Posts Tagged ‘more cowbell’
Saturday, October 8th, 2016
The watery, shimmery blue Pathways are diverging in this layered abstract painting.
A subtle, mottled pattern of dark blues and black voids hides behind the turquoise waterfalls spilling to either side of the central path. The texture of the top layer is softened by the paint beneath it, but the sparkle shines through in the right light.
These pathways diverge, but for once you can have it both ways.
Above, you can see one set of divergent pathways running over the soft, textured background in dark blue and darker black. Below, the pathways are contained in a frame, reminding us to look both ways.
Tuesday, June 14th, 2016
This week’s word art is a request from Kim, one of my lovely Patreon supporters. As soon as I saw her request, I actually went and washed an old piece of art I wasn’t happy with, getting most of the paint off but leaving the ghostly blue world behind. Paper doesn’t recycle quite as well as parchment, but there wasn’t too much blurring with the strong Sharpie marker, though you can see some in the green vines on the upper left there.
If you’d like to see your own favourite word reinterpreted, consider becoming a patron! For a mere $5 you could get your request fulfilled.
Monday, September 7th, 2015
Against the soft background of salt-created stars and matte teal night, the glowing moon and iridescent clouds look like enamel, more substance than mist and light. The clouds are mainly a beautiful turquoise with odd purple lowlights that appear and disappear as you move past it, lined with pearlescent moonlight along the spiral curves and sinuous shapes.
Every Fairytale Sky painting is a little different. This one’s got some serious shine that give it a beautiful feel of a fairy tale just waiting for you to step through and find your magical adventure.
Fairytale Sky, 7″x5″ watercolor, pearlescent watercolor, duochrome watercolor, and salt on paper.
Above, you can see the velvety softness of the sky and the bright enameled moon floating atop it. Below, the night is captured in a frame, safe and cool even in the day.
Thursday, July 3rd, 2014
I almost managed to get all the pieces for July’s Floating Gallery into the blog beforehand, but this one was finished just under the wire. I think this is the single most reworked salt painting I’ve ever done, using multiple applications of both water and very watery paint to give the appearance of scattered stars and nebulae in the sky above the observatory in the mountains below.
There’s a lot of sparkle in this painting, too, each little salt crystal catches the light at a slightly different angle, making the stars twinkle as the light moves over the surface.
Observance, 6″x6″ salt and watercolor on Fluid watercolor paper.
Above, you can see some of the formations of salt and watercolor that catch the light, sparkling into strange shapes in the night sky. Below, the painting is temporarily tucked into a frame, full of subtle color and light despite the dark palette.
Wednesday, June 4th, 2014
This is a month of paintings that don’t quite show online the same as they do in person. In this case, the deep teal of the swirls is out of gamut for my monitor, so it gets blued out strangely. I think the swirling spirals remind me of a wrought-iron fence with some sort of strange verdigris growing on it, turning it first a strange dark green and then lighter with age as the change deepened. There’s bright oranges and golds behind the screen of greens, which one person told me looked like sunshine chasing away the stormclouds. Either way, it’s a bright, colorful painting full of strange little details to spark the imagination.
Verdigris, 8″x4″ salt, watercolor, and Japanese watercolor on Fluid watercolor paper.
Above, you can almost see the real color of the spirals imposed on a bit of false color in the background, which has grown far too green on the right in an attempt to get the spirals to behave. Tehre’s even a little hint of some of the sneaky salt circles hiding in the painting. Below, you can see the painting in a temporary frame, with the closest to true color of all three images, I think.
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