this large a scale. I was Natalie’s roommate when she got Till the Walls Shall Crumble to Ruin, and that was kinda what pushed me to go to you for this big piece. She told me that you guys had some many conversations about her art that you had to use a separate conversation on gmail, which boggled my mind, but then we ended up doing the same!

Mostly I just thought of every beautiful thing I really wanted to put into it, and how to make an amalgam of six different things into one idea, and what would that idea look like at the end of the day. So even though the image was so freaking clear in the my head I knew it needed to be adjusted. That’s where you came in. And I knew the basic idea: the hero standing at the end of a journey and going into the light, but the specifics were hard coming. Photo references were totally helpful, plus the mood I wanted, melancholy instead of heroic. It’s Luke burning Vader rather than a bunch of ewoks singing.

Then there were sketches — it was like slowly seeing what I had in my mind’s eye but also redefining it, because what i had in my head could never be exactly put onto canvas, and I knew that. So it was looking and quirking an eyebrow and readjusting and asking questions, figuring out what worked in silhouette and what didn’t. The waiting from my end was agony, but a lot of it was on me. It took ages to figure out exactly what I wanted.

It was a very interesting little journey but completely worth it. It’s amazing to have something so important to me on my wall, in my life, tangible. Which is what is. It’s an incredibly important idea that I can touch, and that’s a wonderful thing. Overall, it was a very pleasant experience, even the agony of waiting. It went on my wall very quickly once it came, though!

Denouement commission, various studies by Amy Crook

Denouement commission, various studies by Amy Crook

Above you can see some of the sketches we went through, starting in the lower right of the four-panel page I made myself. I did a lot of studies for this one, because I knew once I was painting the process demanded I know exactly what I needed to do. The watercolor study came out a bit mushy because of the paper I was using, which wasn’t at all suited to it, but I took a very good scan of the sketch on that page before I added color.

Denouement commission, transferring to the canvas

Denouement commission, transferring to the canvas

That sketch got printed off onto a few sheets of paper, and then I cut them out and used them to transfer exactly the image we’d agreed upon to the canvas.

Denoument commission, work in progress by Amy Crook

Denoument commission, work in progress by Amy Crook

Then I painted in the color, which looks super bright with the background still white. You can see where I wanted to have everything decided upon before it got to this stage. Plus, this way the carving above the door was almost perfectly symmetrical, heh.

Denouement commission, detail, by Amy Crook

Denouement commission, detail, by Amy Crook

Here you can see a really nice view of the sunlight glow, which was the last thing to go in, and also the texture of the paint that gives all of the detail in the black areas without any actual color variation beyond the glow.

It takes me months and months to do one of these commissions, but I always love the results. There’s something really special about doing a painting just for someone else, knowing it’s just what they wanted.

What about you, would you like to commission one of your own?

Categories: Completed Commissions, Daily Art, People, Figures and Faces, Words Words Words
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Tentacles at the Book Shop

Tuesday, October 2nd, 2012

Tentacles in the Book Shop window display

Tentacles and other art by Amy Crook
in the Book Shop window display, Hayward, CA

Tentacle Tuesday is all about the Book Shop! For the month of October, my Tentacle Deeps are gracing their window display, complete with skeleton string lights and spooky garland bats. I couldn’t resist Halloweening it up for October, and hopefully my creepy tentacles will be just what they need to keep the spirit of the season.

If you’re in the area, go take a look! The tentacles don’t get out nearly enough, and they’d love to make new friends.

Tentacles at the Book Shop, side view

Tentacles at the Book Shop, side view

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Tentacles
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Misty Moon

Monday, October 1st, 2012

Misty Moon, watercolor by Amy Crook

Misty Moon, watercolor by Amy Crook

This piece is of course related to the Fairytale Sky series, but something about the way the moon was surrounded by a halo of silver demanded a different name. The clouds are looser, too, lots of extra curls and and brushstrokes escaping the main spirals. I got to use some nifty new paint on them, a duochrome aqua that changes from bluer to greener depending on the angle and the light.

The whole painting is small enough to tuck into a corner of your desk and give you a bit of mystery whenever you want it.

Misty Moon, 6″x4″ watercolor on paper, nfs (sold).

Misty Moon, detail 1, by Amy Crook

Misty Moon, detail 1, by Amy Crook

Above and below you can see the art from different angles, with the mist showing up sky blue or aqua green depending on how the light hits.

Misty Moon, detail 2, by Amy Crook

Misty Moon, detail 2, by Amy Crook

And below you can see it in its frame, all ready to make its way to your desk, bedside table or bookshelf.

Misty Moon, framed art by Amy Crook

Misty Moon, framed art by Amy Crook
(iPhone included for scale)

Categories: Daily Art, Flowers, Trees and Landscapes, Whimsical and Strange
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