Posts Tagged ‘for sale’
Mother Hydra Weds Father Dagon
Saturday, May 26th, 2012
Mother Hydra Weds Father Dagon, cartoon by Amy Crook
When I was done coloring this and Monday’s zombies, I realized that I’d managed to do only 2 drawings, but color 4 figures with 7 heads between them. Whew!
This one was also done specifically to be a card, this time to bring a little Cthulhu to your wedding season. Dagon is the big bad from Shadows Over Innsmouth, and while Lovecraft’s Hydra doesn’t get a lot of description, it was easy to adapt the classic many-headed monster of myth to this purpose. I especially enjoy the boutonniere pinned straight to Dagon’s chest.
Yeah, I’m a little morbid.
Mother Hydra Weds Father Dagon, 7″x5″ pen & ink and Copic markers on paper.
Categories: Angels, Cthulhu, and Other Myths, Daily Art, People, Figures and Faces, Series and Books, Things I'm a Fan Of
Tags: cartoon, copic marker, cthulhu, dagon, etsy, for sale, hydra, pen and ink, weeble
Zombie Dad Plays Catch
Monday, May 21st, 2012
Zombie Dad Plays Catch cartoon by Amy Crook
I didn’t manage anything specific for Mother’s Day this year, but I have two cards for geek dads on Father’s Day. The first one was my Harry Potter art from February, and now I’ve got zombies to round out the selection.
I made the zombie kid somewhat gender neutral, so anyone can feel good suggesting that their dad would still play catch with them even if they were both to become the brain-hungry undead. And if you use a head for catch, then it’s a game and a snack after!
Zombie Dad Plays Catch, 8″x5″ pen & ink and Copic markers on paper.
Categories: Angels, Cthulhu, and Other Myths, Daily Art, People, Figures and Faces, Zombies, Skulls, and Other Morbid Things
Tags: cartoon, copic marker, dad, etsy, father's day, for sale, pen and ink, weeble, zombie
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Tentacle Deeps 35
Tuesday, May 15th, 2012
Tentacle Deeps 35, watercolor by Amy Crook
Someone asked me at the gallery on Saturday why I like tentacles, and I didn’t have a really good answer. I like painting them a lot, in part because it’s an interesting combination of spontaneous and planned art, in that the tentacles can go all over the place but keep a certain smooth taper to them while they do, and I always try to get a certain distribution of shapes and sizes in so that the piece itself is aesthetically pleasing as well as creepy.
This particular paper isn’t really meant to be watercolor paper, and it absorbed the paint without letting it float on top at all, giving a stripey quality to the blue gradation in the background. The paper itself has a lot of little dotted inclusions that add texture to the piece, and the tentacles themselves are painted in Japanese sumi-e ink rather than watercolor to take better advantage of the paper’s absorbency.
Tentacle Deeps 35, 8″x10″ ink and watercolor on paper.
Tentacle Deeps 35, detail, by Amy Crook
Above, you can see the shine off the very base of the tentacles where the black sumi-e ink is the thickest. Below, the piece waits in its frame, taking up nearly my whole tiny writing desk as it poses with my iPhone for scale.
Tentacle Deeps 35, framed art by Amy Crook
Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
Tags: blue, for sale, sumi-e ink, tentacle deeps, tentacles, watercolor
Silver Moon
Monday, May 14th, 2012
Silver Moon, watercolor by Amy Crook
It’s been a while since I gave you a new moon for Monday, so I thought it was about time. I did the salt pools for this one in a variety of sizes, using the clear salt water I made so even the smallest droplet left some salt behind when it dried. I used some powdered silver watercolor I have on hand to create a lovely colorless sky this time, with halos around the biggest star and an outward-fading spiral for the moon.
The reason I talk about the process so much is that’s what I’m mostly thinking about as I work, trying to get the effect I want out of the materials I’m using. I thinned out the silver paint to a specific thickness for the outer two circles on the moon, wanting there to be a delineation between the moon itself and the light that shines from it the way there is with the stars. I went for one big spiral this time because it seemed to fit with the rest, even though the star field is more complicated than in some similar pieces.
I try not to overthink these decisions as I’m making them, because the pieces work best when they’re not too fussy, with swooping paint strokes and not-quite-random scatterings of salt.
Silver Moon, 6″x4″ salt and watercolor on Arches cover black paper.
Silver Moon, detail, by Amy Crook
Above, you can see the light reflecting off the silver paint where it’s most opaque, as well as highlighting the smaller, un-haloed stars in the black. Below, the piece is framed and sitting next to my trusty iPhone for scale.
Silver Moon, framed art by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
Tags: black paper, for sale, moon, salt, silver, watercolor
Blue Planet 4
Friday, May 4th, 2012
Blue Planet 4, watercolor by Amy Crook
Here we are at the end of both our week and the series, and you can see now the interesting secret of this particular mix of paints. Rather than floating to the top edges, the iridescent green paint sinks to the bottom and then the ultramarine settles in on top of it in a rather unsteady marriage. The blue is denser in the middle because it settles there as the day goes on, not because the green is on top. With this paper more than the black, the iridescent paint prevented the salt from bonding to the paper itself so the crystals just formed on top, and a little bit of rubbing pulled away both the salt and the blue paint it was adhered to, leaving us with a fascinating crackled surface at the center.
Like all the salt pieces, this one’s the most interesting if you pick it up and play with it in the sunlight. The blue paint is really very matte and opaque, so the cracks where the green shines through are especially interesting.
Blue Planet 4, salt and watercolor on Arches cover white paper.
Blue Planet 4, detail, by Amy Crook
Above you can see all the rich, subtle variations in color, from the edge-in fade to the sharp crackles where the salt and paint flaked away in the center. Below, the piece is safely tucked into its frame, so the remaining salt, well, remains.
Blue Planet 4, framed art by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
Tags: blue, blue planet, for sale, green, iridescent, planet, salt, watercolor
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Blue Planet 2
Thursday, May 3rd, 2012
Blue Planet 2, watercolor by Amy Crook
Of all the Blue Planets, this one is a bit like the control in the group. I didn’t have the issues I did with the first one because I very sneakily put the paper on a small plate, so all its edges were raise and the big pool stayed pooled in the center. I didn’t make tentacles, or use a different paper (that’s tomorrow’s). It’s just a simple abstract idea of a blue-green planet floating serenely in the star-studded blackness.
I really like how each of the stars is its own tiny echo of the planet, with salt at the edges, then the green and finally blue in the center. The whole thing feels both familiar and alien at once, and the salt gives it a bit of twinkling light of its own, if only by reflection.
Blue Planet 2, 5″x5″ salt and watercolor on Arches cover black paper.
Blue Planet 2, detail, by Amy Crook
Above you can see the big, square crystals that formed all through the planet’s surface, as well as the darker edge crystals and the soft transition from green to blue. Below, you can see it happily tucked into its frame and reflecting onto the shiny iPhone hanging out to show size.
Blue Planet 2, framed art by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
Tags: black paper, blue, blue planet, for sale, green, iridescent, planet, salt, watercolor
Blue Planet 3
Tuesday, May 1st, 2012
Blue Planet 3, watercolor by Amy Crook
I know this is only the second day of posting and the third piece in the series, but Tentacle Tuesday is a tradition by now! After I watched the first two Blue Planets form, I wondered if it would be possible to make the green at the edges slither tentacle-like toward the center.
It turns out it was, but they’re very subtle, so I ended up going in later to add the outer tentacles, making this one a color-inverse of Tentacle Planet with the blue-green planet and black paper. The iridescent tentacles inside the planet’s blue surface show more at certain angles, but the salt crystals on top obscure the images a little, making it more of a secret for those who pick up the frame and look closely.
Blue Planet 3, 5″x5″ salt and watercolor on Arches cover black paper.
Blue Planet 3, detail, by Amy Crook
Above, you can just see the subtle transition of a tentacle inside where it meets up with one of the outer tentacles. Below, the piece sits happily in its frame, just waiting to invade its new home… with tentacles, of course.
Blue Planet 3, framed art by Amy Crook
Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
Tags: black paper, blue, blue planet, for sale, green, iridescent, planet, salt, watercolor
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