Archive for the ‘Daily Art’ Category

Sherlock & John package doodles

Sunday, July 22nd, 2012

Do Not Bend says Dr. Watson! sketch by Amy Crook

Do Not Bend says Dr. Watson!
sketch by Amy Crook

John is determinedly guarding a package of greeting cards being sent all the way to New Zealand above, and below Sherlock’s adding in an unusual two cents indeed and saying thanks to the buyer.

Yes, John made him do it.

Sherlock says Thanks sketch by Amy Crook

Sherlock says Thanks!
sketch by Amy Crook

Categories: Daily Art, People, Figures and Faces, Things I'm a Fan Of
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Sherlock Quote Cards

Saturday, July 21st, 2012

Sherlock BBC quote cards with art by Amy Crook

Sherlock BBC quote cards with art by Amy Crook

I’ve decided to do a new little line of Sherlock cards at my Etsy shop, which I hope you’re thrilled about, heh. I drew four painstakingly crosshatched corner designs, and then put together a card with one of my favorite quotes from the series. I’ve chosen one quote from each episode, making a total of six cards, which you can to buy in threes (by series, of course) or as a set of six.

Starting clockwise from the upper left, I’ve drawn Sherlock’s much-beloved scarf, curled around a pack of cigarettes which bear a skull and crossbones to indicate poison, or maybe pirates. Then there’s his ubiquitous magnifier, the design fudged a bit to make it more resemble an eye in its own right. It’s surrounded by deadly nightshade, a nod to Sherlock’s profession (and my cat, Belladonna). Down in the lower left, there’s also amanita mushrooms, which are quite poisonous indeed. A mysterious iPhone that might be pink were it not in black and white rests with two large, speckled pills and one shiny bullet. The last set, in the lower right, is Sherlock’s beloved skull (well, I say friend…), along with three books of mysterious origin, though I imagine the biggest one is the volume of fairy tales Sherlock found at a certain crime scene.

The quote above is from my favorite episode of Series 2, not perhaps the best objectively but the most fun by far, The Hounds of Baskerville. I love how Gatiss shifted the plurality from the original title (The Hound of the Baskervilles) and gave it a whole new, equally sinister meaning. I’m using the Sherlock page on Wikiquotes to get the phrasing right, so all mistakes in canon are totally theirs, wot.

Sherlock Quote Cards, 7″x5″ pen and ink on paper, original nfs. But feel free to buy the cards at my Etsy shop!

Categories: Daily Art, Series and Books, Things I'm a Fan Of, Zombies, Skulls, and Other Morbid Things
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Filigree Planet 3

Friday, July 20th, 2012

Filigree Planet 3 by Amy Crook

Filigree Planet 3 by Amy Crook

I used the same rich fuchsia on the stars here as I did on the central part of Monday’s painting, and they make the glittery filigree on the planet look very orange by comparison. The underlying planet is a mix of reds, pinks and oranges, with texture added by salt. Strangely, the crystals on the planet itself grew very flat and dark this time, with almost no shine to them, so I decided to add in the filigree to keep the planet from being outshone by its surrounding field of stars.

Filigree Planet 3, 7″x5″ salt, Japanese watercolor and glitter gel pen on Arches cover black paper.

Filigree Planet 3, detail 1, by Amy Crook

Filigree Planet 3, detail 1, by Amy Crook

Above, you can see the shine of the red glitter, and some of the underlying texture on the planet as well. Below, you can see a close-up of three of the tiny pink salt pools in all their fucshia glory. Pink (the color, not the rock star) and I have a strange relationship, since I usually loathe it, but I’m finding it’s got its uses in moderation.

Filigree Planet 3, detail 2, by Amy Crook

Filigree Planet 3, detail 2, by Amy Crook

Finally, you can see the piece tucked neatly into a frame. There’s no glass here, but it will ship to you fully protected and ready to hang. I just really hate trying to get the glare out of my photos.

Filigree Planet, framed art by Amy Crook

Filigree Planet, framed art by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, Series and Books
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B is for Blackletter

Thursday, July 19th, 2012

B is for Blackletter, calligraphic illumination by Amy Crook

B is for Blackletter, calligraphic illumination by Amy Crook

I went Gryffindor with my second letter, bold red and rich yellow, though I chose the red glitter pen rather than gold for my second illumination. My B uses a classic blackletter face, heavy and Germanic, with a bit of whimsy thrown into the illumination for it.

Just as with the A, I let the ink bleed into the paint so the shapes of the letter have a lovely orange fade, and though I used a very bright, pure red on the background, I used a dark red-orange inside the B itself to better offset the glitter illumination.

B is for Blackletter, 5″x5″ pen & ink, Japanese watercolor, and glitter gel pen on paper.

B is for Blackletter, detail, by Amy Crook

B is for Blackletter, detail, by Amy Crook

The shine on the red glitter is much more subtle and harder to photograph, especially since it goes a bit pink when the light hits it, so the colors in the above detail photo are a bit off in general. Alas. Below, you can see it happily tucked into a frame with my phone to show you the relative size. The central box on these is 3 inches square, but the border and signature rest outside.

B is for Blackletter & E is for Emboss, framed art by Amy Crook

B is for Blackletter & E is for Emboss, framed art by Amy Crook

Categories: Daily Art, Illuminated Alphabet, Series and Books, Whimsical and Strange
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On Calligraphy

Wednesday, July 18th, 2012

Red Irony, detail, by Amy Crook

Red Irony, detail, by Amy Crook

Like basically every other artist I’ve ever talked to, I’ve been drawing stuff from a very young age. We all do, really, even the non-artists among us are given crayons, cheap finger paints, sidewalk chalk, and pencils (not to mention in-class boredom to inspire margin-doodling). So, with that in mind, I think the first time I really chose an art form to try to pursue in a meaningful way, on purpose, it was calligraphy.

A Murder of Crows by Amy Crook

A Murder of Crows by Amy Crook

I started out with one of those Schaeffer calligraphy sets basically just like this one, which I’m pretty sure I still have somewhere, along with a couple dozen of the little ink capsules that fit into those pens. I remember painstakingly learning a few different fonts, writing out song lyrics in a slightly wobbly hand, and doing all those things young girls do when they learn to make their writing pretty.

Once I got older, sometime in college when I was trying Real Serious Art, calligraphy got set aside as a childish plaything, and the pens went into the black hole of art supply hoarding. I’d pull them out once in a while to do something, but in the long run (even now), I tend to prefer simple pointed fountain pens rather than the chisel tips, and drawing the shapes by hand rather than counting on the shape of the pen to create them.

A is for Arabesque, detail, by Amy Crook

A is for Arabesque, detail, by Amy Crook

Recently I’ve been exposed to a few more examples of grown-up calligraphy, from Melissa Dinwiddie‘s gorgeous professional work to the plethora of Qs I visited online while working on the Quadrivium logo. I’ve seen a lot of people successfully integrating words into their art, as well, often using stamps or collage to add a message to their work.

With all this inspiration and the whole internet full of it as well, I’ve started getting back into calligraphy, not just as a long-forgotten habit but a legitimate art form of its own. Monday’s art may be part of a trend, I’m not sure yet — I don’t always have words to put on a piece. Sometimes Google can find me a quote that fits, like in Pomegranate below, but not always. I’m definitely going to continue my illuminated alphabet, though. I love the intersection between tradition and absurdity, modern glitter gel pen and ancient motifs.

I don’t always have something to say with my art, but when I do, at least I’ve got the skills to make it as beautiful as the pieces deserve, I hope.

Pomegranate by Amy Crook

Pomegranate by Amy Crook

Categories: Daily Art, Words Words Words
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Lone Tentacle

Tuesday, July 17th, 2012

Lone Tentacle by Amy Crook

Lone Tentacle by Amy Crook

This dark, intense bluish-violet wash was just asking for tentacles, but after I’d scribbled in the first one it seemed like that was really enough. I just really like something about the way the single, lone tentacle reaches upward toward the light, silhouetted against the violet depths.

Lone Tentacle, 6″x6″ pen & ink and Japanese watercolor on Fluid watercolor paper.

Lone Tentacle, detail, by Amy Crook

Lone Tentacle, detail, by Amy Crook

Above, you can see the shading detail on the tentacle, the textures of paper and paint that give the piece a murky, atmospheric feel. I liked this shot so much, I’m using it as a wallpaper, in fact. Below, you can see it temporarily tucked into a 8″x10″ frame, hanging out with my iPhone for scale.

Lone Tentacle, framed, by Amy Crook

Lone Tentacle, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Free Wallpapers, Tentacles
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Make Good Art

Monday, July 16th, 2012

Make Good Art calligraphic painting by Amy Crook

Make Good Art calligraphic painting by Amy Crook

Although I think many people have said this before (including several of my prior art teachers), it’s come most recently from Neil Gaiman. I also find the advice later on about freelancing to be very good and very true — to paraphrase, you must do good work, be on time, and be pleasant, and people will continue to hire you; actually, two out of three will do, most days. And thank goodness for that, because some days all three is more than anyone can manage.

I made this very pink wash when I was mucking about with my red palette of Japanese watercolors, going from the color that is almost exactly the same as the Orchid crayon in my childhood set, through a bright fuchsia pink and on to a lovely deep burgundy. I used my poor abused fountain pen to scribble in the lettering, then took my water brush and blurred it out, which gives an interesting effect, especially in the capitals. Next came the gold glitter paint in the letters, and I left it overnight to figure out what more it needed.

It needed tentacles, of course!

I finally found the fourth palette from the same set, which is six different shades of almost-black, so I took the rich plum-purple one and made a row of tentacles reaching up to tease at the lettering. Then, to balance it, I added the gold filigree at the top, and it finally felt done.

My mental narrative for it is a bit like, “Glimpse of the golden vines of Olympus? Make good art! Chased by tentacles from the Depths? Make good art!”

So, that’s my message for you this Monday – whatever form it takes, whatever inspires you, today, make good art.

Make Good Art, 8″x4″ Japanese watercolor, pen & ink, and glitter gel pen on Fluid watercolor paper on paper.

Make Good Art, detail 1, by Amy Crook

Make Good Art, detail 1, by Amy Crook

This is one of those pieces that’s very different depending on the lighting; the gold almost vanishes when it’s in low light, but it stands out beautifully when the sun hits it, and the thicker paint on the tentacles also has a bit of a gloss here and there. Below, you can see the effect just on the word “Art.”

And for those of you that’ve read this far, have a wallpaper of the above image, with my gloved fingers sneakily Photoshopped out.

Make Good Art, detail 2, by Amy Crook

Make Good Art, detail 2, by Amy Crook

I put it in a temporary frame so you can see the scale. Given the odd size, you may want to have it custom framed, or put it on a piece of mat board in a larger frame the way I’ve got it shown below.

Make Good Art, framed, by Amy Crook

Make Good Art, framed, by Amy Crook

Categories: Daily Art, Free Wallpapers, Things I'm a Fan Of, Whimsical and Strange, Words Words Words
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