Archive for the ‘Daily Art’ Category

Galaxies

Thursday, May 17th, 2012

Galaxies, abstract art by Amy Crook

Galaxies, abstract art by Amy Crook

From some angles the background of this piece looks as black as the space between galaxies, or at least as black as the paper it’s painted on. Shift it just a little though, and a liberal dusting of silver stars sparkles up in the blackness, making the whole piece shimmer. The iridescent green paint, opaque blue and glittering salt form mysterious shapes floating in the black, broken spirals and strange pools of color.

I was just playing when I made the spirals, wanting some different shapes and enjoying the bigger page, which was more forgiving of the lack of precision from the salt water solution. It sat around for a few weeks after it dried while I decided what to do with it, and in the end I decided a subtle dusting of silver paint would best set off the shapes. I ended up brushing most of the silver particles back off the page, which makes the whole effect much more subtly supporting instead of overwhelming.

Galaxies, 10″x8″ salt and watercolor on paper.

Galaxies, detail 1, by Amy Crook

Galaxies, detail 1, by Amy Crook

Above you can see the golden afternoon light reflecting off the salt and paint in this particular spiral formation. Below, the strange little frost that formed where the water flowed off the edge and then soaked into the corner of the paper.

Galaxies, detail 2, by Amy Crook

Galaxies, detail 2, by Amy Crook

And of course I’ve taken a photo with frame, desk and iPhone, to give you an idea of how big it is in real life.

Galaxies, framed art by Amy Crook

Galaxies, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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All Out of Words

Wednesday, May 16th, 2012

Belladonna sez: no post! naptime!

I’m all out of words for this Weds, regular posting will resume tomorrow as usual with more art.

Words are hard, man.

Categories: Daily Art, Words Words Words


Tentacle Deeps 35

Tuesday, May 15th, 2012

Tentacle Deeps 35, watercolor by Amy Crook

Tentacle Deeps 35, watercolor by Amy Crook

Someone asked me at the gallery on Saturday why I like tentacles, and I didn’t have a really good answer. I like painting them a lot, in part because it’s an interesting combination of spontaneous and planned art, in that the tentacles can go all over the place but keep a certain smooth taper to them while they do, and I always try to get a certain distribution of shapes and sizes in so that the piece itself is aesthetically pleasing as well as creepy.

This particular paper isn’t really meant to be watercolor paper, and it absorbed the paint without letting it float on top at all, giving a stripey quality to the blue gradation in the background. The paper itself has a lot of little dotted inclusions that add texture to the piece, and the tentacles themselves are painted in Japanese sumi-e ink rather than watercolor to take better advantage of the paper’s absorbency.

Tentacle Deeps 35, 8″x10″ ink and watercolor on paper.

Tentacle Deeps 35, detail, by Amy Crook

Tentacle Deeps 35, detail, by Amy Crook

Above, you can see the shine off the very base of the tentacles where the black sumi-e ink is the thickest. Below, the piece waits in its frame, taking up nearly my whole tiny writing desk as it poses with my iPhone for scale.

Tentacle Deeps 35, framed art by Amy Crook

Tentacle Deeps 35, framed art by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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Silver Moon

Monday, May 14th, 2012

Silver Moon, watercolor by Amy Crook

Silver Moon, watercolor by Amy Crook

It’s been a while since I gave you a new moon for Monday, so I thought it was about time. I did the salt pools for this one in a variety of sizes, using the clear salt water I made so even the smallest droplet left some salt behind when it dried. I used some powdered silver watercolor I have on hand to create a lovely colorless sky this time, with halos around the biggest star and an outward-fading spiral for the moon.

The reason I talk about the process so much is that’s what I’m mostly thinking about as I work, trying to get the effect I want out of the materials I’m using. I thinned out the silver paint to a specific thickness for the outer two circles on the moon, wanting there to be a delineation between the moon itself and the light that shines from it the way there is with the stars. I went for one big spiral this time because it seemed to fit with the rest, even though the star field is more complicated than in some similar pieces.

I try not to overthink these decisions as I’m making them, because the pieces work best when they’re not too fussy, with swooping paint strokes and not-quite-random scatterings of salt.

Silver Moon, 6″x4″ salt and watercolor on Arches cover black paper.

Silver Moon, detail, by Amy Crook

Silver Moon, detail, by Amy Crook

Above, you can see the light reflecting off the silver paint where it’s most opaque, as well as highlighting the smaller, un-haloed stars in the black. Below, the piece is framed and sitting next to my trusty iPhone for scale.

Silver Moon, framed art by Amy Crook

Silver Moon, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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Squiggle Bookmark

Sunday, May 13th, 2012

Squiggle Bookmark by Amy Crook

Squiggle Bookmark by Amy Crook

And here we have the perfect bookmark for sketch Sunday, or, ridiculous squiggles like I used to draw on all my notes back in school (you know, when the dinosaurs roamed the earth). I used one of those incredibly silly gel pens with the ink that changes color, and you can see the variations in the color from a bright blue at the top through midnight and ending up a distinct violet shade.

I’m pretty sure I did this whole thing over the course of two conference calls, but yes, it took just as long as you think it did. While I find this sort of pattern makes for a good “fake embroidery” on collars and cuffs in drawings, I don’t think I’ll ever use it for anything quite this big again. Too much squiggling!

Squiggle Bookmark, 1.5″x8″ mixed media on paper, nfs (sold).

Squiggle Bookmark, detail, by Amy Crook

Squiggle Bookmark, detail, by Amy Crook

Above, you can see the teeny tiny pattern up close and personal. Below, the bookmark is nestled with a book to show you that no, it’s not small, I’m just slightly mad, as is appropriate for an artist.

Squiggle Bookmark, with book, by Amy Crook

Squiggle Bookmark, with book, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Doctor Who Bookmark 1

Saturday, May 12th, 2012

Doctor Who Bookmark 1 by Amy Crook

Doctor Who
Bookmark 1
by Amy Crook

I’ve optimistically numbered this 1, assuming I’ll get the urge to do more Doctor Who bookmarks in the future. The Eleventh Doctor is contemplating his lot with his TARDIS parked a bit precariously on a hill, and not liking his options at the moment. But don’t worry, he’ll figure some way out.

He’s the Doctor. It’s what he does.

Doctor Who Bookmark 1, 1.5″x7″ mixed media on paper, nfs (sold).

Doctor Who Bookmark 1, detail, by Amy Crook

Doctor Who Bookmark 1, detail, by Amy Crook

Above, a close-up of our pouting Doctor. Below, he’s hanging out with my Free Comic Book Day book from last Saturday’s outing, an excellent reminder that I love sequential art and ought to do more of it.

Doctor Who Bookmark 1, with book, by Amy Crook

Doctor Who Bookmark 1, with book, by Amy Crook

Categories: Daily Art, People, Figures and Faces, Series and Books, Things I'm a Fan Of
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Salt Bookmark 4

Friday, May 11th, 2012

Salt Bookmark 4 by Amy Crook

Salt Bookmark 4
by Amy Crook

The second smallest bookmark for your Friday viewing, this one’s a little shorter but wide enough to win the by a nose on total surface area. (What? You knew I was a nerd.)

This one echoes the flaked-off salt textures in Blue Planet 4, but in miniature, with the smallest pools keeping all of their paint and only the larger four pulling away to show the iridescent green beneath. I gave this one a meticulous background of blue lines radiating outward without ever quite intersecting thanks to the stopping points I snuck in at the start.

Salt Bookmark 4, 1″x5″ mixed media on paper, nfs (sold).

Salt Bookmark 4, detail, by Amy Crook

Salt Bookmark 4, detail, by Amy Crook

Above, you can see the textures of salt and paint, ink and paper, and how they all interact on a tiny level (given that the bookmark is barely and inch wide). Below, it’s snuggled up with a book for size perspective, though I’m not sure I’d want to risk leaving blue powder in my books by actually using this one for reading.

Salt Bookmark 4, with book, by Amy Crook

Salt Bookmark 4, with book, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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