Archive for the ‘Floating Gallery’ Category

The Skies of Unknown Kadath

Thursday, March 5th, 2020

dreamy abstract art featuring clouds of iridescent color on black paper, by Amy Crook

The Skies of Unknown Kadath, 6″x8″ watercolor on black paper

In this month’s lone abstract painting, shiny paints layer over black paper to get this dreamlike effect.

“The Dream-Quest of Unknown Kadath” is a novella by horror writer HP Lovecraft, best known for creating Cthulhu and also being hugely bigoted (even for 100 years ago). It’s a fascinating trip into dreams and obsession and madness, like so many of his works, and the painting’s title is a nod to the surreal descriptions that keep his work in our collective memory.

There’s a lot hiding in this painting, full of pigments that shine at different angles, in different colors, that peek through the less-glittery mineral paints and stand out against the black background.

The Skies of Unknown Kadath, detail, by Amy Crook

Above, you can see some of the shining paints at a close up and oblique angle, the pigments catching sunlight and showing the layers of texture and detail. Below, it’s in a temporary frame, just waiting for the right dreamer.

The Skies of Unknown Kadath, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Floating Gallery
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Sky Shenanigans

Wednesday, March 4th, 2020

a metallic print of a blue moon with textured acrylic paint applied to create a crow and corona, by Amy Crook

Sky Shenanigans, 5″x5″ acrylic, inkjet ink, and metallic pigment dust on metallic photo paper

The last of three remixes of Stirring up the Sky has already been claimed.

It’s got a mix of soft-body acrylic on top of the metallic print, which adds texture and changes the whole feel of the piece. There’s some silver pigment dusted on top, and once that was dry, a second layer of the acrylic made it onto the bird, giving it the same sort of 3D textural treatment.

These are all terrible to photograph, between the shiny paper, strange paints, and blue-spectrum colors that never quite turn out right on screen. Still, as a set they were a fun use of what would otherwise have been wasted materials and effort.

Sky Shenanigans, detail, by Amy Crook

Above, you can see the way the soft body acrylic creates physical texture on the smooth page. Below, the painting is visiting a little frame as it waits to fly to its new home.

Sky Shenanigans, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Sea Creatures and Other Animals, Series and Books
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Sharpie Sky

Tuesday, March 3rd, 2020

a marker-black sky around a blue metallic moon, with a scribbly crow, altered print by Amy Crook

Sharpie Sky, 6″x4″ inkjet ink, sharpie ink, and watercolor on metallic photo paper

In the second installment of my misprint redux, I used a big fat Sharpie to darken the sky to black like my heart. There’s a soft brushing of iridescent watercolor over the whole sky, with twinkling stars of the same blue-green to add light to the deep black.

The bird got its own treatment, scribbled shadows to deepen its silhouette, make it more solid and less of a ghost. The whole effect is quite striking, much more dramatic than its predecessor, especially when the light hits it so the ink turns matte while the moon shines.

Is this the one that needs to fly home to you?

Sharpie Sky, detail, by Amy Crook

Above, you can see the dark scribbles bringing the bird more fully into the foreground. Below, a simple black frame holds this magical sky like a window into another world.

Sharpie Sky, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Sea Creatures and Other Animals, Series and Books
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Midnight Blue Sky

Monday, March 2nd, 2020

a watercolor painting on a metallic photo print of a blue moon, blue-black sky with copper stars, and a flying crow, by Amy Crook

Midnight Blue Sky, 5″x5″ inkjet and watercolor on metallic photo paper

Thanks to weird color results and other misprint issues, these prints won’t be making it into my Etsy shop. Instead, I gave away the best ones and used the remaining three for experimentation!

This one uses metallic blue and copper watercolor to change the sky to a swirling vortex, to turn the stars into an eerie presence, and make the crow’s eye shine balefully out at the viewer.

For anyone who likes corvids and shiny things, this is a great little remix of one of my best recent works.

Midnight Blue Sky, detail, by Amy Crook

Above, you can see the copper shine of this crow’s altered eye. Below, it’s framed and waiting for the right home to fly to.

Midnight Blue Sky, framed art by Amy Crook

Midnight Blue Sky, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Sea Creatures and Other Animals, Series and Books
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Artist’s Choice: Best of 2019

Wednesday, January 1st, 2020

Artist's Choice - Best of 2019 by Amy Crook

2020 is here!

It’s been 2019 all year, hasn’t it? But I still made a lot of art, including five Floating Galleries with 9 paintings apiece. Here’s my favorite dozen from the past year!

May 2020 bring us all clarity, compassion, comfort, and joy.

(more…)

Categories: Floating Gallery, Series and Books, Words Words Words
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Growth 13

Friday, November 8th, 2019

an abstract watercolor in oranges and golds by Amy Crook

Growth 13, 8″x8″ watercolor on paper

A bright and cheerful change of pace brings us the almost-too-saturated colors of this newest Growth painting.

It owes a lot of its aesthetic to another series, Concentric, but the final image still follows the reaching-out visual language of its quieter predecessors. There’s a sense of light, of motion through space that only a few of its fellow pieces reflect.

The warmth suggests combustion, sparks from a fire, from a meteorite falling and burning on its way to earth. And yet, there’s something solid about the droplets raining down and radiating away from it, so perhaps it will leave an impression after all.

Growth 13, detail, by Amy Crook

Growth 13, detail, by Amy Crook

Above, you can see the shine and texture of the golden beads of paint floating atop the orange glow. Below, this bright painting is framed in black to set off its gorgeous colors.

Growth 13, framed art by Amy Crook

Growth 13, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Floating Gallery, Series and Books
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Spider Moon

Thursday, November 7th, 2019

an ink and watercolor painting of a spiderweb stretched between two tree branches, silhouetted against a golden harvest moon, by Amy Crook

Spider Moon, 8″x8″ ink and watercolor on paper

Another month, another Moon. This one is a golden Harvest Moon as befits the time of year, with a spider’s complex web stretched between branches just right to catch the light. The design looks just enough like an eye to give one an eerie feeling, and perhaps to make one wonder who is looking at who.

Not to mention wondering where the spider went.

Spider Moon, detail, by Amy Crook

Spider Moon, detail, by Amy Crook

Above, you can see the delicate web of silk shadowed against the strange surface of a lush golden moon. Below, the painting is framed and waiting to shed some light in your home.

Spider Moon, framed art by Amy Crook

Spider Moon, framed art by Amy Crook

Categories: Floating Gallery, Flowers, Trees and Landscapes, Sea Creatures and Other Animals, Series and Books, Whimsical and Strange
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