Archive for the ‘Flowers, Trees and Landscapes’ Category

Dramatic

Thursday, June 21st, 2012

Dramatic, Sherlock art by Amy Crook

“If you’re quite done with the dramatic poses, there is a case, you know.”
Dramatic, Sherlock art by Amy Crook

This one’s actually based on a bit in the second episode of Series 2, The Hounds of Baskerville. There’s a point at which Sherlock is up on a windy promontory, looking over the moors, with John down below waiting patiently for him to stop enjoying the way his coat looks blowing in the breeze.

He does so love to be dramatic.

Dramatic, 6″x6″ watercolor on Fluid watercolor paper.

Dramatic, detail, by Amy Crook

Dramatic, detail, by Amy Crook

Above you can see the strange clouds and impatient John with Sherlock off in the distance, framing a perfectly boring dime. Below, it’s temporarily in the same 8″x10″ frame you’ll have grown used to seeing this week, for scale.

Dramatic, framed art by Amy Crook

Dramatic, framed art by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, People, Figures and Faces, Things I'm a Fan Of, Whimsical and Strange
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Adrift

Monday, June 18th, 2012

Adrift, Doctor Who art by Amy Crook

“You’re sure you know where we’re going?”
Adrift, Doctor Who art by Amy Crook

After doing Mario’s Cave, I started to get more ideas for putting tiny bits of the things I’m a fan of into my paintings in a meaningful, interesting way. Tomorrow’s is actually the next one I thought of, but I’m saving it for the traditional day. This one I painted the pattern of waves-or-maybe-scales, and then staring at it I thought, I could put a TARDIS, just there.

Floating adrift on a sea of scales-or-maybe-waves seems like just the sort of trouble the Doctor would get himself into.

Adrift, 8″x4″ watercolor on Fluid watercolor paper.

Adrift, detail, by Amy Crook

Adrift, detail, by Amy Crook

Above, you can see the actual size of the wee TARDIS next to a dime, though the actual colors are not quite so brightly cyan as all that. Below, I’ve temporarily tucked it into a 10″x8″ frame to show you how it might look.

Adrift, framed, by Amy Crook

Adrift, framed, by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, Things I'm a Fan Of, Whimsical and Strange
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Milk White Moon

Monday, June 4th, 2012

Milk White Moon by Amy Crook

Milk White Moon by Amy Crook

I’ve done moons in blue and orange and yellow, silver and gold and iridescent lavender, and I thought I’d try one in simple white. The salt, too, is undiluted with paint, so there’s nothing but the black paper, white ink and white salt, and any color is just refracted light through the crystals.

There’s two sets of salt pools, the deeper ones with spirals at the center that grew from fat droplets of water carefully applied, and the shallow ones dripped down from a height to splash onto the paper. There’s even little tiny crystals here and there where smaller droplets splashed away from the bigger, which brings a lovely depth to the piece like a real sky.

Milk White Moon, 5″x5″ gel pen and salt on Arches cover black paper.

Milk White Moon, detail 1, by Amy Crook

Milk White Moon, detail 1, by Amy Crook

Above, you can see the delicate splash of one single careless drop of water, surrounded by deeper pools of salt. Below is a close-up of one of those pools, the largest one in the lower center with the large white spiral hiding in its depths.

Milk White Moon, detail 2, by Amy Crook

Milk White Moon, detail 2, by Amy Crook

And finally the piece in the warm summer sunshine, and a frame of course, basking on the blotter of my writing desk with my iPhone for scale.

Milk White Moon, framed art by Amy Crook

Milk White Moon, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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Thistledown

Thursday, May 31st, 2012

Thistledown, watercolor by Amy Crook

Thistledown, watercolor by Amy Crook, $169

I wasn’t sure what I wanted to do with this once I painted in the sky and the grass, but then the idea of thistles came into my head. I like the way the little sneaky bubbles in the grass echo the centers on the flowers, and of course these are the sort of thistles that stare at you. But don’t worry, I’m sure they’re thinking totally harmless flower-thoughts while they do. They’re not thinking about how they outnumber you at all.

Really.

Thistledown, 8″x4″ watercolor on paper, $169 with free shipping.

I slipped the piece into an 8″x10″ frame so you could get a sense of the scale, and of course I’d be happy to more permanently frame it for you for a small additional fee. Just drop me a line!

Thistledown, framed, by Amy Crook

Thistledown, framed, by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, Whimsical and Strange
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Galaxies

Thursday, May 17th, 2012

Galaxies, abstract art by Amy Crook

Galaxies, abstract art by Amy Crook

From some angles the background of this piece looks as black as the space between galaxies, or at least as black as the paper it’s painted on. Shift it just a little though, and a liberal dusting of silver stars sparkles up in the blackness, making the whole piece shimmer. The iridescent green paint, opaque blue and glittering salt form mysterious shapes floating in the black, broken spirals and strange pools of color.

I was just playing when I made the spirals, wanting some different shapes and enjoying the bigger page, which was more forgiving of the lack of precision from the salt water solution. It sat around for a few weeks after it dried while I decided what to do with it, and in the end I decided a subtle dusting of silver paint would best set off the shapes. I ended up brushing most of the silver particles back off the page, which makes the whole effect much more subtly supporting instead of overwhelming.

Galaxies, 10″x8″ salt and watercolor on paper.

Galaxies, detail 1, by Amy Crook

Galaxies, detail 1, by Amy Crook

Above you can see the golden afternoon light reflecting off the salt and paint in this particular spiral formation. Below, the strange little frost that formed where the water flowed off the edge and then soaked into the corner of the paper.

Galaxies, detail 2, by Amy Crook

Galaxies, detail 2, by Amy Crook

And of course I’ve taken a photo with frame, desk and iPhone, to give you an idea of how big it is in real life.

Galaxies, framed art by Amy Crook

Galaxies, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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Silver Moon

Monday, May 14th, 2012

Silver Moon, watercolor by Amy Crook

Silver Moon, watercolor by Amy Crook

It’s been a while since I gave you a new moon for Monday, so I thought it was about time. I did the salt pools for this one in a variety of sizes, using the clear salt water I made so even the smallest droplet left some salt behind when it dried. I used some powdered silver watercolor I have on hand to create a lovely colorless sky this time, with halos around the biggest star and an outward-fading spiral for the moon.

The reason I talk about the process so much is that’s what I’m mostly thinking about as I work, trying to get the effect I want out of the materials I’m using. I thinned out the silver paint to a specific thickness for the outer two circles on the moon, wanting there to be a delineation between the moon itself and the light that shines from it the way there is with the stars. I went for one big spiral this time because it seemed to fit with the rest, even though the star field is more complicated than in some similar pieces.

I try not to overthink these decisions as I’m making them, because the pieces work best when they’re not too fussy, with swooping paint strokes and not-quite-random scatterings of salt.

Silver Moon, 6″x4″ salt and watercolor on Arches cover black paper.

Silver Moon, detail, by Amy Crook

Silver Moon, detail, by Amy Crook

Above, you can see the light reflecting off the silver paint where it’s most opaque, as well as highlighting the smaller, un-haloed stars in the black. Below, the piece is framed and sitting next to my trusty iPhone for scale.

Silver Moon, framed art by Amy Crook

Silver Moon, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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Baker Street Tinies: B is for Baker Street, exterior

Thursday, April 26th, 2012

Baker Street Tinies: B is for Baker Street, exterior, drawing by Amy Crook

Baker Street Tinies: B is for Baker Street, exterior, drawing by Amy Crook

Today’s and tomorrow’s art are the newest in my Baker Street Tinies series, which combines the world of the recent Sherlock series from the BBC with the worlds and aesthetics of Edward Gorey.

Like the previous four, these were commissioned, so the originals are already sold and mailed off to their new owners. Nicole and Mo wanted to celebrate their own love and their love of Sherlock Holmes with tattoos, and so we created a unique Gorey-ish vision of 221b Baker Street for each of them. You can’t have the originals, but you can get the designs on greeting cards at Etsy!

This exterior shot is only somewhat faithful to the series — 221b itself has many of the features of Baker Street in the tv show, but the rest of the buildings are fanciful re-imaginings. You can see a shadow of a certain detective in the window of 221b, talking to the skull sitting atop a pile of books in the other window. Someone seems to have left their umbrella outside, but they can catch one of London’s famous black cabs if it rains. There’s even a binary joke hiding in the windows of the middle building.

My personal favorite is the fourth building, which just looks so very sad and shocked at what goes on in its neighborhood.

“Amy was an absolute pleasure to work with. She asked great questions to get at what we wanted out of the artwork, sent us drafts along the way, and worked with us to shape a final product that is absolutely stunning.  She went above and beyond to see that the final product fit our needs, and we had a great experience all around.”

Categories: Completed Commissions, Daily Art, Flowers, Trees and Landscapes, Series and Books, Things I'm a Fan Of
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