Posts Tagged ‘pen and ink’

Arses not Artses

Saturday, September 10th, 2011

Arses not Artses, watercolor sketch by Amy Crook

Arses not Artses, watercolor sketch by Amy Crook

I was texting my friend Jeff and I made a typo — I intended to say I was going to “make some artses” (aka make some art), and I managed to leave out the t. Being a fan of certain British books and TV shows as I am, I immediately said that I couldn’t guarantee whether or not there would be arses.

I was testing out my very cool new Lunar Black watercolor, and I had some left on my palette from the art you’ll get to see next week, so I decided to pull out my sketchbook and draw this so I’d have at least one arse to show for the session. The paper wrinkled and the paint ran and granulated, so I supplemented it with a little bit of pen and ink work, including the signature, dipping the fountain pen right into the watery puddles of paint still on the page.

I cheated and photoshopped out the buckled paper, but you can see places the paint pooled more thickly. I do love the granulated textures the lunar black leaves, and painting bums, so perhaps I’ll try again on a thicker paper.

Categories: Daily Art, Nudes and Other Sexy Things, People, Figures and Faces
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Violet Midnight

Thursday, September 8th, 2011

Violet Midnight, art by Amy Crook

Violet Midnight by Amy Crook

Another image I keep revisiting, the moon glowing in the night sky. I went for a simple duochrome effect, the stars and moon drawn in orange ink, then the stars turned warm and golden when the salt and water were added. I used a dark blue-violet paint, which was making such fascinating shapes and shadows on its own as it pooled and flowed that I decided not to try to add any more stars and let the velvety paint stand on its own. Then I used a metallic copper watercolor to create the haloes around the moon and stars, the color an excellent match to the orange ink.

Violet Midnight, 7″x5″ mixed media on paper, nfs.

This piece has a great contrast between the matte violet paint and shimmery, iridescent copper paint; between the flat ink and three-dimensional salt crystals; between the meticulous spiral pattern in the moon and the random, cloudy shapes in the sky.

Violet Midnight, detail 1, by Amy Crook

Violet Midnight, detail 1, by Amy Crook

Here you can really see how the interplay of colors and textures up close.

Violet Midnight, detail 2, by Amy Crook

Violet Midnight, detail 2, by Amy Crook

A simple black frame protects the salt, and makes the vivid colors really glow.

Violet Midnight, framed art by Amy Crook

Violet Midnight, framed, by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes
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Tentacle Deeps 14

Tuesday, September 6th, 2011

Tentacle Deeps 14, art by Amy Crook

Tentacle Deeps 14 by Amy Crook

Just when you thought the tentacles were slumbering, my Tentacle Deeps series is back! I’ve had a few more ideas for them niggling in the back of my head, and this is the first of at least two new additions to the series. This one, despite the look, is entirely done with ink pens and water, no paint involved. I used brushes dipped in plain water to create the visual effects and the second layer of tentacles. There’s a hint of the original pen lines in each tentacle, fore- and background, and subtle colors are hiding in the black, added with scribbles of blue and purple before the water was applied.

Tentacle Deeps 14, 5″x7″ pen, brush and ink on paper.

Tentacle Deeps 14, detail, by Amy Crook

Tentacle Deeps 14, detail, by Amy Crook

You can see some of the texture here in the above detail shot, and the soft variations of blue, green, and purple hiding in the black. Below, you can see how the simple black frame looks with the tentacles inside.

Tentacle Deeps 14, framed art by Amy Crook

Tentacle Deeps 14, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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Confetti Rain

Monday, September 5th, 2011

Confetti Rain, abstract art by Amy Crook

Confetti Rain by Amy Crook

When I started this piece, I was experimenting to see if I could fill a whole paper with the salt-crystal rosettes the way rain on a puddle fills up the whole surface with overlapping shapes. After a while it was hard to get even a tiny rosette to form without the water running and blurring into the already-formed structures. The different shades of blue ink ended up giving it a party-confetti feel, and that with the sparkle from the salt gives the piece its name.

Confetti Rain, 5″x5″ pen and ink and salt on paper

The paper itself is a warm off-white color that’s hard to photograph — for some reason it often shows up quite red when compared to the cool blue ink and sparkling salt.

Confetti Rain, detail 1, by Amy Crook

Confetti Rain, detail 1, by Amy Crook

Still, I love the way the salt catches the light and seems to glow from within, as well as the up-close view of the textures of crystal growth and rough, soft paper.

Confetti Rain, detail 2, by Amy Crook

Confetti Rain, detail 2, by Amy Crook

A simple black frame will keep the salt crystals safe while the piece is in transit, and provide a contrast to the splashes of color on the page.

Confetti Rain, framed art by Amy Crook

Confetti Rain, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Return of the Son of Coloring Book Doodles

Saturday, September 3rd, 2011

Tentacle doodle by Amy Crook

Tentacle doodle by Amy Crook

I don’t always remember to scan these in after I do them, so it’s been a while since I had any to post. The last few coloring books I’ve sold, I doodled in the tentacles above, and a random silly Sherlock, below.

Waving Sherlock doodle by Amy Crook

Sherlock doodle by Amy Crook

Categories: Daily Art, People, Figures and Faces, Tentacles, Things I'm a Fan Of
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Mud Puddle

Friday, September 2nd, 2011

Mud Puddle, abstract art by Amy Crook

Mud Puddle by Amy Crook, $444

This is one of the last of my tea experiments from a few months ago. I had the piece sitting around for weeks and weeks not really being anything, until one day I was in a crosshatching mood and suddenly I saw it as a mud puddle just needing a grassy lawn all around it. The puddle itself was made of strong black tea, and the spots of texture were big crystals of salt, some of which had a bit of watercolor left on them to add a touch of color to the tea.

Mud Puddle, 5″x5″ mixed media on paper, $444, framed, with free shipping.

I spent a couple of hours putting in the green pen-and-ink grass around the tea puddle, and I took photos with my iPhone as it progressed (though I forgot to take a before shot, oops).

Mud Puddle, work in progress, by Amy Crook

Mud Puddle, work in progress, by Amy Crook

When I’m working on a piece like this, I often spin it this way and that while I’m working to get a better angle for whatever I’m doing. Then, if it’s an abstract piece, I look at it in all four directions before I decide on which way is really up and sign it.

Mud Puddle, detail, by Amy Crook

Mud Puddle, detail, by Amy Crook

There’s a bit of subtle sparkle in the area where some of the salt sat, but the chunks remained mostly intact instead of dissolving into the tea, so there’s no crystal formations beyond the tiny ones you can see above.

The frame I’ve got it in is a little lighter than it shows in the photo, though I’m considering one even a shade lighter to go better with the delicate tea-dyed puddle.

Mud Puddle, framed art by Amy Crook

Mud Puddle, framed, by Amy Crook, $444

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes
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Salted Squid 2

Tuesday, August 30th, 2011

Salted Squid 2 by Amy Crook

Salted Squid 2 by Amy Crook

Tentacle Tuesday is back with a sequel to the whimsical Salted Squid 1. I wanted to do something more controlled, so I scribbled out a complete squid in green pen and then went over it with water and a brush, and sprinkled the resulting pool with salt. You can see the pen lines still there as darker shadows in the larger shape, and so I decided to stay with that pen-and-ink feeling for the background.

I used two different colors of pen on the background to simulate sunlight shining down fro above, and then left blank circles like bubbles rising up. Then, I used plain water again, this time without the salt, to give a soft, watercolor feeling to the shafts of sunlight, and the darker depths at the bottom.

Salted Squid 2, 7″x5″ salt, pen and ink on watercolor paper.

You can see the even layer of sparkling crystals that make up the  body of the squid here, along with some detail on the close pen-and-ink lines.

Salted Squid 2, detail, by Amy Crook

Salted Squid 2, detail, by Amy Crook

The black frame with its glass gives the feeling of looking into an aquarium, or so I like to tell myself. He looks adorable on my bookshelf, anyway.

Salted Squid 2, framed, by Amy Crook

Salted Squid 2, framed, by Amy Crook

Categories: Daily Art, Sea Creatures and Other Animals, Series and Books, Tentacles
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