Archive for the ‘Abstract and Just Plain Weird’ Category

Meteoric

Monday, April 11th, 2011

Meteoric by Amy Crook

Meteoric by Amy Crook

This piece went through several incarnations and changes. My original red wash turned a peachy-orange that I wasn’t expecting when it dried with the salt, and the crater-like formations in the lower left needed something to balance them out. At first I tried adding another layer of salt craters, but that didn’t really help the imbalance, and so I ended up taking first the lighter red and then a dark burgundy pen and drawing in the lines, which tended to blur and spread whenever the pen passed over an area that had been densely soaked in salt water. Then I added one final wash of plain water in the corner, blurring and mixing the reds into a rather surprising fuchsia through which the lines can still be faintly seen.

Though the first incarnation had some accidental overtones with the pink salt spots in the center of soft peach circles, the final has a rather science fiction feel of a meteor shower streaking downward to further ravage the damaged orange surface of the planet below.

Meteoric, 5″x5″ watercolor and pen and ink on watercolor paper, $169 with free shipping.

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Burning Planet

Thursday, April 7th, 2011

Burning Planet by Amy Crook

Burning Planet by Amy Crook, $169

A circle is such a simple form, and yet I feel like I could find an infinite variation in them. This one, too, looks the surface of a planet to me, or maybe some alien sun, the swirls of almost neon yellow marked by orange and red patterns.

This time I used my Windsor & Newton watercolors rather than the Japanese pigment inks, and it’s really interesting how the different media react differently to the addition of the salt. Rather than drying to a fine powder, each little spot of orange-red on the yellow paint is actually a salt crystal formed with the pigment-rich water as the salt on top dissolved, and then dried. If you look closely you can see the flat, squarish shapes of the salt crystals (click the image to enlarge). It even sparkles in the sunlight.

Burning Planet, 5″x5″ salt and watercolor on watercolor paper.

Here’s a terrible iPhone photo of the painting at an angle, so you can see the sun sparkling off the crystals:

Burning Planet, detail, by Amy Crook

Burning Planet, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Tentacle Planet

Tuesday, April 5th, 2011

Tentacle Planet by Amy Crook

Tentacle Planet by Amy Crook

I guess I’ve just had tentacles on the brain lately! The first day I was experimenting with salt, I painted up the central circle of opaque gouache, which ended up looking a bit like Mars to me when it dried. The salt makes the pigments powder on the page, and you can see a little smear of paint-dust in the upper left from where I brushed it away.

I wasn’t satisfied with just the one layer of paint, though, so I watered down the same pure pigment into a light wash and painted in the halo of tentacles, sprinkling salt carefully at the base of each one, which further affected the surface of the circle around the edges as well.

Tentacle Planet, 5″x5″ Japanese watercolor on Arches cover white paper.

Categories: Abstract and Just Plain Weird, Daily Art, Tentacles
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Ogdred Weary

Saturday, April 2nd, 2011

Ogdred Weary, detail, by Amy Crook

Ogdred Weary, detail, by Amy Crook

This print combines two printing techniques for a singular layered result. First the colors were painted onto a blank acrylic plate with monoprint inks and the  piece was run through the printing press. Then, a deep-bite etched intaglio plate was inked and the already-printed page was run through a second time, which left the textured black impression overlaying the color. It can be a very precise process, but I never was a very precise artist, so you can see that the two plates don’t quite align on the page, which accents the loose style of the print itself.

I only ever made one print like this one, but it’s one of my favorite images to have come out of my explorations with printmaking. I named it after an Edward Gorey pseudonym, because the image reminded me of some tentacled beast that might live in a pond in one of his delightfully morbid picture books. My favorite of his is The Gashlycrumb Tinies, because it opens with, “A is for Amy who fell down the stairs.”

Ogdred Weary, 3″x3″ etching and monoprint on 7″x10″ watercolor paper.

Ogdred Weary by Amy Crook

Ogdred Weary by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Tentacles
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Salt Cell 2

Thursday, March 31st, 2011

Salt Cell 2 by Amy Crook

Salt Cell 2 by Amy Crook

After exploring the combination of salt and watercolor last week, I picked up some larger crystals of sea salt. Wanting to do something else that echoed Salt Cell but incorporated some pen-and-ink work as well, I decided on a rather tedious methodology. The process affected the outcome because the paint began to dry before I was done putting the salt back on the little circles.

I think I might try it again, but with fewer salt crystals.

Salt Cell 2, 5″x5″ pen and ink and watercolor on watercolor paper, $229 with free shipping.

You can see more about how this piece came together below the cut.

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Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Texture in Brown

Monday, March 28th, 2011

Texture in Brown by Amy Crook

Texture in Brown by Amy Crook

Everything about this piece is a combination of deliberation and randomness, letting my choice of materials dictate the final product.

I didn’t like this when I started it out, at first just the red-brown leaf shape at the center of the page. then I added the redder wash down at the bottom, and an even softer red wash in the upper area, and used salt to give a rough texture to the lower area. I let that dry and sit a few days before coming back to it with a quill and some ink that used to be black, but has aged in its bottle to a soft, walnut brown. The quill caught and stuttered on the rough paper, giving the lines a rough look as the ink bled.

I think the end result looks like some sort of landscape, each piece working together to create a rich field of texture and earthy color.

Texture in Brown, 7″x5″ watercolor and pen and ink on watercolor paper, $129 with free shipping.

Categories: Abstract and Just Plain Weird, Daily Art
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Impact

Thursday, March 24th, 2011

Impact by Amy Crook

Impact by Amy Crook

Paper and paint both matter a lot to how the salt affects the work, and this one actually went through several iterations of paint and salt. The more opaque of the Japanese sumi-e inks don’t seem to react as dramatically, but you can get some subtle texturing out of it. The more transparent inks run and pool, but this paper has a different absorbency than the one I used for Salt Cell, so the paint tends to dry much faster, giving it lest time to change the landscape of the colors.

Impact, 7″x5″ watercolor on watercolor paper, sold.

Categories: Abstract and Just Plain Weird
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