Posts Tagged ‘planet’

Blue Planet 2

Thursday, May 3rd, 2012

Blue Planet 2, watercolor by Amy Crook

Blue Planet 2, watercolor by Amy Crook

Of all the Blue Planets, this one is a bit like the control in the group. I didn’t have the issues I did with the first one because I very sneakily put the paper on a small plate, so all its edges were raise and the big pool stayed pooled in the center. I didn’t make tentacles, or use a different paper (that’s tomorrow’s). It’s just a simple abstract idea of a blue-green planet floating serenely in the star-studded blackness.

I really like how each of the stars is its own tiny echo of the planet, with salt at the edges, then the green and finally blue in the center. The whole thing feels both familiar and alien at once, and the salt gives it a bit of twinkling light of its own, if only by reflection.

Blue Planet 2, 5″x5″ salt and watercolor on Arches cover black paper.

Blue Planet 2, detail, by Amy Crook

Blue Planet 2, detail, by Amy Crook

Above you can see the big, square crystals that formed all through the planet’s surface, as well as the darker edge crystals and the soft transition from green to blue. Below, you can see it happily tucked into its frame and reflecting onto the shiny iPhone hanging out to show size.

Blue Planet 2, framed art by Amy Crook

Blue Planet 2, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Blue Planet 3

Tuesday, May 1st, 2012

Blue Planet 3, watercolor by Amy Crook

Blue Planet 3, watercolor by Amy Crook

I know this is only the second day of posting and the third piece in the series, but Tentacle Tuesday is a tradition by now! After I watched the first two Blue Planets form, I wondered if it would be possible to make the green at the edges slither tentacle-like toward the center.

It turns out it was, but they’re very subtle, so I ended up going in later to add the outer tentacles, making this one a color-inverse of Tentacle Planet with the blue-green planet and black paper. The iridescent tentacles inside the planet’s blue surface show more at certain angles, but the salt crystals on top obscure the images a little, making it more of a secret for those who pick up the frame and look closely.

Blue Planet 3, 5″x5″ salt and watercolor on Arches cover black paper.

Blue Planet 3, detail, by Amy Crook

Blue Planet 3, detail, by Amy Crook

Above, you can just see the subtle transition of a tentacle inside where it meets up with one of the outer tentacles. Below, the piece sits happily in its frame, just waiting to invade its new home… with tentacles, of course.

Blue Planet 3, framed art by Amy Crook

Blue Planet 3, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Blue Planet 1

Monday, April 30th, 2012

Blue Planet 1, watercolor by Amy Crook

Blue Planet 1, watercolor by Amy Crook

This week I’m posting a series of 4 similar paintings, though slightly out of order out of respect for Tentacle Tuesday. I was revisiting some of my more scifi-themed work to decide what if anything I wanted to put in the art show at BayCon this year, and I decided that it had been too long since I painted one of my planets. I added some iridescent green paint in with my remaining mixture of salt and French Ultramarine and got to work.

I’ve numbered them in the order they were painted, this one first. As you can see, the salt crystals are tiny and fine, and the shape runs off the edge of the paper, which is totally what the salt water did. I think it looks a bit like a comet, or some shadowy binary planet, floating in space.

Blue Planet 1, 5″x5″ watercolor and salt on Arches cover black paper.

Blue Planet 1, detail, by Amy Crook

Blue Planet 1, detail, by Amy Crook

Above you can see the tiny sparkle of salt crystals, the subtle shimmer of the green paint and the sheen of opaque, matte blue that rests between the two. The paint and salt settle out on their own, once I apply the solution and some patience, giving me something unique each time. Below, of course, is the painting tucked into its frame, hanging out with my iPhone for size reference.

Blue Planet 1, framed art by Amy Crook

Blue Planet 1, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Tender Planet

Thursday, May 26th, 2011

Tender Planet by Amy Crook

Tender Planet by Amy Crook

This piece of art was created with theoretically edible ingredients, except of course for the paper. Of course, the tea had been sitting in a dish on my shelf for two days when I made this, so I’m not sure I’d want to have drunk it at that point, but it’s the thought that counts.

I let the tea puddle and gather on the page, and once it started to dry, I moved the tea-soaked salt crystals off the pool in the middle and onto the white page around it. I added a tiny drop of extra tea to the each salt crystal to make a series of satellites around the central circle. The tea had managed to change from when it was fresh-brewed, and a sediment settled out in the denser parts giving it a rough look like a shadow on the surface of a moon or planet. The crystals were brushed gently off once the piece was completely dry, to leave this final image that suggested its name to me the moment I saw it completed.

I think this is my favorite so far of the tea experiments, actually, I love the organic feel of it, nature creating art with only a little bit of human intervention. The slightly larger page size gives the image room to float in the middle like a planet sending its child satellites out to explore space, but not too far just yet.

Tender Planet, 7″x7″ tea and salt on Arches cover white paper.

Categories: Abstract and Just Plain Weird, Daily Art
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Burning Planet

Thursday, April 7th, 2011

Burning Planet by Amy Crook

Burning Planet by Amy Crook, $169

A circle is such a simple form, and yet I feel like I could find an infinite variation in them. This one, too, looks the surface of a planet to me, or maybe some alien sun, the swirls of almost neon yellow marked by orange and red patterns.

This time I used my Windsor & Newton watercolors rather than the Japanese pigment inks, and it’s really interesting how the different media react differently to the addition of the salt. Rather than drying to a fine powder, each little spot of orange-red on the yellow paint is actually a salt crystal formed with the pigment-rich water as the salt on top dissolved, and then dried. If you look closely you can see the flat, squarish shapes of the salt crystals (click the image to enlarge). It even sparkles in the sunlight.

Burning Planet, 5″x5″ salt and watercolor on watercolor paper.

Here’s a terrible iPhone photo of the painting at an angle, so you can see the sun sparkling off the crystals:

Burning Planet, detail, by Amy Crook

Burning Planet, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Tentacle Planet

Tuesday, April 5th, 2011

Tentacle Planet by Amy Crook

Tentacle Planet by Amy Crook

I guess I’ve just had tentacles on the brain lately! The first day I was experimenting with salt, I painted up the central circle of opaque gouache, which ended up looking a bit like Mars to me when it dried. The salt makes the pigments powder on the page, and you can see a little smear of paint-dust in the upper left from where I brushed it away.

I wasn’t satisfied with just the one layer of paint, though, so I watered down the same pure pigment into a light wash and painted in the halo of tentacles, sprinkling salt carefully at the base of each one, which further affected the surface of the circle around the edges as well.

Tentacle Planet, 5″x5″ Japanese watercolor on Arches cover white paper.

Categories: Abstract and Just Plain Weird, Daily Art, Tentacles
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Growth

Friday, March 18th, 2011

Growth by Amy Crook

Growth by Amy Crook

I finished this little piece and then had to let it sit overnight to think of what to call it. The central circle initially put me in mind of a moon, or a planet, or possibly a pirate’s black spot when it was all by itself, a dark blue-black shadow of painted ink that dried to a gorgeous matte finish.

Then I came in days later and decided to add the little clusters of circles around it in black fountain pen, knowing that the ink would blur and spread as I made the little circles, adding texture and shadow. As I built up the outside texture, it reminded me of a decorative border, or a cluster of marine eggs, or possibly a layer of industrial growth around a planet, building up and sending off pieces out into the space around it. Or perhaps floating down from the white to aggregate, giving life to the lifeless rock in the middle.

Growth, 5″x5″ pen & ink and Japanese watercolor on watercolor paper.

Growth, detail, by Amy Crook

Growth, detail, by Amy Crook

Above, you can see a close-up of the tiny little circles that make up the pattern of growth, pushing off and away from the central mass. Below, you can see it in a narrow-edged frame with its brand-new sibling, and my iPhone for scale.

Growth 2 and Growth, framed art by Amy Crook

Growth 2 and Growth, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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