Blog « Antemortem Arts | Art & Writing by Amy Crook

Red

Posted on September 10th, 2010

Red by Amy Crook

Red by Amy Crook

As promised, this is my other piece that’s simply called Red. Like last week’s piece, the reds are dark and intense, though this time they’re offset not by white paper but by the yellow ochre painted border. The different shades of red are also different textures, you can see some of the flash glare on the painting where the paint’s glossy, compared to the deep matte color of the bottom section.

This is actually quite a large painting, two feet by three feet, and although the edges are unfinished, I think it hangs just fine as is.

Red, 24″x36″ oil painting on canvas, $1299 with free shipping.

Categories: Abstract and Just Plain Weird, Daily Art
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Weeble Wednesday: Bridget Pilloud

Posted on September 8th, 2010

Bridget Pilloud by Amy Crook, annotated by Bridget

Bridget Pilloud by Amy Crook, annotated by Bridget

I had the chance to cartoon Bridget Pilloud as one of my very first cartoon clients, back when I was first experimenting with the offering. I had a great time working on her because she has a really clear sense of what makes the perfect “inner Bridget” as she put it — she wanted the designer boots she couldn’t afford in life, a fireball to show her inner fire, and clothes, hair and giant grin just like she has (or had — she’s got a cute pixy cut) in real life.

If you’d like to Be a Cartoon yourself, click on over — it takes me a couple of weeks these days because my schedule’s busier, but I’m loving all the fun results!

Categories: Completed Commissions, Daily Art, People, Figures and Faces
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Red Death

Posted on September 7th, 2010

Red Death by Amy Crook

Red Death by Amy Crook

This piece has a bit of a story to it. It’s a large monoprint, with a very small etching plate near the center of the paper. The two more random images were created by mixing up the blood-red ink and then smushing it between two plates, and then printing the result. I love the way the bottom image looks a bit like a heart (of the anatomical sort), while the left image seems to hold a whole world of secrets, a landscape of crimson mystery.

The etching plate is part of a series I started and never finished, depicting Neil Gaiman’s Endless from his Sandman comic series — but not the people, the ideas they represented. This plate was, I think, the most successful, the image for Death. I did print a single edition of the plates by themselves, and I’ll post those next month sometime (very Halloween appropriate).

Together the 3 images seem to tell a story, or to invite the viewer to tell their own story. I think every piece of art has something to say to the viewer, but not every person gets the same message. I’m always curious what a piece says to other people — what does this one say to you?

Red Death, 22.5″x16″ etching and monoprint on watercolor paper, $699 with free shipping.

Red Death, detail, by Amy Crook

Red Death, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Things I'm a Fan Of, Zombies, Skulls, and Other Morbid Things
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The Texture of Faith

Posted on September 6th, 2010

The Texture of Faith by Amy Crook

The Texture of Faith by Amy Crook

This print uses 3 of my little etching plates, two of which have been double-inked so that there’s a primary color in the actual etching, and a secondary red on the surface of the plate. The top two plates are both found objects of a sort, the smaller one is actually part of a larger plate that I cut up and kept pieces of to use in other prints. The paper has a beautiful texture of its own, lending an extra dimension to the abstract images, and giving a rich desert for the tiny cruciform figure to wander in.

The Texture of Faith, detail, by Amy Crook

The Texture of Faith, detail, by Amy Crook

There’s a lot of meaning that could be inferred here, but this is one of those pieces that’s hard to quantify for me — I can talk about this technical aspect or that process, but the end result was something unexpected. There’s hints of stories and ideas hiding in the abstract, brought out by the smallest image at the bottom.

The Texture of Faith, 15.5″x23″ intaglio and monoprint on imported Mexican bark paper, $499 with free shipping.

Categories: Abstract and Just Plain Weird, Angels, Cthulhu, and Other Myths, Daily Art
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Friendly Card Game

Posted on September 5th, 2010

Friendly Card Game by Amy Crook

Friendly Card Game by Amy Crook

I feel as though this should be renamed “Myths Playing Poker,” except neither one is really a specific mythical creature. I’m thinking of doing this up as a watercolor, but we’ll see how much motivation actually occurs. I do have another watercolor to work on, though, so it’s got a chance.

Edit: Got the watercolor done, you can see it here.

I drew this the other day when I was at a cafe with a friend, it was nice to have nothing else to do, because it encouraged me to make the piece much more finished and add a lot of detail rather than just doodle up a quick sketch.

Categories: Angels, Cthulhu, and Other Myths, Daily Art, People, Figures and Faces, Whimsical and Strange
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The Beating of Mighty Wings

Posted on September 4th, 2010

From the Darkness, I Hear the Beating of Mighty Wings by Amy Crook

From the Darkness, I Hear the Beating of Mighty Wings, lithograph by Amy Crook

This piece was a two-part stone lithograph drawn by hand on two stones, which is a really interesting and odd process that I only got a chance to try out twice during the short time I had access to the materials.

The image on the left contains a quote from Neil Gaiman’s Sandman series about his character of Death, and that’s the quote which I used to title the whole piece. On the right, we have a quote from the Joy Division song “In a Lonely Place,” which was quoted in the original comics for The Crow — the second comic series I ever collected (the first was Bill Sienkiewicz’s Stray Toasters). The image, of course, is of the main character from the comic and later movie, and has a pattern of wings overlaying the shadows, a match to the outspread wing in the first panel.

There are a lot of hidden things here about death and myth and meaning, but also about art and inspiration, and the process that artists of all sorts go through, amalgamating all the art they consume, the culture around them and the facts and trivia they learn, and putting it through the mill of their own experience. The Crow is littered with quotes from songs, The Sandman is rife with literary, historical and mythical references, and between them there is a small but coherent thread of death and flight and black wings that carry the soul away, that I’ve chosen to weave into this artwork.

From the Darkness, I Hear the Beating of Mighty Wings, edition, 22″x15″ stone lithograph on watercolor paper.

The print above on the buff paper was done in an edition of 26, of which I still have 6 (with some variation between prints owing to the process). I also have a single print on heavy natural-deckle handmade watercolor paper that’s one of a kind. No more of these can ever be made — the stones were long sanded down smooth and used for other artworks.

From the Darkness, I Hear the Beating of Mighty Wings, AP by Amy Crook

From the Darkness, I Hear the Beating of Mighty Wings, AP by Amy Crook

From the Darkness, I Hear the Beating of Mighty Wings, A/P, 22″x17″ stone lithograph on handmade watercolor paper.

Categories: Angels, Cthulhu, and Other Myths, People, Figures and Faces, Things I'm a Fan Of, Zombies, Skulls, and Other Morbid Things
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Red

Posted on September 3rd, 2010

Red by Amy Crook

Red by Amy Crook

I actually have two pieces with this same title, and I’ll try to post the other one (an oil painting) next week. I considered renaming this one, but the red is really the thing that calls to me about the piece. The red is dark and rich, and the figure is a fuzzy shadow that hides in the complex fibers. The ink of this print adhered irregularly to the handmade Thai paper, giving it a ghostly appearance.

One of the reasons I love the monoprint process so much is that it adds an element of randomness, making the art a collaboration between me and the process instead of me trying entirely to control what goes on.

Red, 22.5″x30″ monoprint and chine colle on watercolor paper, $499 with free shipping.

Here’s a close-up of the figure’s face, so you can see the other colors that are hiding amongst all the red, the black and white and a barely-there glow of golden yellow.

Red, detail, by Amy Crook

Red, detail, by Amy Crook

Categories: Daily Art, People, Figures and Faces
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