Archive for the ‘Flowers, Trees and Landscapes’ Category

Mercy House

Tuesday, November 5th, 2013

Mercy House by Amy Crook

Mercy House by Amy Crook

“Sometimes one feels that it would be merciful to tear down these houses, for they must often dream.”
-H.P. Lovecraft, “The Picture in the House”

I’ve been wanting to paint a house to go with this quote for a while, and October seemed the perfect month for a fretful, unhappy wreck of a house to emerge from the cool green background. There’s a quality to the paint that’s hard to capture on film, an unnatural wash watery green across the whole thing that slips it sideways into the world of Lovecraft’s special brand of madness.

Mercy House, 8″x10″ watercolor on watercolor paper.

Mercy House, detail, by Amy Crook

Mercy House, detail, by Amy Crook

Above, you can see the tiny glints of sunlight off the blindly staring window, and the black gap where the door once was. I never did decide if those fragments of sun are on shattered glass, or merely filtered through the encroaching leaves surrounding the house. Below, I’ve put the piece in an antiqued gold frame, the better to emphasize the sense of decay.

Mercy House, framed art by Amy Crook

Mercy House, framed art by Amy Crook

This piece always puts Nick Cave and the Bad Seeds’ “The Mercy Seat” in my head. Because of reasons.

Categories: Angels, Cthulhu, and Other Myths, Floating Gallery, Flowers, Trees and Landscapes, Zombies, Skulls, and Other Morbid Things
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Pollen

Monday, November 4th, 2013

Pollen by Amy Crook

Pollen by Amy Crook

Continuing with my new tradition of reworking old art, this piece has very little resemblance to its forebear. The soft black paper is entirely covered in a dark, velvety red like old blood, and each little salt pool has a halo of iridescent garnet. The salt pools, originally a dull pink from the Himalaya sea salt, have been dyed a bright shimmering blue to match the tentacles. They reminded me of glowing motes of pollen drifting on the breeze, which is how I got the name.

I’ve got to admit, I really hope I don’t ever have to inhale these alien grains of pollen. I’d hate to see what kind of allergy attack they’d produce — or find blue tentacles growing in my brain.

Pollen, 5″x5″ salt and watercolor on Arches cover black paper.

Pollen, detail, by Amy Crook

Pollen, detail, by Amy Crook

The big central crystal in this formation refused to be dyed blue, so it’s the only bit of the original pink left in the piece. Above, you can see the shimmering iridescent paint fading into the deeper background color — a natural-mineral paint called, appropriately, bloodstone. Below, the piece has been tucked into a frame with some extra tentacles to make it feel at home.

Pollen, framed art by Amy Crook

Pollen, framed art by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Floating Gallery, Flowers, Trees and Landscapes, Tentacles
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Brass Gates to Midnight 2

Saturday, October 5th, 2013

Brass Gates to Midnight 2 by Amy Crook

Brass Gates to Midnight 2 by Amy Crook

Last year I painted Brass Gates to Midnight, and posted it to the blog even though it never quite felt finished to me. I decided to pull out the old piece and rework it. I spent several hours with my brown and gold paint adding depth and weight to the gates, turning the spirals from insubstantial mist to thick vines frozen in a riot of growth. I added a sheen of starlight on the dark trees, and even gave the tiny fairy tucked in the gates a bit more detail and color.

The inner spaces of the gate remain black, blocking our sight to the lands we can see through the gap and over the top. Are you tempted to push them fully open and wander into the starlit places beyond?

Brass Gates to Midnight 2, 5″x5″ Japanese and iridescent watercolor on Arches cover black paper.

Brass Gates to Midnight 2, detail, by Amy Crook

Brass Gates to Midnight 2, detail, by Amy Crook

Above, you can see the little brown-and-green fairy hiding in among the brass curls of the gate. Is he luring you in, or warning you away? Perhaps it’s a bit of both.

Below, you can see the piece in a frame, like a window onto another set of possibilities.

Brass Gates to Midnight 2, framed art by Amy Crook

Brass Gates to Midnight 2, framed art by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Flowers, Trees and Landscapes, People, Figures and Faces, Whimsical and Strange
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Red Sky Firefly

Friday, September 6th, 2013

Red Sky Firefly by Amy Crook

Red Sky Firefly by Amy Crook

Strings of glowing fireflies flit in the distance through red-tinted dusk in this abstract piece. The night is slowly banishing the last hints of color, but for now the fireflies still eclipse the stars. There’s a dreamy, gorgeous feeling to this painting, with its metallic-bright firefly spots and softly textured ruddy end-of-sunset background.

Red Sky Firefly, 7″x5″ Japanese watercolor and metallic watercolor on Arches cover black paper.

Red Sky Firefly, detail, by Amy Crook

Red Sky Firefly, detail, by Amy Crook

Above, you can see the texture of paper and paint, and the soft glow of golden light that seems to float above the surface. Below, I’ve put the piece in a frame so you can imagine it like staring out a window into some fairy world where it’s always dusk, and sailors always delight in the red sky at night.

Red Sky Firefly, framed art by Amy Crook

Red Sky Firefly, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Floating Gallery, Flowers, Trees and Landscapes
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Gliding Under the Canopy

Monday, August 5th, 2013

Gliding Under the Canopy by Amy Crook

Gliding Under the Canopy by Amy Crook, $199

I’ve had this background of faint green leaves or feathers for a long time now, just waiting for the right image to go on top of it. I decided it needed a bird of prey to glide along under a sunlit canopy of leaves. The subtle textures of green in the background get somewhat lost in the glare of the scanner; this is definitely another piece that has a lot to offer in person.

I like the way there’s more space in front of the bird than behind, as if to suggest an endless forest of new green leaves just waiting ahead.

Gliding Under the Canopy, 6″x4″ watercolor crayon and watercolor on paper, $199 with free shipping.

Gliding Under the Canopy, detail, by Amy Crook

Gliding Under the Canopy, detail, by Amy Crook

Above, you can see some more of the soft green texture that permeates the background. Below, I’ve got the piece tucked into a frame, where the green glows behind the golden brown bird.

Gliding Under the Canopy, framed art by Amy Crook

Gliding Under the Canopy, framed art by Amy Crook

  • Title: Gliding Under the Canopy
  • 6 in. x 4 in. watercolor and watercolor crayon on Fluid watercolor paper
  • $199 for the original (tax will be added if you live in CA)
  • Frame is not included, but can be added for $50 (shipping included)
  • Shipping is free anywhere in the world
  • Payment plans are available, just email me
  • The button below will take you to Paypal – if you’d like to pay another way, just let me know and we’ll work it out

Categories: Daily Art, Flowers, Trees and Landscapes
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Lunch With a View

Saturday, July 27th, 2013

Lunch With a View, Doctor Who fan comic by Amy Crook

Lunch With a View, Doctor Who fan comic by Amy Crook

I rewatched “Dinosaurs on a Spaceship” recently, and I just couldn’t resist the idea of drawing this peaceful moment with Rory’s Dad sitting on the edge of the TARDIS, suspended over Earth, eating his little packed lunch and looking content. He was kind of hard to draw without his very characteristic nose to help me out, but in the end I’m pretty happy with him. The stars are tiny painted dots of silver watercolor, which is the one thing I have that won’t absorb the black marker pigment and turn grey.

Lunch With a View, 5″x7″ pen & ink, Copic marker, and metallic watercolor on paper. On a whim, I also made him available as a blank card on Etsy.

Lunch With a View, detail, by Amy Crook

Lunch With a View, detail, by Amy Crook

Above, you can see a silly little bottoms-up view of Mr. Williams’ feet dangling off the edge of the TARDIS and over the distant Earth. Below, you can see it in a frame, with my iPhone and my Sonic Screwdriver.

Lunch With a View, framed art by Amy Crook

Lunch With a View, framed art by Amy Crook

Categories: Daily Art, Flowers, Trees and Landscapes, People, Figures and Faces, Series and Books, Things I'm a Fan Of
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Convergence

Thursday, July 25th, 2013

Convergence, watercolor by Amy Crook

Convergence, watercolor by Amy Crook

There is a distinct feeling of motion to this piece in person, the sparkling salt stars coming in from above and below, the inky black sweeping on on the sides, all converging in the center of the page. I kind of wanted to add a TARDIS to the picture, but I couldn’t figure out the right place to put it that wouldn’t ruin the sense of forces converging in the vastness of space. You can just imagine it’s floating there in the center with its shields up, the invisible force drawing everything inward.

The salt-crystal “stars” are a bit lost to my scanner, but you can see them much better below, along with a slightly better sense of the colors, though the rich, deep royal purple is just not coming through on my monitor, alas. This is definitely a piece that’s better in real life.

Convergence, 10″x8″ Japanese watercolor and salt on Arches cover white paper.

Convergence, detail, by Amy Crook

Convergence, detail, by Amy Crook

Above, you can see the texture of salt crystals studded over the paper, and the swirling nebulae of color they swim in. Below, the piece is in a frame, hanging out with my iPhone and looking awesome.

Convergence, framed art by Amy Crook

Convergence, framed art by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Flowers, Trees and Landscapes, Series and Books, Things I'm a Fan Of
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