Archive for the ‘Series and Books’ Category

WIP: Weeble Cthulhu Divination Deck

Wednesday, August 17th, 2011

Weeble Cthulhu Divination Card sketch by Amy Crook

Weeble Cthulhu Divination Card sketch by Amy Crook

Since it’s been a while since I released my two Coloring Books, I want to get back to my original weeble monster love and do another Cthulhu project. This time, I want to make a parody divination deck starring Weeble Cthulhu and his other creepy cute pals. This is inspired both by my love of tarot cards (they’re like little packs of themed art!), and the completely awesome Fantod Pack by Edward Gorey.

I’m still making a lot of the basic decisions, but I made this sketch as a motivator for myself. I love how his tentacles float up in the water, and the weird angles on his altar bed, though I’m pretty sure I won’t bother to show the surface of the water in the final, just shade it to give sense of being below the depths. I just felt like drawing a tiny sailboat.

Stuff that needs to be decided (feel free to weigh in!):

  • What size should the cards be — playing card or tarot card size?
  • How big should the deck be? (I’m thinking 42 cards right now.)
  • Or, do I want to add a whole extra research dimension by trying to do an entire 78-card Tarot deck?
  • If I did do a Tarot deck, how would the suits work? Obviously Tentacles would be a suit, but what about the other 3?
  • If I did a 42-card “divination deck,” what should I do for the actual instructions for use?
  • Either way I need to assign numbers and meanings to the monsters, which should be hilariously fun. I love the universal gloom of Gorey’s predictions, though mine will of course involve more tentacles.
  • Where should I have them printed? How fancy should the accompanying booklet be?
  • What other rewards should the Kickstarter off than packs and more packs? Originals, obviously, but what else?

I want to get at least half if not most of the art done before I even consider a Kickstarter, so that if/when it does fund it’ll be ready to send off to the printer very soon after. Having supported several Kickstarters now, I have to admit that the wait after funding is interminable, and the one that was ready for press right away and has already shipped to me has a very special place in my heart.

So, what do you all think, dear readers? Would you want to divine that you were destined to be detained by demons, tickled by tentacles or poked by psuedopods? Or have I lost too much of my sanity to be trusted?

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles, Things I'm a Fan Of, Works In Progress
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Iridescence 3

Thursday, August 11th, 2011

Iridescence 3, abstract art by Amy Crook

Iridescence 3, abstract art by Amy Crook, $333

I admit, I wanted to post both of these in the same week because they feel like different sides of the same coin to me. They use similar color schemes and techniques, but where Iridescence 2 is all soft glowing colors and indistinct shapes, Iridescence 3 is all sharp-edged spirals and visible brush strokes.

Even the haloes of complementary color around each salt pool are sharper and more distinct than in the previous piece, with more areas of pure white paper peeking through as a result. I’m not sure which of the two I prefer, though this is the one I’ve got out on display right now.

Iridescence 3, 7″x5″ mixed media on watercolor paper, $333, framed, with free shipping.

This is a closeup of the green salt pool in the lower left, so you can really see how the paint is layered in distinct circles with watercolor’s characteristic dark, sharp edges.

Iridescence 3, detail, by Amy Crook

Iridescence 3, detail, by Amy Crook

The bold black frame works really well with the blue-black and violet-black in the darkest, sharpest of the paint swirls, and protects the fragile salt crystals from damage.

Iridescence 3, framed art by Amy Crook

Iridescence 3, framed, by Amy Crook, $333

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Cousin Godiva

Wednesday, August 10th, 2011

Cousin Godiva, cartoon by Amy Crook

Cousin Godiva by Amy Crook

This idea came to me when I was walking to meet a friend, my (ridiculously) long hair blowing in the breeze. I’ve always been a bit fascinated by the idea of Lady Godiva, and of course Cousin It is a theme anyone with long brown hair will find in their life. The combination of Addams Family and legendary lady was irresistible to my cartooning fingers.

With all the cartoons I do, I’m getting to be an old hand at drawing and coloring hair, so Cousin It was pretty easy overall. It’s the first time I’ve tried to weeble-ify a horse, though!

Categories: Daily Art, People, Figures and Faces, Series and Books, Whimsical and Strange
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Iridescence 2

Tuesday, August 9th, 2011

Iridescence 2, abstract art by Amy Crook

Iridescence 2, abstract art by Amy Crook, $333

Going in the opposite direction of yesterday’s art, this one expands the color palette along the entire cool end of the spectrum. I used green, aqua, blue and violet pens for my salt circles. Then I supplemented it with a layer of hibiscus tea in its low-saturation periwinkle shades. After that I used watercolors in matching hues, the dark indigo-black and violet softened by swirls of complementary colors around each salt pool. Finally, I used a little bit of salt to add texture to a few of the darkest places, giving the whole piece a layered complexity.

I decided to continue naming them as a series after one of my favorite of the salt pieces, Iridescence, because they had the same quality of seeming as though they were reflective without anything shiny, other than the sparkling salt crystals.

Iridescence 2, 7″x5″ mixed media on paper, $333, framed, with free shipping.

You can see one of the wonderfully complex salt structures here, a little lopsided ziggurat of crystal formations saturated with ink and ever overdyed with paint. If you click on the image you can see it even bigger and really get a sense of the detail, though of course the actual circle is barely the size of a dime.

Iridescence 2, detail, by Amy Crook

Iridescence 2, detail, by Amy Crook

The piece looks beautiful safely tucked into its frame, the soft lines and cool colors offset by the simple black wood.

Iridescence 2, framed art by Amy Crook

Iridescence 2, framed, by Amy Crook, $333

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Hibiscus Blue 5

Monday, August 8th, 2011

Hibiscus Blue 5, abstract art by Amy Crook

Hibiscus Blue 5, abstract art by Amy Crook, $323

In this installment of my Hibiscus Blue series, I decided to go fully monochromatic by using the hibiscus tea rather than water to create my salt pools. Other than the signature, there’s no ink or watercolor in this it all, only the various shades of indigo created by the tea and its chemical reaction to the paper.

When I added the tea to the salt, it was fascinating to watch the droplets of liquid turn from a clear pinkish ruby, to a dark red, then almost an opaque black before drying the deep indigo you see here. It took a long time for both the chemical reaction and for the tea to fully evaporate, but the product is completely unique.

One random thing I discovered when I was working on these pieces — mosquitoes apparently find hibiscus tea quite tasty. I had one that kept circling and landing on the art, drinking from the shallow pool of tea (rather than me, thankfully). Since I didn’t want a bug-print in the middle of my painting, I had to let it go, though I think it fell prey to one of my cats shortly after.

Hibiscus Blue 5, 5″x7″ salt and hibiscus tea on paper, $323, framed, with free shipping.

Something about the way the salt and tea reacted caused the salt pools to form as circles of low, flat crystals with no large central formation, which then tended to dissolve easily when further tea was added to the page, creating irregular shapes of iridescent sparkle on the page.

Hibiscus Blue 5, detail, by Amy Crook

Hibiscus Blue 5, detail, by Amy Crook

I think the simple black frame really sets off the organic, monochromatic shapes, giving structure to the abstract swirls of color. The color seems a bit more accurate here, too; my scanner tends to pick up the least bit of remaining pink in the tea that isn’t as visible to the naked eye — or at least not to my eyes.

Hibiscus Blue 5, framed art by Amy Crook

Hibiscus Blue 5, framed, by Amy Crook, $323

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Hibiscus Blue 4

Monday, August 1st, 2011

Hibiscus Blue 4, abstract art by Amy Crook

Hibiscus Blue 4, abstract art by Amy Crook, $444

This fourth installment of my Hibiscus Blue series is even simpler than #2, with thin, sharp-edged indigo spirals swirling around the lighter blue salt circles. The cool, subdued colors let the lines themselves set the tone. The rhythm of this piece is quite playful, like raindrops in a puddle at the very start of a warm summer storm when only a dozen or so drops have hit.

Hibiscus Blue 4, 7″x5″ mixed media on watercolor paper, $444, framed, with free shipping.

Hibiscus Blue 4, detail, by Amy Crook

Hibiscus Blue 4, detail, by Amy Crook

The salt circles are very simple this time, no fancy formations, just a soft hint of blue with an echo of the original spiral at the center of each one. When it’s tucked into its simple black frame, you can really get a sense of the motion of the brush in every stroke and swirl.

Hibiscus Blue 4, framed art by Amy Crook

Hibiscus Blue 4, framed art by Amy Crook, $444

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Hibiscus Blue 3

Monday, July 25th, 2011

Hibiscus Blue 3, abstract art by Amy Crook

Hibiscus Blue 3, abstract art by Amy Crook, $323

I wasn’t sure if this piece would be part of my Hibiscus Blue series or not until I started it, because I used an entirely different sort of paper. This is a thick watercolor postcard, which turned the rich pink of the tea into a gorgeous periwinkle blue that grew even darker where it pooled around the salt. The two unusual art materials reacted together to create gorgeous cornflower-like rosettes in the lighter places, while sparkling patterns of blue-dyed salt crystals add texture to the darker sections.

Hibiscus Blue 3, 4″x6″ hibiscus tea and salt on watercolor postcard.

Rather than my usual method of putting the liquid over the salt, this time I created a very wet wash of tea and then scattered the salt crystals onto the drying tea. You can see below how the tea stayed pink the longest where it was drawn into the salt, but at the same time it also turned bluest in those places where there was more salt.

HIbiscus Blue 3, work in progress by Amy Crook

HIbiscus Blue 3, work in progress by Amy Crook

This shot really captures the sparkle of the piece, not just in the places where the salt is thickest but also around the center of each flower.

Hibiscus Blue 3, detail, by Amy Crook

Hibiscus Blue 3, detail, by Amy Crook

It fits nicely in a simple black frame, ready to ship and hang in your home or office. It’s the perfect size to decorate your desk or a small bit of wall to which you’ve been wanting to add a surprising touch of beauty.

Hibiscus Blue 3, framed art by Amy Crook

Hibiscus Blue 3, framed art by Amy Crook

As a bonus, I made a free computer wallpaper and iPhone wallpaper of this piece just for the people who read all the way to the bottom. Enjoy!

Categories: Abstract and Just Plain Weird, Daily Art, Free Wallpapers, Series and Books
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