Posts Tagged ‘black paper’

Murder Plaid

Tuesday, June 24th, 2014

Murder Plaid, abstract art by Amy Crook

Murder Plaid, abstract art by Amy Crook

Even though Hannibal and I are on a break that will, I suspect, last beyond the actual hiatus of the show, I couldn’t resist making a reference in the title of this painting. There’s layers of semi-opaque Japanese watercolor in four shades of red, mixing and blurring until you get a very creepy not-quite-face staring out at you from something resembling a murder scene. The broken gold lines run through the whole thing like gold thread through one of Dr. Lecter’s murder ties, not to mention the understated plaids that make up most of his wardrobe.

Murder Plaid, 5″x7″ Japanese and metallic watercolor on Arches cover black paper.

Murder Plaid, detail, by Amy Crook

Murder Plaid, detail, by Amy Crook

Above, you can see a close-up of the textured pinks and reds and oranges layered together, with light glinting off the ‘threads’ of gold. Below, you can see the piece in a frame, staring at you, daring you to take it home.

Murder Plaid, framed art by Amy Crook

Murder Plaid, framed art by Amy Crook

It really is that creepy in person. Also, now in a drawer.

Categories: Abstract and Just Plain Weird, Floating Gallery, Series and Books, Zombies, Skulls, and Other Morbid Things
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Frost Ghosts

Thursday, June 5th, 2014

Frost Ghosts, spooky watercolor by Amy Crook

Frost Ghosts, watercolor by Amy Crook

This painting, too, is hard to convey online. There’s no shiny paint or other special effects, but the way the paint seems to have depth is somewhat lost, and the subtle shadings and chilly colors get warmed and muddied.

I let the paint on this one mostly do its own thing with only a little direction from me to tease out the handprints on the right and the strange, creepy face in the upper left. The frostlike bloom of lighter paint happens when the dark purple and pale, opaque periwinkle interact in a pool of color, and are allowed to dry as they will.

The ghosts put their mark on this painting just for you.

Frost Ghosts, 5″x5″ Japanese watercolor on Arches cover black paper.

Frost Ghosts, detail, by Amy Crook

Frost Ghosts, detail, by Amy Crook

Above, you can see one of the handprints that bloomed above the surface of the dark paper and darker paint like frost traced on a window at night by a ghostly hand. Below, the painting sits in a frame in the incongruous sunshine, showing off more of its depths.

Frost Ghosts, framed art by Amy Crook

Frost Ghosts, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Angels, Cthulhu, and Other Myths, Floating Gallery, Zombies, Skulls, and Other Morbid Things
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Blood Moon 5

Tuesday, May 6th, 2014

Blood Moon 5 by Amy Crook

Blood Moon 5 by Amy Crook

Another Blood Moon made its way into my work queue this month, this time by adding some very subtle tentacles to an older painting in lieu of the previous image. This one is much more eerie than the last one, the bloody color leeching from the shadow to the white parts of the moon, and a second, smaller moon waiting off to one side, ruddy and strange. This sky is not our sky, or perhaps it is our sky many millennia hence, when the stars have become right and Great Cthulhu will rise up from R’lyeh to reclaim the planet for himself.

Blood Moon 5, 5″x7″ Japanese watercolor on Arches cover black paper.

Blood Moon 5, detail, by Amy Crook

Blood Moon 5, detail, by Amy Crook

Above, you can more clearly see the subtle mist and dark black tentacles rising up from the bottom of the painting, reaching toward the bloody moons. Below, the piece rests in a frame, a little window to some awful future*, or perhaps somewhere very far away indeed.

Blood Moon 5, framed art by Amy Crook

Blood Moon 5, framed art by Amy Crook

*Perhaps it’s Thundarr the Barbarian’s future, instead of Cthulhu’s. I always did like Ookla.

Categories: Abstract and Just Plain Weird, Angels, Cthulhu, and Other Myths, Floating Gallery, Flowers, Trees and Landscapes, Tentacles
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Blood Moon 4

Sunday, May 4th, 2014

Blood Moon 4 by Amy Crook

Blood Moon 4 by Amy Crook

May the Fourth be with you! I chose a swirly, spiraled abstraction of a real-life space phenomenon today to go with the long time ago and far, far away that today brings to mind.

It’s a bright, warm afternoon when I’m writing this, and the cold hour standing outside when I saw the Blood Moon eclipse does seem rather long ago and far away. I spent almost an hour staring up at the sky, eyes fixed on the sliver of moon above through the haze of clouds that waxed and waned. I could only see Spica and Mars of all the bright objects, because I’m in the middle of a city in the middle of a lot of other cities, but I could see enough to be worth the chilled feet.

Blood Moon 4, 5″x5″ Japanese watercolor, duochrome watercolor, and glitter gel pen on Arches cover black paper.

Blood Moon 4, detail, by Amy Crook

Blood Moon 4, detail, by Amy Crook

Above, you can see the bright red and gold glitter shining atop the much more muted red-brown and white eclipsed moon. Below, you can see the piece in a frame with its shining mist.

Blood Moon 4, framed art by Amy Crook

Blood Moon 4, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Floating Gallery, Flowers, Trees and Landscapes
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New Growth

Wednesday, April 2nd, 2014

New Growth by Amy Crook

New Growth by Amy Crook

Spring is creeping out into the US despite the weather, with daffodils here and brave buds there. Here in California we’ve got lots of flowers and new leaves, though there’s a yellow edge to some of them with the drought.

This painting echoes those delicate new leaves and water-drenched old growth, unfurling after a life-giving rain shower.

Art can symbolize something you want in life, and be a talisman for your own movement in that direction. Is there somewhere you could use a breath of spring and a burst of new growth?

New Growth, 7″5″ Japanese watercolor on Arches cover black paper.

New Growth, detail, by Amy Crook

New Growth, detail, by Amy Crook

Above, you can see how there’s a ghost of yellow even beyond the spray of new growth, like the mists of pollen floating on the page. Below, you can see the painting in a frame, washed bright in the spring sunshine.

New Growth, framed art by Amy Crook

New Growth, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Floating Gallery, Flowers, Trees and Landscapes
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Night Blooming

Friday, March 7th, 2014

Night Blooming by Amy Crook

Night Blooming by Amy Crook

Three flowers shine under the midnight sky full of silver stars or, as one person suggested, floating fireflies. The flowers change colors depending on the angle, pink to purple for the thistle, gold to green for the amaranth and gold to a richer orange-gold for the little wildflower down at the bottom, with the greenery going softly blue like moonlit leaves at some angles.

Gorgeous and ethereal, this painting makes the flowers seem ghostly as the bloom out of their normal cycle, bright against the blackness of the paper.

Night Blooming, 7″x5″ duochrome watercolor on Arches cover black paper.

Night Blooming, detail, by Amy Crook

Night Blooming, detail, by Amy Crook

Above, you can see the thistle from two angles, purple-blue as it catches the sunlight on the left, and pink and green on the right under more normal lighting. Below, you can see the piece in a frame, with a few more eternally blooming flowers from my bookshelf for company.

Night Blooming, framed art by Amy Crook

Night Blooming, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Floating Gallery, Flowers, Trees and Landscapes
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Maleficent

Monday, March 3rd, 2014

Maleficent, abstract art by Amy Crook

Maleficent, abstract art by Amy Crook

Maleficent has a texture like layers of scales carved by the pen into the painted surface. The painstaking detail invites closer examination, especially in the different ways in which the paint mixed with the red ink to add an extra layer of color along with the surface finish.

This painting is named after the villain’s dragon form in the original Disney Sleeping Beauty, majestic and powerful but still, in her heart, flawed. You can see that flaw under the scales, almost the exact shape of the crack in the universe from Doctor Who.

Some of you followed along on Instagram during the week I spent working on this piece (hi!), so now you can see it in all its strange, obsessive glory. I keep wanting to run my finger over it, but I resist, because I don’t want to turn my fingers purple, or ruin the painting by accident.

Maleficent, 6″x4″ pen & ink and Japanese watercolor on Arches cover black paper.

Maleficent, detail, by Amy Crook

Maleficent, detail, by Amy Crook

Above, you can see a close-up of the texture, and the furrows the pen made as it pressed into the painted surface. I had to re-draw some of the arcs half a dozen times to get the effect I wanted, because the pen was constantly getting clogged with paint it picked up from the paper. Below, you can see it in a frame with my phone. It’s wee! So wee, and so painstakingly detailed.

Maleficent, framed art by Amy Crook

Maleficent, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Floating Gallery, Things I'm a Fan Of
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